Category: Culture/Art

  • Turkey Bars Loans to Museums in New York and London

    Turkey Bars Loans to Museums in New York and London

    By FELICIA R. LEE

    THE Culture 190112

    As part of a campaign to block loans to foreign museums with disputed objects in their collections, Turkey is refusing to lend artifacts to the Metropolitan Museum of Art in New York and the British Museum and the Victoria and Albert Museum in London, The Art Newspaper reported. The Met told the newspaper that a dozen antiquities in its collection are now being claimed by Turkey, but would not identify the individual items, saying the matter was “under discussion with the Turkish authorities.” And Tolga Tuyluoglu, who runs Turkey’s culture and tourism office in London, confirmed to the newspaper that claims for the return of two artifacts in the British Museum and the Victoria and Albert are being pursued, adding that his government wants to resolve the issues “before discussing loans for exhibitions.” The British Museum had requested loans of 35 items for its current exhibition “Hajj: Journey to the Heart of Islam,” but the ministry of culture blocked them, leaving the museum to find alternatives on short notice.

    via Turkey Bars Loans to Museums in New York and London – NYTimes.com.

  • Success of the Film ‘Conquest 1453’ in Turkey Is Tied to Metaphor of Conquering Istanbul

    Success of the Film ‘Conquest 1453’ in Turkey Is Tied to Metaphor of Conquering Istanbul

    By ANDREW FINKEL

    01ihtfinkel art blog480A cinema in Ankara, Turkey, on Feb. 27. The film “Fetih 1453,” or “Conquest 1453,” has proven enormously popular with moviegoers in the country.Adem Altan/Agence France-Presse — Getty ImagesA cinema in Ankara, Turkey, on Feb. 27. The film “Fetih 1453,” or “Conquest 1453,” has proven enormously popular with moviegoers in the country.

    ISTANBUL — These days the answer to “they don’t make ’em like that anymore” is “Conquest 1453,” the new spear-and-molten-pitch swashbuckler movie that has Turkish viewers storming their local cinemas in record-breaking numbers. It tells the story of the Ottomans’ successful siege of Constantinople through the eyes of Sultan Mehmet II, with a neat subplot about a cross-dressing female cannon maker who made victory possible.

    “Conquest 1453” (or “Fetih 1453” in Turkish) is remarkable not just for its $17 million budget — which is enormous by Turkish standards — and for the size of the biceps on those thousands of extras. It’s also remarkable for the entirely unselfconscious way it celebrates war and conquest.

    The film manages to combine blood and battle with a feel-good factor. We shed not a tear for the end of Byzantium. The Greeks lose the city after too many late nights spent with dancing girls. The Turks take it as a reward for their determination and faith. The film might have been pitched to the movie moguls as “Troy” meets “Starship Troopers” meets “Shakespeare in Love.”

    Some argue that “Conquest 1453” strikes a chord because contemporary Turkey yearns for its past. The scenes of the pope and assorted mischievous Europeans playing both ends against the middle certainly made an impression on one former Turkish ambassador to the European Union. He tweeted: “A must-see for showing the glory of Turkish history and the games being played over today’s Turkey.”

    My own explanation for the film’s runaway success is that conquering Istanbul is a powerful metaphor. There are those who want to re-enact that triumph again and again. I remember 1996, when Prime Minister Recep Tayyip Erdogan was the mayor of the city and he supported the Welfare Party, a more overtly Islamist party than the Justice and Development Party (AK Party) he heads today. The Welfare Party was about to take office, and that year May 29th, the day in 1453 when Constantinople’s walls were breached, was celebrated with huge pomp.

    People dressed in costumes with crepe beards. Galley boats mounted on motorized trailers wended their way past Taksim Square, the center of Istanbul’s cosmopolitan entertainment district. A huge rally was held at the soccer stadium nearby. The soon-to-be Prime Minister Necmettin Erbakan played the role of modern-day conqueror, arriving by helicopter to rapturous applause.

