Tag: Istanbul

  • Istanbul – Sharing the Wealth

    Istanbul – Sharing the Wealth

    By Jonathan Gorvett

    Residents of Istanbul have never been known for hiding their wealth. From the days when Ottoman sultans would speed along the Bosporus in gold-leafed barges, crewed by hundreds of slaves, to today’s Porsches and Ferraris jamming the sclerotic streets of upmarket districts, life’s luxuries are very much there to be seen, shared and — if possible — parked outside the latest hip restaurant.

    As a result, products that help display your good fortune by bearing an unmistakable trade-mark – Louis Vuitton, Dior, Yves Saint Laurent – are always popular. Even the president’s wife can often be seen sporting Christian Louboutin shoes, their distinctive red soles a visible testimony to power and success.

    Yet this is not just boastfulness. Much of this show has to do with Turkish culture itself, which puts a high value on sharing. So, while the rich may be keen to invite you to a hip restaurant like Lucca in the Bebek district or Dukkan Steakhouse in Armutlu, it will be nearly impossible for you to pay your share of the bill, as your hosts fight it out with their golden credit cards.

    Meanwhile, says Erin Zeynep Guler-Tuck, editor of Time Out Istanbul’s English-language edition, “since the culture demands that each person be aware of the other, it is important that a certain reputation be kept up, especially for members of high society.”

    This reputation meant that even during the darkest moments of the economic recession, people kept partying. (Turkey has now returned to rip-roaring growth.)

    “It was important for the upper classes to be out and about, so that people would not think their businesses were doing badly,” adds Guler-Tuck’s colleague, Cimen Uzsoy Gumusel, who edits Time Out Istanbul’s Turkish edition. “The only difference was that instead of ordering the finest foreign wines, they’d go for local spirits.”

    These days, the luxury lifestyle in Istanbul still involves a great deal of going out. The higherclass areas to head for include Bebek, Nisantasi, Tesvikiye, Etiler, Ulus, Levent and Akaretler, all European-side venues in this city of two continents. The Bosporus, which splits the city in two, is also a social marker — the closer you are to it and the better your view, the higher your status.

    After-parties in hotel penthouses at the new W in Akaretler or the Witt Istanbul Suites in Cihangir are a popular way to celebrate wealth, too, as are gatherings at villas on the Bosporus.

    Interior décor and design have also become more important to the well-heeled, with custom- made products by Lab Istanbul and Derin Design. What to wear among this splendor can be solved by the Harvey Nichols store at Kanyon Mall, or by fashions from a clutch of up-andcoming Turkish designers, like Ozgur Masur, Zeynep Tosun and Umit Unal.

    Luxury is also about buying time, which in Istanbul has to mean avoiding the horrendous traffic. One way to do this is to live where you work, go out and shop — the rationale behind some of the luxury all-in-one condo complexes on the edges of the city, such as Kemer Country. Yet, as the all-night traffic jams on the roads along the Bosporus testify, it is still also essential to put that Porsche down right outside the latest waterfront hotspot, sharing your success.

    Jonathan Gorvett is a freelance writer based in Istanbul.

  • Take a look at İstanbul’s religious sites from the sky

    Take a look at İstanbul’s religious sites from the sky

    The number of publications on İstanbul has soared with the city being chosen among the 2010 European Capital of Culture picks this year.

    religious istanbulA large number of books have been published with a variety of content and photography. One of the latest publications in this area that came out of İstanbul Chamber of Commerce publications, called “Sanctuaries of İstanbul from the Sky,” offers aerial images of various places of worship that constitute some of the city’s most important historic landmarks. The pictures in the 255-page book, or album, were taken by Orhan Durgut, one of Turkey’s most famous aerial photographers.

    The book, produced for print by Cihan Yapım, also includes opinions from the city’s religious leaders including İstanbul Mufti Mustafa Çağrıcı, Greek Orthodox Patriarch Bartholomew I, deputy patriarch of the Armenian Patriarchate based in İstanbul Archbishop Aram Ateşyan and Chief Rabbi of Turkey Rav İsak Haleva.

    In his evaluation of the city’s sanctuaries, Professor Çağrıcı emphasizes the diversity of the city. “In addition to several characteristics, İstanbul is a special city also for embracing different religious beliefs, the symbols and values of these beliefs for centuries. The spiritual and religious richness of the city has further increased since its conquest [by the Ottomans]. Since 1453, the sanctuaries of Muslims and Christians in İstanbul have existed and developed together.”

    Patriarch Bartholomew I says of İstanbul, “With her history of thousands of years, İstanbul is just like the city of spirituality where the most splendid sanctuaries are located one on the top of the other and next to each other.”

