Tag: Antiquities

  • Turkey’s largest mosaic discovered on the Med

    Turkey’s largest mosaic discovered on the Med

    HATAY- Anatolia News Agency

    Drilling work at a construction site in Hatay has unearthed ancient works including an 850-square-meter mosaic. Said to be Turkey’s largest, the mosaic will be exhibited in a new hotel at the site along with other discoveries

    Thanks to the artifacts discovered, Hatay will have another museum, according to mayor Lütfü Savaş. The hotel will display the precious works when it opens. AA photo
    Thanks to the artifacts discovered, Hatay will have another museum, according to mayor Lütfü Savaş. The hotel will display the precious works when it opens. AA photo

    Archaeological treasures, including a large mosaic, have been found during drilling at a construction site for a new hotel in the southern province of Hatay. The mosaic found during the drilling is 850 square meters and estimated to be the largest mosaic discovered in Turkey. As a result of the discovered artifacts the construction project will now only employ man power and the hotel will display the precious works when it opens.

    Antakya Municipal Mayor Lütfü Savaş, deputy manager Faik Selçuk Kızılkaya and Hatay Museum manager Nalan Yastı evaluated the latest discoveries at the hotel construction site on the Hatay-Reyhanlı road. The construction project belongs to businessman Necmi Asfuroğlu.

    Thanks to the artifacts discovered the city will have another museum, Mayor Savaş said, adding that the construction works are still continuing. The hotel will also contribute to employment in the city in Hatay. The hotel will consist of two parts. There will be a museum in the basement. This will contribute to the cultural heritage of the city, according to Savaş.

    “The excavations and discovery of ancient artifacts under the soil are very important, exhibiting them in the museum is vital for the city’s cultural background,” he said, adding that Hatay will gain a new museum thanks to the drilling process. There are further attempts to building another hotel in Hatay, he said, adding that he is positive about those initiatives.

    After the discovery amid the drilling, the Hatay Museum started a six-month rescue excavation project in July 2010, Hatay Museum manager Nalan Yastı said. The necessary documents about the excavation were sent to the Adana Culture and Environment Protection Association, she said, adding that the association agreed to exhibit the valuable artifacts in the hotel, which is currently under construction.

    Construction continues

    An ancient glass artisan workshop, walls from the Hellenistic era and the largest mosaic have been found.

    The construction of the hotel is still continuing under the protection and controls of museum officials, said Yastı. The officials constantly control the drilling process and preserve the new artifacts unearthed, she added. The 850-square-meter mosaic is not damaged and in very good condition, she said, adding that it is the first time a mosaic like this has been unearthed in Turkey.

    There was also a 3,000-square-meter marble floor discovered during the drilling process, she said, adding that the construction process never damaged the artifacts.

    Businessman Necmi Asfuroğlu who owns the construction project said they did not want to damage the artifacts discovered during construction. There will be a 17,000-square-meter museum to exhibit those artifacts, he added. The hotel, on the other hand, will have 200 rooms.

    “We avoid using any kind of construction machines in order not to damage ancient artifacts on the site,” he said, adding that they are working with man power.

    “Our aim is to finish both museum and hotel in 2013 April,” he said. Currently, there are 90 people working on the hotel’s construction. The hotel and the museum were estimated to cost $60 million.

  • Turkish tourism drive threatens ancient sites

    Turkish tourism drive threatens ancient sites

    Push for economic progress and development sidelines scholarship

    By Andrew Finkel | From issue 228, October 2011
    Published online 6 Oct 11 (News)

     

    turkey archaeology2

    Tayyip Erdogan, the Turkish prime minister, has expressed his annoyance with “bits of old potsherds” that were getting in the way of ­major infrastructure projects. Above, ancient pots were discovered in 2006 at the site of the Marmaray Project, aimed at building a tunnel under the Boshporus straits in Istanbul

    ANKARA. Turkey’s ability to manage its vast cultural heritage may be at crisis point, experts warn. The recent decision to transfer the excavation permits from three well-known classical sites from non-Turkish to Turkish universities—a practice almost unheard of in the protocol-laden world of archaeology—is a cracking of the whip over foreign scholars regarded as not working fast enough to transform the country’s extensive array of antiquities into tourist attractions.

    “The threats are direct and indirect and the atmosphere is just that much more difficult,” says Stephen Mitchell, the honorary secretary of the British Institute in Ankara. “Getting a permit is now a process of negotiation and academic concerns are not always the first priority,” he says.

