Category: Culture/Art

  • Turkish Muslims Insist on Converting World’s Largest Church into a Mosque

    Turkish Muslims Insist on Converting World’s Largest Church into a Mosque

    Raymond Ibrahim June 9th 2012

    Mideast Forum

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    Haghia Sophia

    Ostensibly dealing with a building, a recent report demonstrates how Turkey’s populace—once deemed the most secular and liberal in the Muslim world—is reverting to its Islamic heritage, complete with animosity for the infidel West and dreams of Islam’s glory days of jihad and conquest. According to Reuters: Thousands of devout Muslims prayed outside Turkey’s historic Hagia Sophia museum on Saturday [May 23] to protest a 1934 law that bars religious services at the former church and mosque. Worshippers shouted, “Break the chains, let Hagia Sophia Mosque open,” and “God is great” [the notorious “Allahu Akbar”] before kneeling in prayer as tourists looked on. Turkey’s secular laws prevent Muslims and Christians from formal worship within the 6th-century monument, the world’s greatest cathedral for almost a millennium before invading Ottomans converted it into a mosque in the 15th century.

    Hagia Sophia—Greek for “Holy Wisdom”—was, in fact, Christendom’s greatest cathedral for a thousand years. Built in Constantinople, the heart of the Christian empire, it was also a stalwart symbol of defiance against an ever encroaching Islam from the east. After parrying centuries of jihadi thrusts, Constantinople was finally sacked by Ottoman Turks in 1453. Its crosses desecrated and icons defaced, Hagia Sophia—as well as thousands of other churches—was immediately converted into a mosque, the tall minarets of Islam surrounding it in triumph. Then, after the dissolution of the Ottoman Empire, as part of several reforms, Ataturk transformed Hagia Sophia into a “neutral” museum in 1934—a gesture of goodwill to the then triumphant West from a then crestfallen Turkey.

    Even though Hagia Sophia is a Christian center under Islamic domination, several Christian authorities are content seeing it remain a museum, including the Ecumenical Patriarchate, spiritual leader of Orthodox Christians: “We want it to remain a museum in line with the Republic of Turkey’s principles,” adding, “if it became a church it would be chaos.”

    True enough; one need only recall how back in 2006, when Pope Benedict was scheduled to visit Hagia Sophia, Muslims were outraged. Then, Turkey’s independent paper Vatan wrote: “The risk is that Benedict will send Turkey’s Muslims and much of the Islamic world into paroxysms of fury if there is any perception that the Pope is trying to re-appropriate a Christian center that fell to Muslims.” Before the Pope’s visit, a gang of Turks stormed and occupied Hagia Sophia, screaming “Allahu Akbar!” and warning “Pope! Don’t make a mistake; don’t wear out our patience.” On the day of the Pope’s visit, another throng of Islamists waved banners saying “Pope get out of Turkey” while chanting Hagia Sophia “is Turkish and will remain Turkish.”

    All this is yet another reminder of the Islamic world’s double standards: when Muslims conquer non-Muslim territories, such as Constantinople and its churches—through fire and steel, with all the attendant human suffering and misery—the descendents of those conquered are not to expect any apologies or concessions. However, once the same Muslims who would never concede one inch of Islam’s conquests, including buildings, are on the short end of the stick—Palestinians vis-à-vis Israel, for example—then they resort to the United Nations and the court of public opinion, demanding justice, restitutions, rights, and so forth.

    Even in the brief Reuter’s report, evidence of such “passive-aggressive” behavior emerges. First, this is not about Muslims wanting to pray; it’s about Muslims wanting to revel in the glory days of Islamic jihad and conquest: Muslims “staged the prayers ahead of celebrations next week marking the 559th anniversary of the Ottoman Sultan Mehmet’s conquest of Byzantine Constantinople.” According to Salih Turhan, a spokesman quoted by Reuters, “As the grandchildren of Mehmet the Conqueror, seeking the re-opening Hagia Sophia as a mosque is our legitimate right.”

