Tag: Antiquities

  • 16th century Turkish flask with links to Egypt’s presidential palace to be auctioned by Bonhams

    16th century Turkish flask with links to Egypt’s presidential palace to be auctioned by Bonhams

    A 16th century Iznik bottle flask from a private Belgian collection, linked to Egypt’s presidential palace is one of the top items in Bonhams auction of Indian and Islamic art on 4 October

    Bonhams, Saturday 27 Aug 2011

    Turkish pottery flask estimated to sell for £60,000 to £80,000 (photo: Bonhams)
    Turkish pottery flask estimated to sell for £60,000 to £80,000 (photo: Bonhams)

    A 16th century Iznik bottle flask from a private Belgian collection is one of the top items in Bonhams’ next sale of Indian and Islamic art on 4 October.

    The flask comes from the family of the man whose company was commissioned to build the Heliopolis Palace Hotel in Egypt, which later became the Presidential Palace of recently-deposed Egyptian president Hosni Mubarak. It is estimated to sell for £60,000-80,000 ($97,000 – $130,000).

    Iznik pottery and tiles have long held a special place in the minds and hearts of European collectors. The town itself lies in the Marmara region of Turkey and for 200 years, between the 15th and 17th centuries, was the major centre of ceramic production for the Ottoman Empire. Within the lexicon of shapes and types of this highly-regarded pottery, the bottle flask is held in particular esteem. Examples exist in the Calouste Gulbenkian Museum in Lisbon and in the Sadberk Hanim Museum, Istanbul but have appeared on the market very rarely.

    This wonderful flask will be offered for sale on 4 October from the collection of Madame Tibbaut, formed by her family who lived in Egypt at the turn of the century. Her great grandfather, Leon Rolin (1871-1950), nicknamed “The Lion of Cairo,” was the owner of contracting firm Leon Rolin & Co, one of the two largest civil contractors in Egypt. The firm was charged with construction of the Heliopolis Palace Hotel, later the presidential palace of the Mubarak administration.

    The Heliopolis Palace Hotel was an ambitious project, built in the open desert between 1908-1910, and opening as Africa’s most luxurious hotel on 1 December 1910. It was in these somewhat unusual circumstances that his wife, Madeleine Shaar (1876-1954), started a collection of Islamic art. His daughter Jacqueline continued to avidly collect and was present at the auction of the contents of the Royal Palace of King Farouk. She later returned to Belgium and distributed her rich collection amongst her children and their descendants.

    This important Iznik water bottle, made in Turkey around 1575, has a bulbous body with a brilliant white ground painted with red carnations and blue hyacinths.

    Alice Bailey, head of Indian and Islamic Art at Bonhams, comments, “It is a lovely piece with a fascinating connection to collecting and industry at the turn of the century.”

    In mid-15th century, the Ottoman Turks finally conquered Constantinople (Istanbul) and under their rule Turkish ceramics really came of age. As the Ottomans became more powerful, they employed scores of ceramic artists to make breathtakingly beautiful items for the pleasure of the Sultan and his court. The main development of Iznik pottery is said to have taken place during the second half of the 16th century, after the 1514 capture of the city of Tabriz by the Ottoman Sultan in the Battle of Chaldiran. The ceramic artisans of Tabriz were forcibly relocated to Iznik to practice their techniques.

    Iznik vessels were made in imitation of Chinese porcelain, which was highly prized by the Ottoman sultans. The originality of the potters was such that their use of Chinese originals has been described as adaptation rather than imitation.

    Chinese ceramics had long been admired, collected and emulated in the Islamic world. This was especially so in the Ottoman court and the Safavid court in Persia which had important collections of Chinese blue-and-white porcelain. Such Chinese porcelains influenced the style of Safavid pottery and had a strong impact on the development of Iznik ware.

    Important collections of Iznik ceramics are held in the British Museum, The Victoria and Albert Museum in London, the Calouste Gulbenkian Museum in Lisbon, the Benaki Museum in Athens, the David Collection in Copenhagen and numerous private collections worldwide.

     

    * Bonhams, founded in 1793, is one of the world’s oldest and largest auctioneers of fine art and antiques.

    via 16th century Turkish flask with links to Egypt’s presidential palace to be auctioned by Bonhams – Visual Art – Arts & Culture – Ahram Online.

  • Ancient stone lion found in Turkey

    Ancient stone lion found in Turkey

    A team of archeologists from the University of Toronto has found 2,800-year old stone lion during excavations at Turkey’s Tell Tayinat ancient site.

    Excavations at Tell Tayinat, Turkey
    Excavations at Tell Tayinat, Turkey

    Led by Tim Harrison, the team discovered the beautifully carved lion while excavating a temple at the site, Unreported Heritage News reported.