    Once in power, the Welfare Party tried to be the voice of new migrants to Istanbul, so laying siege to Taksim Square made some sense. The party announced it would build a mosque there; Erbakan openly referred to the project as a “reconquest” of the city. But the Welfare Party was ousted from office within the year and banned the next. And the mosque — whose construction would have required tearing up one of Istanbul’s few parks —was never built.

    Today, the city government, which is run by Erdogan’s AK Party, has introduced another scheme to redevelop Taksim Square: it wants to reconstruct 19th-century barracks. What purpose the buildings would serve, no one actually knows. And the symbolism is confusing. If this government has been successful in anything, it’s in taming the political might of the military. Decorating the skyline with a homage to the army’s former glory might seem a sly sort of conquest.

    This plan, like many of the city’s new development projects, has been rushed through without public consultation. Few images of it are available. The original barracks did have a mosque, but speculation is that most of the space, including much of the existing parkland, will be devoted to yet another shopping mall. If the new complex has a cinema, we can all watch “The Conquest of Istanbul, Part 2: The Battle for Taksim Square” on a wide screen.

    Andrew Finkel has been a foreign correspondent in Istanbul for over 20 years, as well as a columnist for Turkish-language newspapers. He is the author of the book “Turkey: What Everyone Needs to Know.”

    via Success of the Film ‘Conquest 1453’ in Turkey Is Tied to Metaphor of Conquering Istanbul – NYTimes.com.

  • Best Eats in Istanbul

    Best Eats in Istanbul

    360istanbul ctpeko3a

    Flickr/CTPEKO3A

    Where to find the best food in the chicest spots in Istanbul

    Area Daily’s picture

    Feb 29, 2012 @ 3:59 PM

    Posted by Area Daily, Special Contributor

    The former capital city of the Roman Empire, Latin Empire, and the Ottoman Empire, Istanbul was the European Capital of Culture for 2010 and is one serious alpha world city. If you haven’t been, add it to your bucket list today. Its blend of history, culture, and architecture make it a must.

    So Area Daily wants to take you on a tour, focusing on choice eats in Turkey’s capital of cool, Istanbul. Enjoy.

    Vogue is a sexy hipster hot spot that lulls a mostly local crowd, with its Hotel Costes-esqe lounge tracks and tasty regional dishes. Located on a building top in the Besiktas section of Istanbul, Vogue delivers with terrace seating with a view.

    Mikla at the Pera Hotel offers gorgeous views of the Golden Horn over Mediterranean dishes with a Swedish/Turkish twist. Pricey, but worth it.

    360 (pictured anove) is a beautifully decorated rooftop restaurant on top of the Misir Apartments off Istiklal Caddesi and is one of the most fashionable places to dine. Although it is popular with tourists, you won’t regret an outdoor table after visiting the fabulous galleries located on the floors below.

    Mangerie is a fabulous café for a traditional Turkish breakfast dish called menemen. It’s scrambled eggs made with tomatoes, butter, peppers, and unforgettable Turkish spices.

    The original owner of Güllüoglu Baklava & Cafe was responsible for the success of the, now famous and famously contested, baklava throughout Turkey in 1871. This café is a must for a mouthwatering selection of baklavas, pastries, sweets, and Turkish coffee.

    via Best Eats in Istanbul | The Daily Meal.

  • Five Istanbul Hot Spots With A View – Forbes

    Five Istanbul Hot Spots With A View

    Caroline Patek Caroline Patek, Contributor

    Five Top Spots With Views of Istanbul’s Bosphorussee photosMecit Gulaydin

    With its Ottoman Empire history and vibrant modern culture, there’s no denying Istanbul’s charm. At the center of it all, the city’s lifeblood is the body of water that divides Europe and Asia—the Bosphorus Strait, which connects the Black Sea to the Sea of Marmara. The waterway’s strategic importance enticed Constantine the Great to found the city as the capital of the Eastern Roman empire, but today, it’s the focus of some of Istanbul’s most sought-after views. At the end of a day in Turkey’s busiest city, settle in and ponder this famous strait from these five spots with can’t-miss views.