    Sultan Mehmet was the scourge of European Christendom, whose Islamic hordes seized and ravished Constantinople, forcibly turning it Islamic. Openly idolizing him, as many Turks do, is tantamount to their saying “We are proud of our ancestors who killed and stole the lands of Christians.” And yet, despite such militant overtones, Turhan, whose position is echoed by many Turks, still manages to blame the West: “Keeping Hagia Sophia Mosque closed is an insult to our mostly Muslim population of 75 million. It symbolizes our ill-treatment by the West.”

    If merely keeping a historically Christian/Western building—that was stolen by Islamic jihad—as a neutral museum is seen as “ill-treatment by the West,” on what basis can Muslims and non-Muslims ever “dialogue”?

    Raymond Ibrahim is a Shillman Fellow at the David Horowitz Freedom Center and an Associate Fellow at the Middle East Forum, from where this article is adapted.

    via The Cutting Edge News.

  • Introducing Turkey’s Eurovision Breakout

    Introducing Turkey’s Eurovision Breakout

    Ah, to be 25, dressed like a Left Bank buccaneer and belting out irresistible Anatolian pop before a televised audience of 125 million kitsch-craving European fans. Such was Can Bonomo’s perch at the Eurovision Song Contest last month. The dashing young Turk, from a Sephardic Jewish family in Izmir, represented Turkey in Eurovision. Though he did not win — the prize went to Swedish-Moroccan singer Loreen — Bonomo was one of the more compelling singers to take the enormous and purpose-built stage in Baku, Azerbaijan. His song “Love Me Back” was performed as a jaunty set piece, variously channeling Pirates of the Caribbean (the ride), Show Boat and Ali Baba. A spicy summer mix, you might say. Bonomo stopped whirling for a moment to talk to us about “Istanbul music” and more.

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    What was your craziest Eurovision experience?

    There’s not much that is not crazy when it comes to Eurovision. It’s very hyped all over Europe. I’ve had a lot of crazy experiences, from getting chased by cops for making music on European streets to broadcasting my birthday via press conference to all over the world.

    Is it correct that you wrote the words and music to “Love Me Back”? Did you translate the lyrics from Turkish, or was the song originally written in English?

    It was written completely from scratch in English. Eurovision is an international contest, so if the lyrics were in Turkish only the Turkish people would have understood it. This way it reached a wider audience. However the song would have also sounded quite good if it was in Turkish, since the Turkish language is very melodic and very suitable for songs.

    Do American pop artists influence your music or style?

    I don’t want to sound condescending, but as a personal preference I don’t listen to pop that much. I’ve heard Madonna is coming to Turkey for a show sometime soon; I don’t think I’ll be going. On the other hand I’m really excited for Red Hot Chili Peppers concert. I’ve always been a rock ‘n’ roll type of guy. Even when I was a kid I grew up with the Kinks, the Beatles and the Rolling Stones. My style is actually more influenced by poets than musicians. I’m a great admirer of American poetry and literature. I love Bukowski. I even have a tattoo from one of Gwendolyn Brooks’s poems.

    In both your Eurovision performance and on your Web site, you can be seen wearing some very interesting styles. Is it a Turkish designer who makes the clothes you wear for shows?

    The very first performance I did, I was wearing my own clothes straight from my closet. I only work with designers for official events like the Eurovision or song videos. I don’t have a designated designer. For Eurovision, though, Giray Sepin did the costumes for the dancers and Hatice Gokce did mine. My style is not that specific to a region or anything like that, but it does have slight ethnic touches.

    After Eurovision, what comes next? Can we expect more songs in English? Is performing in the United States something you would like to do in the future?

    I would absolutely be delighted to come to the U.S. to perform. But I want my lyrics to have a powerful emotional impact, and I don’t think I’m ready to deliver that punch in English yet. I had to postpone the recording of my second album because of Eurovision. Better late than never, and we are finally starting on that. I will also be publishing a poetry book in a few months. I’ve been getting a lot of praise from famous writers and poets here in Turkey. I’m super-thrilled about that.

