Category: Culture/Art

  • Galata Visibility Project’s requiem to Winehouse

    Galata Visibility Project’s requiem to Winehouse

    As the winter rolls in at unprecedented speed, İstanbul’s historical Galata quarter is preparing itself for a final open-air hurrah with the upcoming seventh edition of the Galata “Görünürlük Projesi” (Visibility Project), an annual celebration of experimental art set to take place this weekend.

    art

    Amy Winehouse

    A packed two-day event presented under the slogan “Sahneden Çık!” (Get off the stage!), one of the highlights of the program is “Requiem to Amy Winehouse,” an elegy and gesture of respect to the late singer directed by young Turkish dramatist Ceren Ercan. Featuring a cast of Fehime Seven, Nazlı Bulum, Albina Özden, Ayris Alptekin and Sefa Tokgöz, the group will be performing a surprise concert in the Tünel area at 8:30 p.m. on Saturday evening.

    A weekend event it may be but preparation for the project has been anything but short-lived, with an extensive series of screenwriting and theater workshops for young amateur writers and actors having been under way for the past six weeks. A series organized by the project’s general art director, Yeşim Özsoy Gülan, the colorful project will showcase the fruits of the workshops’ labors amongst a string of surprise theatrical displays and exhibitions to take place across a number of unorthodox theatrical locations, including local shops and grocers, a synagogue, the Galata Mevlevihanesi (dervish lodge), an old matzo bakery and a number of surrounding streets.

    Other events over the weekend are to include a theater performance of Sibel Torunoğlu’s cult novel “Transvestite Pinocchio,” as part of the event “A meeting of Three Litterateurs,” also featuring the works of acclaimed Turkish poet Lale Müldür and author Ece Erdoğuş as well as photo exhibitions, concerts and video installations at the old matzo bakery.

    via Galata Visibility Project’s requiem to Winehouse.

  • Not always room to sit

    Not always room to sit

    ISTANBUL, Turkey — As in any big city you can eat both high and low here, but the sheer number of restaurants per linear foot of sidewalk is unparalleled, at least in our experience. Many are tiny kebap and kofte (meatball) shops occupying six-or eight-foot-wide storefronts with no room to sit. One day, lost in a part of the city behind the university on a street devoted to shops that sold only belt buckles, we saw restaurants that seemed hardly bigger than closets. No bit of real estate is too small to accomodate a guy and a spit.

    From one of these places you’re likely to take yout meaty lunch or snack away wrapped in sheets of thin lavash bread or a kind of small (6-inch diameter) puffy pita bread and find a place to scarf it down. Since we don’t see people eating while they walk as is common in the U.S., exactly where the eating happens is something of a mystery. You will pay 6 or 7 Turkish lira for take-away of this sort – $3 or $4.

    Almost the first thing we noticed here is how fresh and flavorful the vegetables are. In mid-October the countryside is still producing tomatoes (domates) and index finger-sized cukes (hiyar) which garnish almost every plate. Greens are most likely to come in the form of arugula or half-dollar-sized parsley leaves served on the stems. Although we’re used to using fresh parsley as an ingredient in our home cooking, the amount of it and the fact that it is not separated from its stems surprises us. It adds quite a lot of flavor and a welcome counterpoint to the savory bits of lamb (kuzu) or chicken (tavuk).

    The first night we walk from the hotel up to Ayasofia, the sixth century church converted to a mosque after the Ottoman conquest of the city in the 1450’s. We’re headed for a restaurant with a name that makes it easily confused with a number of other eateries we have been told are not as good. Hungry and tired, we settle on a spot we quickly discover is probably not the right one. Though relatively early by Istanbul standards (8 pm), the young man tells us curtly that one thing after another is “finish!