    1. Mikla restaurant

    Sitting atop the Marmera Pera hotel in the historic Pera district of Istanbul, this innovative restaurant combines Scandinavian and Turkish cuisines. Chef Mehmet Gürs takes serious care—he’s enlisted the help of an anthropologist to find unique foods around Turkey—to use local ingredients in his dishes, such as the lamb shoulder with prune pestil (dried fruit leather) and pomegranate molasses. Chrome furniture from the 50s and 70s gives the dining room a retro, sleek feeling, but the real showstopper is the view from the outdoor patio and terrace bar. The terrace gives you a panorama of the skyline’s best sights—the Hagia Sophia, Topkapi Palace, the Blue Mosque and the Bosphorus.

    2. A’jia hotel

    With a striking white columned façade, this 16-room boutique hotel is a restored 1800s-era Ottoman mansion, but inside, the amenities—such as the Acqua Di Parma bath products and Philippe Starck bathtubs—give the space a modern, minimalist vibe. Situated on the banks of the Asian shoreline on the outskirts of the city (about 40 minutes from downtown in the suburb of Kanlica, accessible by shuttle boat) this yali (a word for the wooden residences along the Bosphorus) houses an elegant restaurant with an outdoor terrace serving up Mediterranean and Italian cuisine—such as lamb shank confit—with the sparkling strait as a backdrop.

    3. Vogue restaurant

    Located on top of the Beşiktaş Plaza office building, Vogue has been a fixture in Istanbul the past 15 years. Its international menu draws inspiration from the Mediterranean while the sushi bar is a nod to the Asian shores across the strait. Choose from dishes such as miso-braised black cod, roasted duck and vanilla panna cotta. The restaurant’s floor-to-ceiling windows look out onto views of the Bosphorus and the LED-lit Bosphorus Bridge outside. Reserve a table outside on the terrace—which seats 80—during the summer months for a slight breeze off the water.

    4. Four Seasons Hotel Istanbul at the Bosphorus

    Occupying a restored 19th-century palace in the trendy Beşiktaş area, the hotel blends Ottoman style with contemporary amenities. Rooms located on the first and second floors of the palace building give you a straight-on view of the water, the Asian coastline on the other side of the strait, the Maiden’s Tower and the domes and minarets of Old Town. And the view only gets better as you walk outside. The hotel’s patio boasts a pool and whirlpool (not to mention direct boat access if you like to arrive in style). At Aqua—the hotel’s signature restaurant with name-appropriate design touches such as blue glassware and light fixtures—inside tables have views of the Bosphorus and the outdoor terrace lets you dine at the water’s edge.

    5. Anjelique

    Part restaurant, part nightclub, Anjelique sits on the Bosphorus waterfront in a three-story mansion. Located in Istanbul’s Ortaköy area—known for its nightlife—the glossy restaurant serves Asian cuisine on the first floor and Mediterranean fare on the upper two levels. Aside from entrées such as porcini mushroom and truffle risotto, you can nosh on bar food like crispy duck wraps and vegetable quesadillas. The airy space on the sea level opens up onto an outdoor deck and dance floor with a long fire pit, and inside, massive windows give you ample opportunities to check out the lights of the city’s skyline and the water below. An ever-changing rotation of DJs spin tunes—a different style on each floor—into the early hours of the morning.

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    via Five Istanbul Hot Spots With A View – Forbes.

  • Simon Johns: Greek Carnival Revives the Spirit of an Ancient City

    Simon Johns: Greek Carnival Revives the Spirit of an Ancient City

    Most of Istanbul’s Greeks may be gone, but a revival of the raucous, pre-Lent festival of Baklahorani helps keep their spirit alive.

    Two parades, led by troupes of costumed revelers banging drums and blaring clarinets, wound through the streets of Istanbul on Sunday and Monday to celebrate Carnival before seven weeks of abstinence and reflection for the Orthodox faithful. Hundreds of Turks, Greeks and tourists donned masques and wigs to join the street parties.