    I watched Eurovision with a group of Israelis who said some of your music reminded them of klezmer. Was klezmer an influence on you musically growing up in Izmir?

    Turkish music shares a lot of instruments with klezmer music. However, I prefer to call the music I make “Istanbul” music. It’s a combination of sounds, instruments, bazaar salesmen yells, the whole nine yards. I want people to feel the chaotic energy of Istanbul in my albums.

    This post has been revised to reflect the following correction:

    Correction: June 11, 2012

    In an earlier version of the post, the singer’s name was misspelled in the headline. His name is Can Bonomo, not Cam Bonomo.

    via Introducing Turkey’s Eurovision Breakout – NYTimes.com.

  • Madonna performs in Istanbul

    Madonna performs in Istanbul

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    Madonna hit the stage in Istanbul as part of her European M-D-N-A tour. Over 55,000 fans queued for hours outside the Turk Telecom Arena to see the pop diva perform for the first time in 20 years. Judging by the crowd’s reaction, it was worth the wait. “I am very excited to see Madonna again because I was in her first concert 19 years ago, now I am on my 30s and I am really excited to see her again “It’s great that Madonna is at Turkey in Istanbul for a concert, I think it’s going to be once or twice in our lifetime it’s a great crowd today, and we’re really curious about what she will say about women in Turkey, Will she give any messages for women in Turkey.” Istanbul was the latest gig on Madonna’s world tour, next is Rome

    via Sky News: Madonna performs in Istanbul.

  • Istanbul Through The Lens Of Mustafa Seven

    Istanbul Through The Lens Of Mustafa Seven

    Pablo Picasso reportedly once said, “All children are artists. The problem is how to remain an artist once he grows up.”

    slide 230815 1060971 freeWith this in mind, we are pleased to announced a new feature of HuffPost Arts: Instagram Spotlight. We just love the youth-centric iPhone feature that turns amateurs into artists with the click of a button. Instagram reminds us that even those who aren’t working artists still have a vision worth sharing, and HuffPost Arts wants to provide a platform to these photographers who are moved by beautiful moments. We will be featuring our favorite gems on the site along with their stories and inspirations, and will continue to scour the web for budding photographers. If you think this could be you, keep being creative and we will find you!

    This week we are featuring Mustafa Seven, a professional photographer whose raw photographs of different walks of life in Istanbul drive us wild. Scroll down for a slideshow.

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    HP: Tell us about where are you from and what is your ‘day job’.

    MS: I was born in Sivas, Turkey in 1974, and I have been living in Istanbul since I was two years old. Today I am working as the photography editor for Aksam newspaper besides running my own photography studio, G.I.F. I am a professional photographer whose greatest hobby is documentary photography.

    HP: When did you start using your phone as a camera?

    MS: After working with professional cameras for years, I underestimated taking photos with a camera phone. But when I got my first iPhone in 2009, it became indispensable for me. In the beginning, my friends who are working as professional photographers [made fun of] the shots that are taken with camera phone. After a while they all became Instagram users, because they were eyewitnesses of my Instagram story.

    HP: Has there ever been a moment you were especially happy to have had your camera phone handy?

    MS: I started to feel safer with my camera phone. When you carry your 3-4 kilo-camera bag during the day, you generally don’t want to step out with it because you don’t have enough energy. The freedom to take shots with my camera phone gave me a clear conscience — I knew that I am not going to miss any chance for a great shot! Once I was taking pictures of a famous Turkish director for the newspaper I am working for. My camera was broken down and I didn’t have a chance to meet him again, so I took his pictures with my iPhone. The result was satisfying!

    18 mustafa seven 1999 izmit

    HP: Who are your favorite people you follow on Instagram?

    MS: civilking, audiosoup, aditzt, eros_sana, raygun, ekalex, auroramichavila, konstruktivist, fashion, richnyc, sionfullana, thomas_k, jesusege, dariszcahyadi, darkolabor, teenbrogg.