    On another night, we find the right spot. It has a sign announcing that they have been in business 90 years. This is the distinguishing mark we were looking for, but because the sign is on the fourth floor, we missed it the first night. The place is everything it is cracked up to be; the service brisk in a professional way; the kebaps and kofte delicious. Here we learn an important lesson: Always order the lentil soup. The sweet, semolina cake, individual servings cut from a cylinder that looks as though it might weigh thirty pounds, is a splendid, nursery-food dessert not unlike rice pudding, though less creamy. We’re already thinking this will be our go-to spot on any night we’re uncertain of a destination and in no mood to roll the dice.

    On a travel day (we drive two and half hours to the ruins of the great ancient city of Ephesus), we stop into what in France would be called a routier and in the U.S. a roadhouse of truck stop. We order various sorts of kebaps and the plates (below) knock us out. You can see how niceley presented everything is. The corba (soup; pronounce the c as a ch) was delicious, a lentil and tomato melange that was surprisingly thick with roughly pureed vegetables and a touch of chilies, we think. The woman (below) was our cook. One of us went to the door of the kitchen to find out who was doing the cooking and there she was. So this was real cucina di mama.

    We gave her a little round of applause which she submitted to with only a little blushing.

    While out front with us (the little dining room is in plain sight of, and not far from, the very busy roadway) several trucks sounded their horns as they sped by – an audible thanks, no doubt, for many warming bowls of corba past.

    The next day, we took ourselves to the Spice Market above which a particularly esteemed restaurant is located. When we finished buying nuts and spices in a shop presided over by a bearded, corpulent guy who seemed none too friendly, I asked about the restaurant called Pandeli.

    “Do you know it?”

    “Yes, certainly.”

    “Can you direct me to to it?”

    “I’ll do better. I’ll take you there myself. Follow me.”

    We took two steps outside the shop and he pointed up to a sign: “Pandeli.” This was followed by hearty laughter. How many tourists, I wondered, has he played this trick on.

    Pandeli has been around, in the same location for around a hundred years, and it has a kind of old timey atmosphere not unlike Durgin Park or Jake Wirth’s, except that it is suffused with late Ottoman decor that feels very authentic because it is. This is a white tablecloth place, with very distinguished-looking white-haired waiters right out of My Dinner with Andre. As you can see from the photo the dishes here have a more European affect. The view from our tableside window looked out on the Galata Bridge and Tower. Five of us paid around $200TL for this lunch (maybe $120). We thought we got our money’s worth, and revelled in the atmosphere of the place until we discovered that the two ladies at the next table were from towns north of Boston. This did something to take the sheen off the experience. Maybe they felt the same way.

    The cuisine at Pandeli isn’t what you would called haute, but compared with some of the street food here it begins to look pretty upscale. We stood and watched the rotisseur you see below for a while without really knowing what was going on. We hadn’t seen spits that seemed wrapped with thin ropes (pictured below). The fellow  was very busy chopping meat and fat together and filling sandwiches, while his helper wrapped them up and cashed customers out. It was cold, windy, and rainy and the trade was brisk.

    We guessed it might be some sort of offal and when we asked our hotel barkeep Hasan about it his eyes lit up. Kokorec (ko-ko-rech) – as this lamb entrails sandwich is called – is one of his favorite street corner treats, although he is careful about where he buys it. “Especially good,” he says, “when you’ve had a little too much too drink.”

  • A Masterful Voyage through the Musical History of Istanbul

    A Masterful Voyage through the Musical History of Istanbul

    Dünya

    A Story of the City…Constantinople, Istanbul (Dunya, 2011)

    Dünya  A Story of the City…Constantinople, Istanbul (Dunya, 2011)
    Dünya A Story of the City…Constantinople, Istanbul (Dunya, 2011)

    One of the most interesting releases scheduled for November 2011 is the two CD set titled A Story of the City…Constantinople, Istanbul. The Turkish city has one foot in Europe and another foot in Asia, in an area sometimes called Asia Minor. Before Istanbul, the city was known as Byzantium and later as Constantinople. This rich and turbulent history has made Istanbul a musical crossroads, where western music meets the sounds of the Middle East.

    A Story of the City…Constantinople, Istanbul has a hard cover book format and contains two CDs and an extensive booklet. The musicians behind the project are Boston-based Dünya, who are joined by Schola Cantorum and Ensemble Trinitas.