    A recent broadside published by one of the country’s most eminent archaeologists describes policies more concerned with policing scholarship than confronting the wholesale erosion of Turkey’s vast heritage. The 235-page critique, which translates as “Archaeological Excavation: Scholarly Endeavour or Shovelling Earth?”, will find a sympathetic audience among non-Turkish archaeologists who find themselves increasingly stranded in a maze of regulation and museum politics. The author, Mehmet Ozdogan, professor emeritus in the pre-history department of Istanbul University, describes the system for granting and renewing research permits as having degenerated into an unseemly process of “favouritism, threats and personal jealousies”.

    At stake is the material record of one and a half million years scattered in every corner of a country three times the size of the UK. There are more than 200 active projects (half of them surveys rather than full-blooded excavations). On one hand is the little visited central Anatolian site of Boncuklu, 1,000 years older than nearby Catalhöyük and a “missing link” between hunter-gatherers and sedentary peoples. By contrast, the Österreichisches Archäologisches Institut received a permit to work on the classical city of Ephesus in 1898, which now resembles a Cecil B. DeMille film set and attracts some two million tourists every year.

    The variety and appeal of Turkey’s past, as much as its sandy beaches, is a pillar of a tourism industry valued at more than $21bn this year. If anything, that figure is set to rise as Turkey seeks to provide an alternative for visitors avoiding Egypt and Tunisia.

    Booming industry In recent years the Turkish government has made developing its tourist industry a top priority and it has become one of the most important sectors of the Turkish economy. According to a report compiled in March by the market research company RNCOS, the country has surpassed China and Russia to become the fastest growing tourist destination. The ministry of culture and tourism has set a target of 30 million visitors for 2011. The country is also investing in religious or faith tourism. The ministry is working to restore Muslim, Jewish and Christian sites with the aim of attracting more than three million religious tourists by 2012—1.7 million more than in 2010.

    Culture and tourism share the same ministry in Turkey and it is not always clear which is the master and which the servant. Directors of digs are being asked to extend their work beyond the two-month university summer break and to devote a greater portion of their resources to restoration—particularly now the revenue from many sites has been turned over for collection to the Association of Turkish Travel Agencies (Tursab).

    While most archaeologists understand, at least in principle, the need for public outreach, “cultural site management is a field in its own right and not always what academics do best”, says Nora Seni, the head of the Istanbul-based Institut Français d’Etudes Anatoliennes. The French academy is smarting after having permits cancelled for two major classical sites, Letoon and Xanthos.

    There are now close to 30 archaeology departments in Turkish universities, many of them in new private “red bricks”, which have opened in the past ten years. This has produced a better trained generation of Turkish scholars as well as an academic cadre eager to advance their careers.

    The once mighty Deutsches Archäologisches Institut (DAI), responsible for some of the most important sites in Turkey, has in particular seen its sails trimmed. In 2010, Ankara refused to renew any of its permissions until the very last minute as part of a campaign to force the return of a Hittite sphinx that once guarded the gate of Hattusa and was shipped for repairs to Berlin in the 1930s (The Art Newspaper, July/August). It has now been returned. However, the institute, along with Freiburg University, was stripped of its permit for Aizanoi, famous for its Temple of Zeus, where work had been grinding to a halt.

    Despite this painfully public slap on the wrist, most believe that German archaeology was secretly grateful for this forced economy on a site whose results were no longer cutting edge. “Modern archaeology is about context and the discovery of transitions, not the recovery of beautiful objects,” says Elif Denel, the Ankara director of the American Research Institute in Turkey. “In some cases you can answer big questions with a single season’s survey and without lifting a spade,” says Felix Pirson, the director of the DAI in Istanbul.

    The danger is that energies will be diverted into producing Disney-style attractions. Yet tourism may be the most benign of the economic pressures facing Turkish archaeology.

    Always on the horizon is urbanisation and an economy developing at a prodigious rate. Allianoi, a Roman spa in the west of Turkey, and the garrison town of Zeugma in the east are already submerged under dammed rivers. The medieval Arab city of Hasankeyf faces becoming a similar watery grave.

    Many of the country’s most important projects race against the clock to rescue major sites while an army of bulldozers waits with engines running. Work on an interchange station for the Istanbul metro system uncovered an old Byzantine harbour and 32 buried ships: commuters are still waiting as the emergency dig finishes its seventh year. There are clear signs that government patience has finally worn thin. New legislation removes responsibility from the ministry of culture and tourism. Instead protection is now the responsibility of the ministry for the environment, which has a dismal record of standing up against wholesale development.