    The lion is nearly four feet tall and appears to be roaring. Experts have dated it to the time when Tayinat was the capital of a small independent kingdom, called Palastin, which vanished when the Assyrians under Tiglath-pileser III conquered the city in 738 BCE.

    Tayinat was revived 3,200 years ago when Middle Eastern civilizations were invaded by people of the Aegean known as the “Sea People.”

    Similar lion statues were also found by Robert Braidwood during his Tayinat excavations in the 1930’s.

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    via PressTV – Ancient stone lion found in Turkey.

  • Boston Museum To Reunite Statue’s Top Half With Bottom Half In Turkey

    Boston Museum To Reunite Statue’s Top Half With Bottom Half In Turkey

    The bottom half of “Weary Herakles,” a nearly 2000-year-old sculpture, will be reunited with its top half soon, reports the Boston Globe. The Turkish museum that houses the statue’s legs has petitioned for the Boston Museum of Fine Arts (MFA) to return its top half, and the MFA recently stated that it planned to carry out the repatriation.

    r WEARY HERAKLES large570

    In the video below, Geoff Edgers reports on the statue for the Boston Globe, detailing the piece’s history as well as his personal experiences with it. He recalls visiting the statue’s legs in Turkey, and notes that “There’s a giant poster on the wall next to the bottom half saying, you know, ‘give us this top half back.’”

    In this case, the statue itself is not especially valuable, but the drama of its double existence is enough to make headlines.

    It’s not uncommon for classical-era sculptures to be missing limbs or other components, and prominent pieces such as Winged Victory At Samothrace and Venus de Milo have historically met with acclaim, even in their incomplete forms.

    Repatriation of artworks has traditionally been a delicate issue, with innuendo about worsening diplomatic relations between countries sometimes entering discussions that would normally address cultural heritage and accessibility. The British Museum is currently resisting two major calls for repatriation, with Greece asking for the return of the Elgin Marbles and Egypt seeking the Rosetta Stone.

    via Boston Museum To Reunite Statue’s Top Half With Bottom Half In Turkey.

  • In Istanbul, Greek History on Display

    In Istanbul, Greek History on Display

    In Istanbul, Greek History on Display

    By SUSANNE FOWLER

    Items from the Sakıp Sabancı Museum show in Istanbul.
    Items from the Sakıp Sabancı Museum show in Istanbul.

     

    In a rare display of cross-cultural cooperation between countries with a history of enmity, a new exhibition in Istanbul features antiquities from Greece, including marble figurines, clay tankards, weapons, cooking utensils, jewelry and ancient idols.

    At the Sakip Sabanci Museum in the Emirgan neighborhood, the exhibition ‘‘Across the Cyclades and Western Anatolia During the 3rd Millennium B.C.,’’ runs through Aug. 28.

    With about 340 pieces on display, curators said the show represents the first official cooperation between museums from Turkey and Greece, and is the first time that artifacts from museums like the National Archaeological Museum of Athens will be displayed next to Anatolian objects from Turkish museums.

    Nazan Olcer, the director of the Sabanci Museum and a curator of the show, said in a statement that “we want this to be an event which will overcome the residual prejudices of past years and be an invitation to share our pride in this past.” The other curator, Nicholas Stampolidis of the Athens Museum of Cycladic Art, said the exhibit offered visitors “the best of what scientific archaeological research has produced in the last hundred years.”

    Highlights include a replica of a 45-foot long wooden ship that once plied the Aegean Sea, excavated from the shores of Western Turkey; notably, the original ship was built without glue or nails.

    via In Istanbul, Greek History on Display – NYTimes.com.

  • Historical Jewish tomb in Istanbul to be renovated, turned into museum

    Historical Jewish tomb in Istanbul to be renovated, turned into museum

    VERCİHAN ZİFLİOĞLU

    ISTANBUL – Hürriyet Daily News

    The mausoleum of Abraham Salomon de Kamondo, an Ottoman Jew who made pioneering contributions to urban development and banking in Istanbul, is to be restored and opened as a museum later this month.

    The mausoleum restoration is limited, as they will not be able to reverse much of the damage already done, according to one of those working on the restoration team.

    “Our initial priority is to prevent further deterioration of the building. Even if the Kamondo family no longer resides here, it is very significant that the mausoleum is still standing,” architect Hayim Beraha recently told Hürriyet Daily News.

    Kamondo’s body, buried in 1870 with a state ceremony, was removed by treasure hunters, dismembered, and thrown into a well while the historical structure was turned into a shanty house, said the architect.

    “As if that were not enough, historic pieces of marble and grave stones from the tomb were dismantled to be used in the construction of other shanty houses,” he said.

    Kamondo was the founder of the first municipal organization in the Ottoman period and led efforts to modernize Istanbul’s urban infrastructure while also helping to develop modern banking.

    Kamondo is also known for a spiral-shaped staircase built in his name in Istanbul’s Galata district, the Ottoman Empire’s banking and financial center in the 19th century.