    This year was the biggest celebration yet of Baklahorani, which roughly translates as “eating beans” in reference to the Lenten fast, since its revival in 2010. It was a days-long Istanbul street festival for centuries until 1941, when Greeks, facing pressure from Turkish authorities, abandoned the festival.

    “In the 70 years since Baklahorani, demonstrations of faith were done in private. Today it is a matter of pride to celebrate in public,” says organiser Haris Rigas, whose family left Istanbul for Greece decades ago. Rigas returned to Turkey five years ago to study political science at Istanbul’s Bogazici University.

    About 800 people attended the first of the two parades that took place on Sunday and weaved through Istanbul’s main high street, Istiklal Caddesi in the district of Beyoglu. The same street witnessed a night of violence that targeted the city’s Greeks and other ethnic minorities in September 1955. Hundreds of people were injured, and more than 5,000 businesses were destroyed. That accelerated the decline of the Greek community in Istanbul, once the capital of the Byzantine Empire. Today, fewer than 3,000 Greeks, most of them pensioners, remain in their ancient homeland.

    “I am here to celebrate Istanbul Greek culture,” said Burcu Karabiyik, 38, a sculptor wearing a red, sequined eye mask. “It’s important to stake a claim for Istanbul’s traditions and show solidarity when our society is so polarised.”

    Most of Turkey’s Greeks were expelled after World War One in a population exchange that also brought Muslims here from Greece. In later years, tensions over Cyprus, social discrimination and restrictions on property and other rights forced out more than 150,000 others. Hundreds of millions of dollars worth of property has been appropriated, schools are left without pupils, and priests hold services in empty churches.

    Istanbul, Europe’s largest city, is home to a mainly Muslim population of 14 million people, yet it retains the seat of the Ecumenical Patriarchate, the spiritual centre for the world’s 300 million Orthodox. About 60,000 Armenian Christians and 20,000 Jews also live here.

    Turkey’s centre-right, Islamist-rooted government has made a few steps at improving the plight of Greeks since its election in 2002. They have granted Turkish citizenship to foreign bishops so they can join the Patriarchate’s Holy Synod, which runs the Church and provides candidates for future patriarchs. Other gestures have included permission for a Greek Orthodox mass at Sumela Monastery near the Black Sea town of Trabzon for the first time since the 1920s.

    Progress on returning seized properties has been slow. Greeks, along with Israelis, are reportedly barred from buying homes in Beyoglu, which was populated by ethnic minorities during the Ottoman era. The Patriarchate’s seminary has been closed since 1971, making it impossible for the Church to train its clergy.

    Despite the constraints they face, Baklahorani demonstrates that, at least on the street level, Greeks are more comfortable about expressing their identity. A second, smaller parade was held on Clean Monday in Kurtulus, the former Greek neighbourhood known as Tatavla that has traditionally been home to Baklahorani.

    Istanbulites have in recent years begun celebrating the city’s native culture. The Sabanci Museum held a major exhibit last year featuring 5,000-year-old artefacts from the National Archaeological Museum in Athens, the first collaboration between Turkish and Greek museums. Nostalgia for Istanbul’s recent, cosmopolitan past has seen publication of cookbooks with Istanbul Greek recipes, rembetiko bands performing weekly in Beyoglu bars and Greek-style tavernas serving meze to boisterous crowds.

    “By no means does Baklahorani represent a true revival of Greek community or culture,” Rigas says. “But it is still an expression of optimism for the Greek Orthodox of Turkey.”

    via Simon Johns: Greek Carnival Revives the Spirit of an Ancient City.

  • Turkish Taboos Challenged by Success of Movie About Gays

    Turkish Taboos Challenged by Success of Movie About Gays

    A scene from the film Zenne Dancer Sara Anjargolian
    A scene from the film Zenne Dancer Sara Anjargolian

    Turkish movie-theater bookers were less than enthusiastic when two directors — Mehmet Binay and Caner Alper — approached them with a film inspired by the true story of a 26-year-old killed, allegedly by his father, for being gay. Even though Binay and Alper’s film, Zenne Dancer, had won awards, they were told that Turkey was not ready for a mainstream gay movie.