    HP: Who are your favorite photographers?

    MS: Henri Cartier Bresson, Sebastiao Salgado, Ara Güler, and Yousuf Karsh.

    HP: What is your favorite spot to find inspiration?

    MS: The historic peninsula of Istanbul is my favorite place. You can see the history forming people’s life styles in this part of the city. Old buildings, cats, dogs, people… I find inspiration there.

    via Instagram Spotlight: Istanbul Through The Lens Of Mustafa Seven (PHOTOS).

    more: https://www.huffpost.com/entry/instagram-spotlight_n_1572180

     

  • When Twitter Sleeps: Comparing NYC, Tokyo, Istanbul, and São Paulo

    When Twitter Sleeps: Comparing NYC, Tokyo, Istanbul, and São Paulo

    A visualization of Twitter activity shows cultural differences in when people go to bed, when they rise, and whether they tweet at work.

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    New York may claim to be the city that never sleeps, and while that may be a bit of an exaggeration, new data from Twitter shows that it has a pretty good claim to the mantle The City That Sleeps the Least.

    The graphic above shows tweet volume a five-minute increments throughout 2011 for New York City, Tokyo, Istanbul, and Sao Paulo, painting a picture of when people around the world are tweeting, sleeping, and waking up. A few noticeable trends:

    People in New York, Istanbul, and Sao Paulo all stay up later in the summer. New Yorkers seem to also stay up later in the winter. Those in Tokyo are the most consistent regardless of season.

    Japanese twitter users don’t tweet during the work day.

    New Yorkers have the least variation between tweet volume during work and at night.

    Paulistas sleep later. It also appears they go to bed earlier, in contravention of their reputation as night-life lovers. Also possible: They don’t tweet as much when they’re out having a good time. (Editor’s note: This is clearly implausible?)

    The image comes from a paper by Twitter analysts Jimmy Lin and Miguel Rios, and was presented earlier today at a workshop on social-media visualization in Dublin.

    via Technology – Rebecca J. Rosen – When Twitter Sleeps: Comparing NYC, Tokyo, Istanbul, and São Paulo – The Atlantic.

  • Turkey struggles to preserve childhood cartoon – Boston.com

    Turkey struggles to preserve childhood cartoon – Boston.com

    By Christopher Torchia and Emrah Betos

    Associated Press

    Cin Ali, the squiggly stick figure in a cap whose benign adventures in big-print, picture books helped a generation of Turks learn to read in primary school. In this undated photo, teacher Rasim Kaygusuz, creator of Cin Ali, stands with his primary school students.  File/Kaygusuz Family/AP
    Cin Ali, the squiggly stick figure in a cap whose benign adventures in big-print, picture books helped a generation of Turks learn to read in primary school. In this undated photo, teacher Rasim Kaygusuz, creator of Cin Ali, stands with his primary school students. File/Kaygusuz Family/AP

    ISTANBUL—If you mess up in Turkey, a common way to laugh it off is to invoke Cin Ali, the squiggly stick figure in a cap whose benign adventures in picture books helped a generation of Turks learn to read.

    Cin Ali, a village character who was created around 1970, is out of sorts in Turkey’s brash new world, epitomized by the perpetual buzz of Istanbul, its continent-straddling biggest city. Today, as he’s eclipsed by more flamboyant cartoon characters, a few ardent fans are working industriously to revive this faded icon, who helped steer the early consciousness of many Turks who describe him wistfully as a cute, childhood companion.

    “I couldn’t even draw Cin Ali,” goes the self-deprecating idiom, embedded in adult lexicon long after the cartoon boy was officially sidelined from state classrooms nearly a decade ago as an antiquated teaching tool. Today’s Turkey barrels ahead, buoyed by economic growth that has so far weathered the worst of the crisis in Europe, its chief trading partner, and intent on pioneering political change in the Middle East.

    via Turkey struggles to preserve childhood cartoon – Boston.com.

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