    “There are 250 other graves here besides the mausoleum, but the [Jewish] community has no right over them,” Beraha said. “When the highways commission nationalized this area, no lot numbers were drawn up, and thus we have no property rights here.”

    Kamondo’s tomb is located right above an Armenian cemetery to the left of the Golden Horn Bridge in the district of Hasköy, an area that has been heavily populated by non-Muslim minorities since Ottoman times. When the Golden Horn Bridge and surrounding roads were being built in 1972, the historical Jewish and Armenian cemeteries there were also nationalized.

    Kamondo’s mausoleum is the last of such restoration projects undertaken by the Istanbul 2010 European Capital of Culture Agency. Some 325,000 Turkish Liras were allocated for the tomb’s renovation.

    “One would wish we could have tackled this project in a wholesome way and restored the historical cemetery alongside the tomb as well, but that did not happen,” said Mehmet Gürkan, the assistant secretary general of the agency, noting that the municipality also owned a storage space right next to the tomb.

    “All settlements, which impede faith and culture tourism, must be removed. This structure is an extremely important spot in Istanbul for faith tourism,” Gürkan said.

    The project has been sponsored by Turkey’s Jewish community and the Istanbul 2010 agency.

    via Historical Jewish tomb in Istanbul to be renovated, turned into museum – Hurriyet Daily News and Economic Review.

  • Nearly 2,000 smuggled historical artifacts returned to Turkey

    Nearly 2,000 smuggled historical artifacts returned to Turkey

    ISTANBUL – Daily News with wires

    Turkey has welcomed back nearly 2,000 artifacts so far this year following a long struggle to retrieve them from foreign countries after they were smuggled abroad, according to a Culture Ministry official. Turkey is also restructuring the country’s museums to increase their technical capacity and bring them up to contemporary standards, the official adds

    Nearly 2,000 historical artifacts that were smuggled abroad over the years have been returned to Turkey in 2011, according to an official from the Culture and Tourism Ministry.

    Returning smuggled artifacts back to Turkey is one of the most important activities undertaken by the ministry, according to Melik Ayaz, the president of the ministry’s Excavations and Surveys Department.

    Much progress was made on this issue over the past four years, with 1,882 smuggled artifacts returned to Turkey in 2011; around 90 percent of artifacts smuggled abroad came from illegal excavations, he said while speaking at a symposium at İnönü University in the eastern province of Malatya.

    “There are far too many illegal excavations in Turkey. There is an international market for this business. There are many forces which operate behind closed curtains that we know nothing about. Our country is extremely wealthy in archaeology and it is very difficult for us to prevent illegal excavations,” he said.

    The ministry had encountered difficulties in reclaiming these artifacts due to the requirements made by international laws and regulations, Ayaz said.

    A UNESCO convention to which Turkey has been a member since 1970 set forth two conditions that needed to be fulfilled to allow for the return of such artifacts, he said, noting the need to show that a lawsuit was filed at the moment the artifacts were stolen and to provide an inventory record of the artifacts in question.

    Unless these two conditions are met, historical artifacts cannot be returned to their countries of origin, he was quoted as saying by Anatolia news agency.

    The ministry particularly heeds bilateral cultural agreements on the issue of retrieving stolen artifacts, Ayaz said, adding that while Turkey had cooperated with other countries suffering from the same problem, cultural relations remained limited with countries that unlawfully refused to return Turkey’s stolen artifacts.

    “The important point here is to elevate Turkey’s cultural consciousness. Cultural assets are internationally considered as part of humanity’s common heritage. According to our own statutes, they are also considered as state property. That being the case, they are considered as the common property of the public. It is illegal, inhumane and even unethical for an individual to lay claim to these artifacts. That consciousness has to be formed in Turkey,” Ayaz said.

    Aim for a bigger and more comprehensive museum

    Another significant work undertaken by the Ministry of Culture and Tourism has been upgrading the technical facilities in the country’s museums, Ayaz said.

    At the moment, museums are being restructured according to local climactic conditions, Ayaz said.

    “The ministry has serious work ongoing to redesign, display and organize pieces according to historic features. Hopefully, in the coming season, our museums will be able to gain a position where they can fulfill all the requirements of what modern museums demand,” he said.

    Turkey has nearly 100 public museums and nearly 100 museums owned by nongovernmental organizations, Ayaz said.

    But the existing museums are inadequate in comparison to Turkey’s historical wealth, Ayaz said.

    “We aim to form regional museums with greater capacity and facilities. In this context, apart from normal museums, sometimes it might be appropriate to set up museums at those locations where an archaeological excavation is taking place. Many of our pieces are being kept in storage spaces due to a lack of places where they can be exhibited and classified.”

    via Nearly 2,000 smuggled historical artifacts returned to Turkey – Hurriyet Daily News and Economic Review.