    Tayyip Erdogan, the Turkish prime minister, in a speech in February expressed his annoyance with “bits of old potsherds” that were getting in the way of ­major infrastructure projects. “People have to come first,” Erdogan said, while announcing the creation of what is effectively a new city on Istanbul’s remaining green belt along the Black Sea, a new Bosphorus bridge, and a Panama-style canal that would cut the Thracian peninsula in two. While time may be its subject, it may not be a luxury Turkish archaeology enjoys.

  • Boston Museum Returns Bust to Turkey

    Boston Museum Returns Bust to Turkey

    By JAMES C. MCKINLEY JR.

    After two decades of negotiations, the Museum of Fine Arts, Boston has returned the broken-off bust of a famous statue of Herakles to Turkey, where it will be reunited with its lower half, the museum announced.

    Turkey has long maintained that the top of this second-century A.D. statue, known as “Weary Herakles,” was stolen from an archaeological site in the Mediterranean and smuggled into the United States. The legs and lower body of the work are on display at the Antalya Museum in southwestern Turkey.

    “The ‘Weary Herakles’ is a great work of art and we believe it should be back in Turkey where it can be made whole once again,” the director of the museum, Malcolm Rogers, said.

    The Turkish prime minister, Recep Tayyip Erdogan, told reporters that he carried the bust of the statue back on his plane on Sunday night after the Boston museum agreed to release it as “a goodwill gesture.”

    The bust was handed over to Turkish cultural authorities late on Thursday after the museum signed an agreement with the Turkish government. Under the agreement, the Turks dropped claims that the museum engaged in wrongdoing when it obtained the statue from a German dealer in 1981.

    It was not until 1990, when the bust was on loan to the Metropolitan Museum of Art, that a scholar noticed that it seemed to be part of the same broken work on display in Turkey. The Turkish government claimed ownership and tests done in 1992 showed that the two pieces fit together.

    Subsequent negotiations dragged on for years without a resolution, in part because the museum only owned a half-interest in the piece. In 2004, the museum acquired full ownership from the collectors Leon Levy and Shelby White, and restarted talks with the Turks.

    The piece is a Roman statue in marble from the Hadrianic or Antonine period, and appears to be a copy of a famous bronze made in the third century B.C. by the Greek master Lysippos of Sikyon. It depicts Herakles leaning on his club in a fatigued pose.

    via Boston Museum Returns Bust to Turkey – NYTimes.com.

  • Echoes of Elgin Marbles: Turkey asks UK to return ancient sculpture

    Echoes of Elgin Marbles: Turkey asks UK to return ancient sculpture

    By Laura Allsop, for CNN

    A detail of the Sidamara Sarcophagus, on display at the Istanbul Archaeology Museum. Turkey is asking for the return of a sculpture of a head that was detached from the tomb.
    A detail of the Sidamara Sarcophagus, on display at the Istanbul Archaeology Museum. Turkey is asking for the return of a sculpture of a head that was detached from the tomb.
    A detail of the Sidamara Sarcophagus, on display at the Istanbul Archaeology Museum. Turkey is asking for the return of a sculpture of a head that was detached from the tomb.

    London (CNN) — Turkey’s government is calling on the United Kingdom to return the head of an ancient marble statue taken more than a century ago.

    The object, currently in the stores of London’s Victoria & Albert museum, is, says a museum spokesperson, a “life-size marble head of a child, with curling hair, broken off at the neck.”

    The head was snapped off a sarcophagus excavated in Anatolia (present-day Turkey) in 1882 by a British archaeologist named Sir Charles Wilson, who then covered the tomb over again. He took the head to England and his family gave it to the museum in 1933.

    The tomb to which the head belongs, the 3rd century A.D. Sidamara Sarcophagus, was re-discovered in 1898 and currently resides in the Istanbul Archaeology Museum.

    Now, the Turkish culture ministry wants to reunify the marble head, which bears a resemblance to Eros, the Greek god of love, with the sarcophagus. They are currently in negotiations with the museum to repatriate the object.

    Dr. Tolga Tuyluoglu, the director of Turkey’s culture and tourism office in London, said in an email: “This unique piece is not only one of the largest examples of its kind in the world, but it is truly a work of art, featuring magnificent detailed reliefs.”

    “It is important that the Eros head is reunited with the rest of the Sarcophagus,” he continued.