    Rabbi Haleva describes the city’s religious sites, saying: “Undoubtedly the sanctuaries of İstanbul are the most important components creating the specific mystery of this city. In other words, the sanctuaries have an important role in activating the imagination of the people in İstanbul’s silhouette, with its beauty different through the day and nights.”

    Archbishop Ateşyan says İstanbul has a lot to offer but for only those who want to own, see and understand the city. “The sanctuaries are among the top of the most important structures constituting this whole.”

    The Hagia Sophia Museum, one of the many religious sanctuaries included in the album, has withstood the test of 15 centuries. It is one of the most important edifices of Byzantine architecture in the city with its huge dome, considered a masterpiece in art history. Hagia Sophia was built in the center of the historic peninsula by Emperor Justinian I as a patriarchate cathedral between A.D. 532 and 537. The dome transition and load bearing system of Hagia Sophia are considered significant milestones in the history of architecture.

    Another İstanbul mosque included in the book is naturally the Sultan Ahmet Mosque, also known as the Blue Mosque. It is one of the most important edifices in the city and perhaps its figure is the most recognizable in the skyline of the historical peninsula with its six minarets extending into the heavens. It was built by architect Sedefkar Mehmet Ağa under orders of Sultan Ahmet I in the period between 1609 and 1616. One of the key features of this mosque is the more than 20,000 pieces of blue, green and white İznik tiles used in its interior decoration.

    The beautiful red roof of the spectacular St. Antoine Catholic Church located in the Beyoğlu area is all the more striking in the aerial image. This church will be on the left on İstiklal Street as you walk toward the Tünel area from the Taksim Square. It is the largest church with the largest congregation in the city. It was initially built in 1725 to provide religious services to the city’s Catholics. However, originally it was not made of red bricks as it currently is. The currently standing neo-gothic style, reinforced concrete building was erected to replace the former structure in 1912. Access to the church is possible through the St. Antoine apartment buildings to the right and left of the church once one steps in through the gate that faces İstiklal Street.

    The Church of St. Mary of the Mongols also looks fascinating from an aerial angle. This church dates back to the 10th century. It is the only edifice remaining from the Eastern Romans today that continues to be a place of worship for the Greek Orthodox community.

    Another architectural masterpiece, by Mimar Sinan, included in the book is the Üsküdar Valide-i Atik Mosque. It was built by Sinan under the orders of Nurbanı Sultan, the wife of Sultan Selim, in the 1570s. The mosque and the social complex around it included a madrasah, a dervish lodge, an elementary school, a caravanserai, a Turkish bath, a darulkurra (an institute specializing on the reading of the Quran) and a hospital. Currently, only the mosque and the Turkish bath continue to serve the city’s residents.

    The Ortaköy Mosque, arguably one of the most important landmarks in the city, is also featured in the book. This mosque was built in 1853 under the imperial order of Sultan Abdulmecid. Considered a fine example of neo-baroque architecture, the mosque is also fascinating with its view of the Bosporus. It is located right on the banks of the Ortaköy shore.

    31 October 2010, Sunday

    E. BARIŞ ALTINTAŞ  İSTANBUL

  • Komitas Vardapet’s ‘Divine Liturgy’ to be performed in Istanbul

    Komitas Vardapet’s ‘Divine Liturgy’ to be performed in Istanbul

    vardapet

    Komitas Vardapet’s “Divine Liturgy” will be performed in “Yerek Khoran” Armenian Church in Istanbul’s Beyoğlu district on November 11. The composition will be devoted to the renowned Armenian composer’s 140th birth anniversary and 75 years since his death, Ermenihaber.am informs.

    The composition will be performed by Gusan 2010 choir. The concert, organized by Hagob Mamigonyan and Edvin Galipoglu, is free.

  • Istanbul’s metrobus to go cashless

    Istanbul’s metrobus to go cashless

    The Istanbul Public Transport Authority, or İETT, will no longer accept cash payment for metrobus fares starting Nov. 15. The move is expected to cause crowds and long queues at metrobus entrances.

    metrobus

    The İETT said it would no longer accept cash because making change causes delays at cash-payment turnstiles. From Nov. 15, passengers will have to use Akbils or electronic fare cards.

    The fare for the Avcılar-Söğütlüçeşme metrobus line has changed to a graduated rate since Oct. 30. The first three stops on a metrobus line cost 1.35 Turkish Liras for adults, 0.80 liras for students and 0.90 liras for other discounted passengers. After three stops, the price is 1.95 liras for adults, 0.95 liras for students and 1.10 liras for other discounted passengers. Monthly blue Akbils charge one pass for the first three stops and two passes after three stops. The new price of the one-pass electronic ticket is 2.50 liras.

