Category: Culture/Art

  • Istanbul 2020 bid gets boost from James Bond

    Istanbul 2020 bid gets boost from James Bond

    By Tom Degun

    skyfall istanbulOctober 25 – Istanbul is set to receive a major boost in its bid to host the 2020 Olympic and Paralympic Games as the Turkish city provides a large part of the backdrop for the latest James Bond movie Skyfall.

    Skyfall, which premiered in London this week, is the third Bond film to use Istanbul as a backdrop after From Russia With Love and The World Is Not Enough shot scenes in the city at locations including Maiden’s Tower.

    Barbara Broccoli, the Bond film producer, has claimed that Istanbul was the favourite city of 007’s creator Ian Fleming, while the latest instalment of the franchise features some the its iconic landmarks, including the Blue Mosque, The Grand Bazaar and Eminönü Square.

    skyfall-posterIstanbul provides a major part of the backdrop for the latest James Bond movie Skyfall

    “The film industry has always been enchanted with Istanbul, but a recent surge in blockbuster films being set here is evidence that Istanbul is an iconic global city – something which we hope to display to the Olympic family in the forthcoming months,” said Istanbul 2020 bid leader Hasan Arat.

    “Istanbul is the perfect backdrop for James Bond films – which mix tradition and charm with state-of-the art innovation and technology.

    “These Bond films perfectly reflect the duality of Istanbul – it would be the only city to host an Olympic Games situated in two continents; where East truly meets West; where historic culture and traditional customs meet a thriving, modern economic and commercial hub.

    “Istanbul’s majestic visual backdrop, spanning millennia, cultures and continents, will create a defining experience for athletes and captivating images for a global audience.”

    Daniel Craig (pictured top), who plays Bond in Skyfall, said Istanbul is “an incredible backdrop to any movie”, while rumours are growing that the English actor will be supporting the Istanbul 2020 bid in person at the International Olympic Committee (IOC) Session in Buenos Aires in September next year, when the 2020 Olympic and Paralympic host city will be decided.

    Maidens Tower_in_IstanbulThe iconic Maiden’s Tower featured in the 1999 James Bond film The World Is Not Enough

    When contacted by insidethegames about the possibility of Craig appearing at the IOC Session, the Istanbul 2020 bid team declined to comment, increasing speculation that it will happen.

    Istanbul is currently bidding against Madrid in Spain and Tokyo in Japan for the right to stage the 2020 Games with the final decision set to be made by the IOC on September 7 2013.

    Before the vote, all three cities will be visited in March next year by an IOC Evaluation Commission headed by Britain’s Sir Craig Reedie.

    Istanbul’s inspection visit will come last on March 24-27.

    via Istanbul 2020 bid gets boost from James Bond | 2020 Summer Olympics | insidethegames.biz.

  • Turks and Greeks come together over music

    Turks and Greeks come together over music

    Musicians from Turkey and Greece are employing their craft to heal wounds lingering from political disputes between the two nations.

    Eleni Karaindrou, a renowned Greek musician, performed with Turkish composer Ender Sakpinar and his orchestra at an Istanbul jazz festival earlier this month. With cheering in Turkish and Greek thundering from the audience, the transformative power of the moment was reflected in Karaindrou’s eyes at the end of the show.

    “Music is a universal language that speaks to peoples’ hearts,” Karaindrou told SETimes.

    Sakpinar and Karaindrou have partnered in a concert series known as “Songs for Hope and Peace,” which aims to use the countries’ common musical heritage to promote tolerance despite their governments’ political disagreements.

    Sakpinar is convinced ministerial squabbles are no match for the force of music.

    “When the audience hums the melody and keeps the tempo in harmony with each other, political conflicts disappear and we open a platform for mutual understanding,” he told SETimes.

    But the concert series hasn’t been all singing and merriment. Sakpinar, who has co-ordinated the project for a decade, said his musicians had to learn to trust each other before they could bring a message of tolerance to a broader audience.

    “When we started our project, there was serious suspicion about our real motives, especially from the Greek side,” he said. “Even some Greek musicians playing in our orchestras had difficulty explaining the project to people close to them.”

    One way the maestro united his group was by drawing from both Greek and Turkish artists when developing their repertoire of songs. This allowed the concerts to realise their goals even in challenging environments, he said.

    “Recall how much political tension there was in the summer of 2006, when we came to Rhodes to give a joint concert,” Sakpinar said. “There were dogfights over the Aegean sea and crises over the Kardak islets. Despite this, 2,000 people attended the concert.”

    Added Sakpinar: “When people came to our concerts and saw us, they started to re-discover Turkish-Greek relations from scratch.”

    Karaindrou told SETimes she’s been warmly welcomed by Turkish music fans despite her nationality.

    “It’s not that all of Turkey knows me, but those music lovers that feel close to me truly show their love for me,” she said, adding that it has been a tremendous experience every time she’s co-operated with Turkish musicians.

    Meanwhile, concert organisers work to ensure their success branches up from the grassroots to the highest reaches of government.

    Politicians, mayors and governors are invited to the performances. If they attend, they’re required to make a speech before the show to share thoughts about the initiative and their view of the country across the sea.

    “Thanks to the concerts, we’ve had an opportunity to discuss our problems and brainstorm about how to improve the situation,” Sakpinar said. “But initiatives like these need more support from businessmen and public officials on both sides.”