    It’s a situation with echoes of the famous case of the so-called “Elgin Marbles,” friezes which were removed from the Parthenon in Athens by the 7th Earl of Elgin in the 19th century and taken to England.

    It is important that the Eros head is reunited with the rest of the Sarcophagus

    –Dr. Tolga Tuyluoglu, director of Turkey’s culture and tourism office in London

    Now displayed at the British Museum in London, the friezes are a matter of dispute between the governments of the UK and Greece, with the latter calling for their return.

    Though this long-running debate has failed to produce favorable results for the Greek government, the Turkish culture ministry is hopeful that the V&A will heed its request.

    Tuyluoglu said: “The Ministry has a good relationship with the V&A Museum and we are hopeful that an agreement between the two parties can soon be reached.”

    Olivia Colling of the Victoria & Albert museum, said that “amicable” negotiations with the Turkish government were taking place and stressed that the return of the sculpture was “not a closed door.”

    If the museum does decide to repatriate the object, it will be as a sign of good will, according to Tim Schadla-Hall, a Reader in Public Archaeology at the Institute of Archaeology at University College London.

    That’s because the object was removed from Anatolia long before UNESCO’s 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, he said.

    The convention requires signatories to prevent the theft of cultural objects, but also to recover and return stolen cultural property. The Turkish government has made no allegation of theft.

    “Legally, there is no basis for return, they wouldn’t be able to get it back under any convention,” he said.

    And Sir Charles Wilson, who was Britain’s consul-general in Anatolia at the time, may well have had a license for his excavation, said Hall.

    The marble head has not been on display at the V&A for some time. If it were to be sent back to Turkey, it would be reunited with the sarcophagus and put on display in the Istanbul Archaeology Museum, said Tuyluoglu.

    via Echoes of Elgin Marbles: Turkey asks UK to return ancient sculpture – CNN.com.

  • Into the Stone Age With a Scalpel – A Dig With Clues on Early Urban Life

    Into the Stone Age With a Scalpel – A Dig With Clues on Early Urban Life

    By SUSANNE FOWLER

    Published: September 7, 2011

    CATALHOYUK, TURKEY — A pair of space-age shelters rising from the beet and barley fields of the flat Konya Plain are the first clue to the Catalhoyuk Research Project, where archaeologists are excavating a 9,000-year-old Neolithic village.

    Dig Site in Turkey Reveals an Ancient People’s Handiwork

    The experts, armed with scalpels, gingerly scraped away micro-layers of white plaster from a wall deep in the dig last month to reveal what the project director, the British archaeologist Ian Hodder, called a “very exciting” and “particularly intriguing” painting with deep reds and reddish oranges thought to be made with red ochre and cinnabar.

    “We were taking off many, many layers of plaster and we have a program where a joint team of Turkish and British conservators try to take them off one by one, so it’s extremely slow-going,” Dr. Hodder said this week by telephone.

    “I got called over to where they were working because they saw some paint. The pattern initially didn’t look like very much: We often find just specks of paint or a wall of all-red paint. But this time it gradually emerged that this was a complete painting, and the best preserved painting that I’ve ever seen at Catalhoyuk, with wonderfully fresh, bright colors and very neat lines.”

    Word of the discovery spread quickly through the international team on site as more of the painting was exposed.

    “It is by far the most intricate and elaborate painting we have found during our excavations here since the mid-90s,” Dr. Hodder said. “We’ve been waiting quite a long time for something so elaborate.”

    But Stone Age paintings don’t come with labels explaining what they are.

    “An interesting aspect of some of the paintings at Catal,” Dr. Hodder said, “is that they are very enigmatic and full of ambiguity and difficult to read.

    via Into the Stone Age With a Scalpel – A Dig With Clues on Early Urban Life – NYTimes.com.

  • Buying Euro Antiquities for only Pennies on the Pound

    Buying Euro Antiquities for only Pennies on the Pound

    One of the ways we finance our watery world travels aboard Wild Card is by cheaply acquiring rare & precious STUFF in exotic locations, and then reselling that stuff for mega-bucks in London, Paris, and the alleys of New Jersey. Only once has this buy-low, sell-high concept backfired—but how-the-heck was I to know the Mona Lisa wasn’t originally rendered in Crayon? Usually these art scams, antiquity frauds, and ‘indigenous’ swindles are highly profitable—or at least provide us enough pocket change to keep Wild Card limping westward.

    Currently, we’re cruising the Greek isles, and have just made a major, major financial touchdown—the delicious details of which I will reveal in a moment.

