Tag: hollywood

  • Hollywood Proposed to Make Propaganda Films on Aliyev and Erdogan for a Price

    Hollywood Proposed to Make Propaganda Films on Aliyev and Erdogan for a Price

    A team of investigative journalists from the Organized Crime and Corruption Reporting Project (OCCRP) revealed that a Hollywood producer planned to make propaganda films that would glorify several authoritarian leaders for a payment of millions of dollars.

    Igor Lopatonok, a native of Ukraine who is now a US citizen, in collaboration with Oscar-winning filmmaker Oliver Stone, initially produced two documentaries on Ukraine which were described as “pro-Kremlin propaganda” and a highly flattering eight-part mini-series on Kazakhstan’s President Nursultan Nazarbayev.

    In addition, Lopatonok planned to make several propaganda documentaries casting a positive light on the autocratic leaders of Azerbaijan and Turkey, among others. However, it is not clear if Stone would have been involved in any of these proposed projects. None of these documentaries were made.

    OCCRP stated that Aliyev, Putin and Lukashenko “have all been accused of horrific crimes against the citizens of the countries they rule…. But where the world sees brutal dictators, Igor Lopatonok sees opportunity [to make money].” Since these authoritarian leaders were to pay for their propaganda documentaries, no mention would have been made of their brutal rule.

    “One of Lopatonok’s glossy pitches, ‘Untitled Oliver Stone Documentary’ or ‘About Ilham Aliyev and Azerbaijan’, promises that Stone would ‘sit face to face’ with the Azerbaijani strongman [Aliyev] and cover not only ‘emerging of leader to the head of state rank, but all questions of colorful and fascinating history of Azerbaijan,’” OCCRP reported.

    “Lopatonok seemed to have hit upon a promising formula. He had assembled a small team of screenwriters and producers who churned out film ideas to pitch to dictators, making an enticing offer: copious screen time with a world-famous director [Oliver Stone]. The key to ‘monetizing’ the process was simple, said an insider who worked on the team, and agreed to speak with reporters on condition of anonymity. Lopatonok had figured out how to offer powerful people something they couldn’t resist: Legitimacy on the world stage,” OCCRP wrote.

    “In his pitch to Aliyev for the ‘Oliver Stone documentary,’ Lopatonok underscores that the planned film would ‘have a unique positive impact on publicity of the president and Azerbaijan.’ Although it’s unclear if Aliyev ever engaged with the pitch, an expert on Eurasia said it would be in line with the strongman’s previous efforts to present his regime as a dynamic, modernizing influence in the region. ‘I do see it as in line with all of these potential vectors of image washing — culture, sports, those are the big ones, and global events, global conferences,’ said Alexander Cooley, a political science professor at New York’s Barnard College and an expert on Eurasian transnational networks.”

    It is obvious that a documentary made by Hollywood filmmakers touting the greatness of Aliyev would have much more credibility than the cheap propaganda produced in Azerbaijan.

    “When authoritarian leaders get a Hollywood glow-up, it often comes at the expense of the people they rule over, said Casey Michel, head of the Human Rights Foundation’s Combating Kleptocracy Program. The foundation has spent years campaigning for Hollywood stars to stop working with dictatorial regimes. ‘I can’t imagine how dispiriting it must be for citizens in places like Kazakhstan … to watch this American director come and turn into a propaganda mouthpiece for their dictators,’ Michel said. These people know how horrific these regimes truly are — and then they watch this American parachute in, and gobble up all of the dictators’ talking points, without even bothering to push back,” OCCRP stated.

    The funding to produce these documentaries is to be provided by the dictators “or people close to them.” In 2019, when Stone and Lopatonok produced the documentary “Qazaq: History of the Golden Man,” about Nursultan Nazarbayev, the President of Kazakhstan, a charitable foundation controlled by him paid the duo at least $5 million,” OCCRP reported.

    Documents obtained by OCCRP reporters revealed that Lopatonok’s “team prepared synopses of potential films about at least six other authoritarian governments, including China, the United Arab Emirates, and the Russian republic of Tatarstan, alongside the pitches to Aliyev and Lukashenko, promising that Stone would interview their leaders and help tell their ‘true story.’”