  • Fans of Italian comic book Zagor meet in Istanbul

    Fans of Italian comic book Zagor meet in Istanbul

    ÖZGÜR ÖĞRET

    ISTANBUL – Hürriyet Daily News

    Gallieno Ferri, creator of Italian comic book hero Zagor, came to Istanbul to visit fans at an event organized by the comics’ Turkish publisher. The popular event was rounded out by an auction for charity, as well as a Zagor-themed rock concert. ‘Zagor is adventure, horror, humor, fantasy – it is everything,’ says fan and musician Graziano Romani

    Zagor, alongside his companion Chico, has represented a different side of Italian comics since 1961. Although set in a western atmosphere with lots of cowboys and Indians, the adventures of Zagor differed themselves with factors of both science fiction and horror.

    Providing a night of nostalgia for the benefit of charity, Gallieno Ferri, creator of the classic Italian comic book hero Zagor, and other Italian artists visited Istanbul for a series of events that ended Sunday.

    Zagor Night, organized Thursday at Karga Bar in Kadıköy by 1001 Roman Publishing, which publishes Zagor in Turkey alongside other European comics, attracted great interest from the public.

    Three of 81-year-old Ferri’s works were offered for sale at a charity auction, with proceeds going to the Umut Foundation, which focuses on the disarmament of individuals.

    Sibel Savacı from the foundation presented awards to Ferri, his colleagues Giancarlo Orazi and Marco Verni and 1001 Roman’s owner Fuat Aktüre.

    “Old comics had a sense of social responsibility though they were based on war, defense and the like. They always taught a lesson in life and humanity to the reader. I hope the mission of these artists will set an example to today’s artists,” she said.

    Ömer Muz, a Turkish comic cover artist who has been drawing authentic covers for the Turkish versions of Italian comics since the 1970s, also offered a new drawing, “Zagor and Chico in Beyoğlu,” for the auction.

    The night also featured a book signing as well as a concert from Italian rock musician Graziano Romani, who counts himself as one of Zagor’s hundreds of thousands of fans. Romani, who has a concept album based on Zagor called “The King of Darkwood,” performed the work live with Turkish band Aseton as his warm up act.

    ‘Super hero’ of the Wild West

    Zagor, alongside his companion Chico, has represented a different side of Italian comics since 1961. Although set in a western atmosphere with lots of cowboys and Indians, the adventures of Zagor differed themselves with factors of both science fiction and horror.

    Challenging aliens and magicians as well as gunslingers and fierce American Indians while in a colorful costume, Zagor is a “superhero” of the Wild West despite lacking any superhuman powers, possessing instead only an extraordinary acrobatic ability and talent in the use of axes and guns.

    He also has elements from many hero stories like Robin Hood, residing in a mystical forest called Darkwood; like Tarzan, Zagor also swings from vine to vine as a method of travel.

    “[Zagor] is always new. It is adventure, horror, humor, fantasy – it is everything,” Romani told the Hürriyet Daily News & Economic Review.

    “I used to read it as an 8-year-old kid,” he said in relating how he became immersed in Zagor. “These were the golden times of Zagor – [these were the] best stories and they had wonderful drawings; I got really excited and moved.”

    A concept album on a comic book character is an unorthodox move but the fans reacted well to it, Romani said.

    “It is about the sensation all the fans feel about Zagor,” he said, adding that all the characters from the comic, both heroes and villains, found reflection in his songs.

    “Zagor is a man and is more than a hero – he is a man who struggles for justice every day,” said Romani, adding that Zagor was his all-time favorite hero.

  • Cellist Gaillard to play İstanbul Recitals

    Cellist Gaillard to play İstanbul Recitals

    One of the most famous cellists of the younger generation, Ophélie Gaillard, will be the second guest of the İstanbul Recitals concert series’ 2010-2011 season when she takes to the stage tomorrow night at the Mustafa Kemal Center (MKM) in Akatlar.

    gaillardThe monthly series, which features recitals by world-class acts, opened its third season last month with a performance by pianist Rustem Hayroudinoff.

    Gaillard will be presenting a program made up of Bach’s Cello Suite nos. 2 and 4 during the first half of her recital, where, in the second half, she will play Gaspar Cassadó’s Cello Sonata on her 270-year-old cello, made in 1737 by Francesco Goffriller.

    The concert, starting at 8:30 p.m. at the MKM’s Attila İlhan Hall, will be Gaillard’s second appearance in İstanbul as part of the İstanbul Recitals series, the first one being in November 2008.

    Both a recording and concert artist, the Franco-Swiss Gaillard is distinguished for her versatility with her performances of the baroque, classical, romantic and contemporary repertoires. The winner of several international competitions, notably the J.S. Bach International Cello Competition in Leipzig, Gaillard is a regular performer in the world’s great concert halls.

    09 November 2010, Tuesday

    TODAY’S ZAMAN  İSTANBUL