    “We were afraid and unsure too,” says Binay. But the pair, who recently came out to Turkish media as a couple, persevered. They launched a largely self-funded all-out publicity campaign and “based it on everybody’s right to life.” The film has gone on to clock up 85,000 admissions since opening earlier this month, holding its own against other domestic and U.S. releases. Now theaters across the country are asking to screen it. (PHOTOS: A Brief History of Gay Rights)

    “It goes to show that there is growing awareness,” Binay says. “We’ve received so much positive feedback from viewers … Gay teenagers who have gone with their parents, for example. A lot of emotional responses.”

    The film centers on Ahmet Yildiz, who was shot dead in Istanbul in 2008 in what newspapers have called “Turkey’s first gay honor killing.” Originally from a traditional family in southeastern Turkey, Yildiz went to Istanbul as a university student seeking freedom as a gay man. A year before he died, he had applied to local officials for protection, citing death threats from his father. But nothing was done. (PHOTOS: The Streets of Istanbul)

    Yildiz’s father is the chief suspect in the murder and is believed to be hiding in north Iraq. In his absence, the trial continues at a glacial pace. Yildiz’s lawyer has accused officials of being halfhearted in their efforts to find him.

    Directors Binay and Alper were Yildiz’s friends. They were shooting a documentary on zenne dancers (male belly dancers) when they received news of his death. Eventually, they decided to merge the zenne story line into a fictional scenario based on Yildiz’s story. Under the tagline “Honesty can kill,” the film uses the fictitious friendship of Yildiz and the zenne dancer to show the different experiences of various characters in declaring their sexuality to their family and close friends.

    “It was important to us to try and break down some of the prejudices associated with gays,” says Mehmet. “These characters are not stereotypical. They have mothers, fathers, jobs … These are normal people.” (MORE: The Gay-Marriage Decision: Is It Too Narrow to Reach the Supreme Court?)

    The success of Zenne Dancer is a reflection of Turkey’s growing openness toward airing some old taboos — a change that is paradoxically occurring under a conservative, Islamic-leaning government with a conflicted attitude about personal freedoms. Yet democratic progress is still patchy — some 100 journalists are currently in jail, a number on a par with China. Turkey lacks adequate hate-crime legislation that might discourage intolerance of differences, and hundreds of Kurdish activists have been jailed in recent months as part of a crackdown on an alleged urban wing of the separatist PKK, the Kurdish separatist group. “Pushing the military back was a great democratic achievement,” says Kutlug Ataman, a well-known artist who voted for the ruling Justice and Development Party because he saw it as a liberal alternative to military-dominated politics. “But I am seeing the same authoritarianism the military used to exercise coming back with a vengeance.”

    Still, it is perhaps this push and pull, the ongoing tussle between conservative and progressive, secular and religious and, yes, East and West, that makes Istanbul one of the world’s more interesting cultural hot spots. As a co-founder of the city’s independent film festival in 2001, I have watched the transformation firsthand. When we first set out and decided to feature a LGBT sidebar, everyone said it was foolhardy. Sponsors politely asked for their logos to be removed from that part of the festival. But 11 years on, the festival audience has grown from 20,000 people that first year to around 70,000, and that section is now one of its best sellers. (TRAVEL: Inside Turkey’s Young Art Scene)

    On Sunday, I watched Weekend, Andrew Haigh’s much acclaimed wistful gay love story, in a sold-out Istanbul theater. The audience was a mixed crowd of gay and straight and of all ages. As the credits rolled to scattered applause, I felt suddenly hopeful. “Turkey needs for the zenne to live,” says Mehmet. “It is a message of hope.”

    via Turkish Taboos Challenged by Success of Movie About Gays – TIME.