    Lopatonok’s team proposed that during his interview with Aliyev, Stone discuss “the country’s ‘success’ under the ‘dynastic rule’ of the Aliyev family, and its ongoing conflict with ‘an Armenia that is losing its stability and teetering on the edge of an abyss.’ A summary of the proposed film makes clear the tenor of Lopatonok’s approach: It describes Aliyev as a ‘true successor’ to his father, the previous president, who had taught him to be a ‘wise leader.’” The pitch asked: “Can you really call the existing state system in Azerbaijan a ‘Cult of Personality’? Or is it just a tribute of people’s respect to a leader who was able to turn the country from poverty into one of the developed, prosperous countries?” The film about Aliyev would cost $15 million, according to OCCRP.

    Lopatonok told the Azeri media during his visit to Baku in 2021: “This country [Azerbaijan] has a very rich and colorful culture. When I was here in 2012-2013, I learned to distinguish the Karabakh carpets from all others, identifying [them] by their ornament. I would make a good film about Azerbaijan.”

    There was another synopsis for a film on Turkish President Recep Tayyip Erdogan, “offering him a chance to tout his defense of Turkish interests.” Here is what the synopsis said: “Erdogan is a Turk and hardly needs to be basing his actions on the interests of other countries. But what interests does he have? Can he restore the Great Silk Road? And does he really have expansionist plans? What is Erdogan trying to achieve? He should answer these questions himself. And only himself. We should not try to divine [Erdogan’s plans] from coffee grounds, even if it is magnificent Turkish coffee that they know how to make only in Istanbul.”

    “In a 2018 interview, Ibrahim Kalin, then the spokesman for Turkish President Recep Tayyip Erdogan, confirmed that they had received a pitch for a documentary about Erdogan around the same time Stone was in Turkey. ‘We are looking at it, we are evaluating it,’ he said,” OCCRP reported.

  • Filmmakers, Police Clash in Istanbul

    Filmmakers, Police Clash in Istanbul

    By Fercan Yalinkilic and Ayla Albayrak

    ISTANBUL–Hollywood film directors got a not-so-warm welcome from Turkish police on the weekend when they joined a protest while visiting Istanbul as guests of the city’s annual international film festival.

    On Sunday, a group of acclaimed international filmmakers, including Mike Newell, Constantinos “Costa” Gavras and Marco Bechis, were met by police tear gas and water cannons when they joined some 2,000 people marching to protest against plans to replace a 90-year old Istanbul cinema with a shopping mall. Four people were arrested and later charged, including a Turkish member of the International Federation of Film Critics, Berke Gol. Turkish TV channels showed footage of one policeman grabbing the throat of Mr. Gol, who has been charged with “illegal meeting and protest” as well as resisting police and destroying public property.

    Turkish newspapers on Monday carried banner headlines about the altercation, which diverted attention from Istanbul’s film festival, which is taking place throughout April to showcase some of the best Turkish and international cinema. One leading daily called the protest “a battle,” while Turkey’s best-known film critic, Atilla Dorsay, said Monday that he would abandon his daily column in solidarity with protesters, citing his frustration with his “inability to change anything.”

    Mr. Gavras and the film federation, known as FIPRESCI, released statements accusing the police of responding harshly to a peaceful protest.

    “The violence occurred after a peaceful demonstration, and was triggered by an unapparent cause,” said Mr. Gavras, who acknowledged participating in the protest. “The peaceful protesters were unjustly attacked by the police with tear gas and water cannon, simply for insisting to enter the historical building,” FIPRESCI said.

    Interior Minister Muammer Güler said the actions of the police were being investigated, but added that there were “provocateurs” among the protesters who weren’t artists and who had illegally entered the cinema building previously.