    But first, some current political history: Greece appears to be teetering on default within the Euro Zone. What does that mean? That means that a bunch of fat politicians in Brussels are pointing fingers of blame at each other, and screaming, “… it’s not my fault, it is de fault of de system!”

    Here’s what really happened: the Brussels Posse were bored flying their black helicopters over France and Germany to air-lift out their profits, and so decided to loot Greece as well. This plan would have worked fine if Greece had had anything to loot—but they did not. Basically, they’d already looted their public treasury during the Golden Age, around BC400—and chopped off everyone’s head who complained. (Ah, the Good Ole Days!)

    “Sure, we expected those naughty Greeks to ‘fudge the figures’ a tad,” said one outraged EC public servant, “but the Greeks outfoxed us by lying truly large.”

    Yeah, you gotta admire the audacity of these truth-impaired Greeks. They are focused on the truly important aspects of life—like ouzo, anal sex, and international trickery—and refuse to be sidetracked by any silly, trendy ideas about public morality. Of course, we’ve known this for a long time. It’s not exactly a secret. After all, we don’t say, “Never trust an American bearing gifts,” do we?

    Only the Greeks would have thought of having huge photogenic fields of movable, reusable plastic olive trees—easily transportable by truck—as photographic evidence to back up their nation-wide farm subsidy requests. Now that’s thinking out of the box! (Once satellite imagery confirmed the field’s existence to the EU agricultural experts, the fake plants were quickly moved to the next farm, and the process repeated.)

    “And this is why we have our own alphabet,” quipped one fat, happy taverna owner, “so the stupid people we’re gyping don’t have a clue!”

    Yes, the Greeks are far-sighted. Fleecing the tourists is encoded in their DNA.

    “…let’s face it,” said one sailor from that large island in the south, “we’re Cretins and we know it!”

    What’s all this got to do with Euro-cruising?

    Once upon a time, long ago, there was a sailor like myself in the Med—a cruising yachtsman with delusions of grandeur who cruised with empty pockets and scribbled bizarre, rap-style notes about it. This early, trend-setting, ahead-of-his-time, water-borne gang-banger was dubbed Ughy by his crew (Hughie without the ‘h’ sound)—and, thus, chose Ulysses for his pen-name as his fame grew. It stuck. Ultimately, he made a mint on the TV rights to his ‘Odyssey’ brand—an early precursor to the Discovery Channel. Anyway, the media empire he spawned was very successful—mostly because he’d had the good sense to sprinkle in sex and violence about every third sentence.  Picture Two-Pac if he’d jibed away from Thug Life and had, instead, joined the Athena’s Yacht Club—and you’re close to imagining this historically important figure—the sailing community’s first-and-still-most-famous marine journalist.

    … of course, I don’t want to get too sidetracked by all this historical stuff. So let’s refocus solely on the modern day marine aspects of this story. For instance, the locals don’t refer to these islands as ‘Greece’ but rather as Hellenic—I assume because of the hellishly expensive chandlery prices.

    In any event, there aren’t too many good harbors in the Aegean Sea. Most of the anchorages are too deep, gusty with the Meltemi winds, and have horrible holding. But this Ulysses dude was one tough marinaro. He toured the entire island chain over the course of ten eventful years of wild sex, random violence, and copious ouzo-gulping.

    The problem was—and is—that wherever Ulysses tossed his anchor, a pricy stern-to Euro marina sprang up. That’s right—there is not a single square inch of water left in the Med suitable for anchoring which doesn’t cost, and cost big. Worse, you have to stern-to—and right in front of your very eyes (and, alas, your itching-to-be-off-the-boat cruising wife’s eyes) is an expensive Greek restaurant—so pricey they don’t waste time doing the dishes, they just break the plates and buy new ones. (I know, I know … it sounds unbelievable!)

    … they don’t miss a trick, these entrepreneur Greeks. Upstairs of the taverna is the century-old whorehouse. Behind it (for the suddenly left-alone boat wifey) is a freshly-opened male strip club featuring the Full Monty. In between, are Vetus-kissed, Larzzara-blessed marine supplies stores with price-tags designed by Gucci.
    Oh, these ‘full service’ marinas are exactly that. You don’t even have to move your boat if you want to take on fuel—the dockmaster will send over a dockboy pushing a 55 gallon pressurized drum—and pass you a hose. WHAM! …all the ouzo you can drink for as long as your American Express holds out.