    Disc 1 focuses on the Christian period, when the city was known as Byzantium and later Constantinople. The musical selection includes atonal transformations of ancient Greek music, mesmerizing sacred music from the Greek Orthodox rite as well as Crusader ballads.

    After Constantinople fell, it was named Istanbul by its new rulers. Disc 2 offers an overview of the rich heritage found in Ottoman Turkey. This includes Ottoman court music, folk music from Anatolia, mystical Sufi music and the sounds of the Greek, Armenian and Sephardic Jewish minorities.

    “I think that the rich diversity reflected in this album will be appreciated by Americans,” reflects Mehmet Ali Sanlikol, musical director and co-founder of Dünya. “Through that appreciation, I am sure the American view of the Near and Middle East will change.”

    The booklet will explain which musicians are involved in different parts of the album. Dünya has various ensemble formats and musicians vary accordingly. The liner notes also describe the musical history and instruments used.

    A Story of the City…Constantinople, Istanbul is an extraordinary recording that provides a contemporary vision of the rich musical traditions of Istanbul and ancient Constantinople.

    The album is available at dunya.bandcamp.com

    via A Masterful Voyage through the Musical History of Istanbul | World Music Central.org.

  • Orhan Pamuk and Istanbul

    Orhan Pamuk and Istanbul

    Given the personal conviction of Orhan Pamuk, based on his first-hand experiences as an Istanbul-born, that the feeling that best serves to describe Istanbul in the last one hundred and fifty years, and notably from the disappearance of the Otoman Empire, is of bitterness, which has a lot of melancholy, or rather an essentially bitter melancholy. And the fact that this statement, in no way exclusive in relation to the unconditional love that Pamuk feels for the city, a true protagonist of some of his most important books, is not easy to digest for a number of his co-citizens, the Turkish writer has confessed to feel some sort of undeniable happiness every time that he reads of listens other say that melancholy is the most identifying attributes of old Byzantium, like it happens for example in the books of French writers who visited it in the 19th century most notably Gérard de Nerval, from who it can be said that he carried his ‘black sun of melancholy’ wherever he went. And, on his tail and always following his footsteps, his friend Théophile Gautier, author of a splendid book of articles titled ‘Constantinople’. They both contributed to make Pamuk feel vindicated for having wanted to speak so much about the feeling that this city produces to him, where he’s spend his entire life voluntarily.

    orhan pamuk istanbul

    Curiously, Nerval never piled on the agony when he talked about Istanbul in his ‘Voyage en Orient’. It’s just that the melancholy was stuck to his skin and his soul and, despite his attempts to distance himself from them, it was impossible to do so. When he arrived to Istanbul, at the age of 35, it hadn’t been long that his heart was a multicolour mosaic broken into a thousand pieces of sharp and cutting tiles. The actress Jenny Colon, the great love of his life which was never corresponded, had abandoned this world six months before and he already knew what it was like to live in a mental hospital. His periplus around the East, animated by the images put into movement by the romantic impulse of figures such as Hugo and Delacroix, it was a desperate attempt to forget, or to pretend he could forget, his precarious state. Hence he half invented a touristic and dreamy istanbul, and great part of the stories that he tells came out straight from his head, despite presenting them as real, debtor of the imaginary Thousand and One Nights.

    Funnily enough, Gautier went a lot further and, disobeying the advice of his friend (who considered that it wasn’t necessary to go any further than the exterior façade of the city “which offered the most beautiful landscapes in the world”), he decided to use the same words as Nerval “go behind the scenes” thus accessing the heart of which, for Pamuk, makes Istanbul such an unbeatable melancholic city and, which has been so since then, making the reader feel with his admirable and seductive picturesque style (however, Gautier dreamt about being a painter until, at the age of 19, he read the ‘Orientals’ of Hugo) that at least half of the treasure of the city on the Bosphorus resides in that other non-touristic Istanbul.