    Demonstrators were protesting to save Istanbul’s Emek movie theater, an art-nouveau building opened in 1924. The cinema has become a symbol of Istanbul’s cultural heritage, which many say is being sacrificed to give way for shopping malls and sprawling apartment complexes in the fast-growing metropolis. Turkish filmmakers, who have protested for nearly three years to save the theater, say it holds a special place in Turkey’s storied film history, and accuse the government of suppressing their freedom of speech.

    Sunday’s demonstration isn’t the first time representatives of Turkey’s performing-arts sector have held protests. Last year, Turkish artists and theater fans demonstrated against government’s plans to privatize state theaters, another move seen as an attempt by the Islamic-rooted government to retain control over theater art, traditionally dominated by Turkey’s secular, Westernized upper class.

    The government said the move was intended to make theater more competitive and less reliant on state subsidies.

  • AMC/Sundance Pushes Into Turkey

    AMC/Sundance Pushes Into Turkey

    redford aJemal Countess/Getty Images

    The pay TV carriage deal marks the first time a local version of the Sundance Channel will be available in Turkey.

    LONDON – AMC/Sundance Channel Global has sealed what it is calling a landmark carriage deal to take a local version of its Sudance Channel into Turkey.

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    Robert Redford-Founded Sundance Channel Expands in Spain, Romania With New Carriage Deals

    SUNDANCE 2012: AMC/Sundance Channel Celebrate Global Expansion

    The network is launching on Digiturk in Turkey marking the first time the Sundance Channel will be available in the country.

    AMC/Sundance also said it will push out the channel via Cyfrowy Polsat and Toya in Poland.

    AMC/Sundance Channel Global president Bruce Tuchman said: “Our partnership with these major platforms is a significant achievement in expanding Sundance Channel’s presence and audience throughout the globe. We continue to experience strong demand for Sundance Channel’s distinctive HD film and TV programming.”

    Sundance Channel will launch on Digiturk, Turkey’s largest direct to home platform, as a locally versioned 24/7 offering, accompanied by a video-on-demand (VOD) service.

    In Poland Cyfrowy Polsat, the country’s largest DTH platform, will get a locally versioned 24/7 channel while cable operator Toya takes a locally versioned 24/7 channel and a VOD offering.

    The latest additions to the territory roster for AMC/Sundance follows a slew of pay TV deals across territories including France, the Netherlands, Spain, Belgium, Portugal, Poland, Romania, Hungary, Korea, Thailand and Taiwan.

    Sundance Channel was founded by Robert Redford and aims to showcase independent films.

    via AMC/Sundance Pushes Into Turkey – The Hollywood Reporter.

  • ‘Taken 2’ Trailer: Liam Neeson Kicks Butt in Istanbul | Hollywood.com

    ‘Taken 2’ Trailer: Liam Neeson Kicks Butt in Istanbul | Hollywood.com

    By Brian Marder , Hollywood.com Staff | Thursday, June 21, 2012

    The brand-new trailer for Taken 2 was unveiled on Thursday, and it looks like we’re in for much more of the same Liam Neeson revenge action that made the first installment so popular — this time set against the beautiful backdrop of Istanbul!

    Much of the original’s cast and crew — with the glaring exception being Olivier Megaton replacing previous director Pierre Morel — has returned for Taken 2, which finds retired CIA Agent Bryan Mills (Neeson) on vacation in Istanbul with his wife (Famke Janssen) and daughter (Maggie Grace). Mills is soon forced back into action, however, when his wife is taken hostage by a revenge-seeking father (Rade Serbedzija).

    Check out the trailer below, and don’t miss Taken 2 when it hits theaters on Oct. 5.

    via ‘Taken 2’ Trailer: Liam Neeson Kicks Butt in Istanbul | Hollywood.com.

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  • Pamela Anderson Visits Turkey!

    Pamela Anderson Visits Turkey!

    pam anderson turkey

    Gurl is everywhere these days!

    Check out these pics of Pam Anderson lookin’ fab across the ocean — in Turkey, no less!!

    She was spotted visiting historic sites in Istanbul while in Turkey to film an advertisement!

    But the real question is… an ad for what??

    Let us know, Pam! Hope you’re having fun!

    via Pamela Anderson Visits Turkey! | PerezHilton.com.