    No, Greece is not like Turkey—where the Islamic leaders frown on such profitable vices. A perfect example is all the lovely, lonely Orthodox Monasteries that dot the hillside—each with a huge parking lot for the tour buses, giant air-conditioned gift store, and ice cream huts everywhere. Even the religious toilet attendants reverently hand you complicated price-sheets, depending on need. (I just loudly shout, “Number One and Number Two—Means More Money for You!” to cover all the bases—in case I’m randomly spot-checked before the flush.)

    “Don’t worry,” shouted one flush-faced reveler at the local sailor’s bar, “if we need another round of drinks, we’ll just charge it to Brussels!”

    “… that’s right,” chimed in another, “we’ll just offer ‘em a higher interest rate—what’s the big deal when you’re not going to pay it back anyway?”

    “Yeah,” gaily giggled another partier, “Why not make the Germans pay—they’re used to it!”

    … even the near-by unsophisticated Turks are gaming the system. “Yes, we have a master plan to restore the Ottoman Empire,” they gloat evilly. “As soon as the current Greek administration takes down the European Community, we march out of Istanbul and …”

    The point of all of the above is—when you sail into an expensive moral vacuum like Euro Land, well, it is easy to get your strict Calvinistic values turned around.

    … which brings us full-circle.

    The moment we went stern-to in Milos, in the Sick Ladies (spelled Cyclades), the dock vultures descended upon us. “Hey, skip! Wanna buy some water?”

    “… how much?” I asked.

    “Fifty Euro cents for diarrhea-inducing, and eight Euro per … for semi-clean!”

    “… per metric ton?” I asked.

    “…per liter!” he smirked back.

    One guy tried to sell me a blue-swirled ‘evil eye.’ They are quite popular here. “Guaranteed to protect you from bad people,” he told me. I took it from him, and held it up to his face. He didn’t flinch or run away. “… this one is defective,” I told him as I handed it back.

    An illegal African immigrant offered to sell me a blank DVD disk wrapped in a piece of paper with the name of a current movie freshly printed on it. I refused, saying, “How do I know you’re actually selling movies, when most street vendors aren’t?”

    He looked wounded. “My guarantee as an honest movie pirate of high international integrity is a hundred percent!” he boasted. “If there is a problem, I’ll refund twice the amount paid!”

    “… and where can I find you tomorrow?” I queried.

    “Sudan,” he admitted. “But that’s not a problem—just ask any black man and he’ll refund your money!”

    Yeah, right.

    Mostly, of course, they attempted to sell me arms. Not arms-as-in-weapons but rather human-arms-made-of-marble …

    Gee, I’m not doing a very good job of explaining this, am I?

    This is the island where the famed Venus de Milo was discovered by Yorgos Kentrotas in 1820, sticking out of some dirt. In fact, the marble statue was such a nice piece of pornography that the French immediately attempted to cart it off to the Louvre. But the Greeks love a good ‘adult-toy’ too—and a little tug-of-war ensued as the eager Frogs were attempting to pilfer those perfect Greek breasts. And, of course, in the trans-cultural struggle, her arms snapped off and her nose was broken. Now, of course, if the damage had been done to her nipples or her buttocks, she’d have been worthless. But, luckily, nothing important was missing—and off she went to the Louvre, where she was soon ranked 8.7 in drool-a-bility. (Yes, this is how the world was—pre-internet-video.)

    Of course, I was skeptical of the Greek lad attempting to sell me her arms—but he impressed me by offering to show me where he’d found them—and, after searching around in the bush a bit, I was amazed to learn that he was actually telling the truth. (By law, ‘truth-telling to a foreigner’ is currently illegal in Greece.)

    This actually WAS where Venus had been found! So I gave him my money. Alas, I had thought that my 75 Euros would buy both arms—but discovered I hadn’t read the fine print. Thus, I only managed to purchase a single kilo from one arm—which he quickly broke off with a small sledge on-the-spot. Oh, well. At least I now have a True Euro Artifact that I can sell off for mega-bucks to fund our eventual retirement. Clever, huh? Yes, I love this Euro-Cruising!

    (Editor’s note: Cap’n Fatty and Carolyn are now heading for Sicily, in hopes of finding a more honest, just society.)

    Cap’n Fatty Goodlander lives aboard Wild Card with his wife Carolyn and cruises throughout the world. He is the author of Chasing the Horizon by American Paradise Publishing, Seadogs, Clowns and Gypsies, The Collected Fat, All At Sea Yarns, Red Sea Run and Somali Pirates and Cruising Sailors. For details and more, visit fattygoodlander.com