    Paul Oilzum Only-apartments AuthorPaul Oilzum

    When you rent apartments in Istanbul you might want to take these books with you. Like all art which tells, they educate sight, allowing us to see and look with our own eyes.

    via Orhan Pamuk Istanbul.

  • Turkey: New rumours point to Atiye being internally selected

    Turkey: New rumours point to Atiye being internally selected

    Source: Milliyet & Eurovision Dream

    Image Source: atiyemusic.com

    atiyeAfter last weeks revelations, new rumours have surfaced that Turkish broadcaster TRT will in fact make an internal decision for the upcoming Eurovision Song Contest and that Atiye Deniz is the front-runner to be their choice.

    TRT is yet to publically announce anything surrounding their Eurovision plans but Turkish media outlet Milliyet now suggests that Atiye Deniz will be the one heading to Baku next May or is at least the favourite at the present time to be selected. After a string of successful bids in the contest, Turkey failed to make the Eurovision Song Contest Final for the first time in 2011. Rumours later surfaced that TRT would change their procedure which would see more acts have the chance to represent Turkey in the contest. Milliyet now claims it untrue and that Atiye is the favourite to represent Turkey in the upcoming Eurovision Song Contest.

    TRT is expected to announce the selected artist’s name, as they have done during the past two years, on New Years Eve.

    Read more here (in Turkish).

    Eurovision’da Türkiye’yi kim temsil edecek?

    In the meantime, check out one of Atiye’s newer videos “Budur” below;

    via Turkey: New rumours point to Atiye being internally selected | ESCDaily.com || The latest Eurovision 2011 news from across Europe.

  • Turkey’s culture ministry last hope for preserving Istanbul skyline

    Turkey’s culture ministry last hope for preserving Istanbul skyline

    Turkey’s culture ministry last hope for preserving Istanbul skyline

    istanbul siluet

    The İstanbul Metropolitan Municipality now says it can’t stop the construction because it is not in charge of the area where the buildings are being erected.

    The outline of centuries-old mosques against the Bosporus sky has defined İstanbul for much of its history, but now it is up to the Culture and Tourism Ministry to decide whether the historic skyline can remain undistorted.

    Three skyscrapers (the tallest will be 155 meters [508 feet] high) are going up in Zeytinburnu, but even before they started to near completion, they changed the city skyline, rising high above and behind the city’s historic mosques.

    Now the view of Kazlıçeşme from the sea features three looming rectangular blocks in the background, which look like they are going to prey on and devour at any minute the ever-imposing Sultanahmet Mosque that unsuspectingly stands right before them.

    The problem was noticed only recently, when the skyscrapers started getting taller. In the most recent development in the debate about the fate of the panoramic skyline, it emerged that it falls under the responsibility of the Ministry of Culture and Tourism to decide the fate of the skyscrapers due to a change that expanded the preservation zone around the old city in 2008. The İstanbul Metropolitan Municipality was responsible for the area prior to the change.

    The skyscrapers are being built on a 28,000-square-meter (301,389 square foot) plot that was sold by the Savings Deposit Insurance Fund (TMSF) in 2007 to private investor Mesut Toprak for $45 million. First, there were changes to zoning plans after the sale, allowing the construction of skyscrapers in the area. The threat to the city’s historic skyline was discovered only after the three buildings had reached a certain height.

    The İstanbul Metropolitan Municipality now says it can’t stop the construction because it is not in charge of the area where the buildings are being erected. Only the Ministry of Culture and Tourism can stop the construction, city officials have said. Sources say the city has been talking to the construction company for a solution, but the talks have not yet yielded any results.

    Although the outcome of the skyline saga is not yet certain, it has already taught an important lesson. The city recently announced that it will start an archive of three-dimensional and aerial images of the historic parts of the city, which will be used later to decide whether to allow a new building in the area, based on a simulated image of the area showing what it will look like when the building in question is complete.

    Cihan

    via Turkey’s culture ministry last hope for preserving Istanbul skyline | General | World Bulletin.