    There are signs that a growing number of artists on both sides of the Aegean are embracing the project’s formula of peace through music.

    Greek musician Eleni Karaindrou and Turkish composer Ender Sakpinar are collaborating in programs that use the countries' common musical heritage to promote tolerance despite their governments' political disagreements. [Facebook]
    Greek musician Eleni Karaindrou and Turkish composer Ender Sakpinar are collaborating in programs that use the countries’ common musical heritage to promote tolerance despite their governments’ political disagreements. [Facebook]
    Mehtap Demir, a Turkish singer whose ensemble My Sweet Canary includes Greek, Israeli, and Turkish musicians, was set to transmit the message at the Womex World Music Expo held in Thessaloniki on October 21st.

    “The power of music comes from the fusion of local, cultural and religious spheres,” Demir told SETimes. “Musicians need to share this with the people and emphasise this theme.”

    Demir’s ensemble was founded to memorialize Roza Eskenazi, known as the queen of early 20th century rembetiko (Greek blues). Eskenazi was born in a Sepharadic family in Istanbul, but early in her childhood her family moved to Thessaloniki, then still part of the Ottoman Empire.

    The singer laments the fact that Turkish and Greek people are eager to claim “ownership” of aspects of culture, such as coffee or local dances.

    “Musical projects like My Sweet Canary show that these represent the common culture of this region,” she said.

    Demir told a story about a Greek politician who approached her at one of her concerts.

    “He said, “I’m 58 years old. My grandmother used to sing me the song ‘Rambi,’ which you performed. It reminded me of my childhood.”

    SETimes correspondent HK Tzanis in Athens contributed to this report.

    via Turks and Greeks come together over music (SETimes.com).

  • Istanbul Takes New York: A Look at 4 Fall Shows From Turkey’s Surging Art Scene

    Istanbul Takes New York: A Look at 4 Fall Shows From Turkey’s Surging Art Scene

    semercioglu gulay green apple 1

    Courtesy the Artist and Leila Heller Gallery

    Gulay Semercioglu’s “Green Apple,” 2011, wire, screws, wood

    by Rachel Corbett

    Published: October 24, 2012

    A still from Ali Kazma’s “Absence,” 2011, 2 channel video, endless loop / Courtesy C24

    In recent years, art analysts have alternately described the rise of the Turkish market as both a bubble and a long-brewing boom. Whichever turns out to be true in the long run, there’s no denying its explosion. Sotheby’s London launched its first auction dedicated to modern and contemporary Turkish art in 2009, bringing in $1.3 million during the inaugural edition. The next year, sales nearly doubled.

    Galleries appear to have taken note. While the prices at the Sotheby’s sale in April cooled a bit, dealers in New York have organized a crop of shows devoted to Turkish artists this fall. From galleries specializing in the Middle East, like Chelsea’s Leila Heller, to the more Euro-centric Sperone Westwater, here’s a look at where to spot the group of trendy Turks in the months to come:

    Kutlug Ataman, “Mesopotamian Dramaturgies,” at Sperone Westwater, November 1-December 22

    Newly represented by Sperone Westwater, Ataman is making something of a comeback in the west after showing predominantly in the Middle East and Europe for nearly a decade. The series of four video installations that comprise “Mesopotamian Dramaturgies” is firmly rooted in his native landscape, however, often highlighting the tensions of modernization in Turkey. At the start of the Arab Spring, for instance, Ataman filmed a formation of rushing waterfalls and projected the images onto multiple screens, reminding viewers that destruction and purification can occur simultaneously.

    Gulay Semercioglu, “Variations on Line,” Leila Heller Gallery, October 11-November 12

    Istanbul-based painter Gulay Semercioglu makes her U.S. solo debut at Leila Heller with a collection of architectural abstractions woven from razor-thin metal wires and mounted into wooden frames. The work draws upon the history of her hometown, Gaziantep, which was known for its wire-woven textiles. “My grandfather, when he was bored or unhappy, used to resort to weaving,” she explained in a statement. “My grandmother used to win prizes for her embroidery and jewelry. It’s in my genes and in the process.”

    Yigit Yazici, “Nobody’s Business but the Turk’s,” Tally Beck, November 14-January 6

    A fixture on the Istanbul pop art scene, Yazici brings 12 fluorescent paintings to the Lower East Side’s contemporary Asian gallery Tally Beck next month. Yazici tarts up everyday imagery, such as motorcycles and furniture, with maze-like layers of neon paint. Earlier this year, in consistently Warholian fashion, Yazici designed an Absolut Istanbul label with a cartoonish tableau of the Galata Tower on the Bosphorous. He will return to the U.S. in December to attend Art Asia Miami with Tally Beck.

    Ali Kazma, “In It,” at C24 Gallery, November 7-December 22

    Video artist Ali Kazma has been busy: he recently closed a solo show at the Hirshhorn Museum in Washington, D.C., and will be representing Turkey in the 2013 Venice Biennale. In the meantime, he is bringing a series of new and old works to Chelsea’s C24 Gallery for his first solo show in New York. Curated by French critic Paul Ardenne, the multi-screened videos are being shown together to create a new environment that explores time and energy. Kazma also had a video in the inaugural exhibition at C24, a gallery launched last year by a group of Turkish collectors and a New York attorney.

    via Istanbul Takes New York: A Look at 4 Fall Shows From Turkey’s Surging Art Scene | Artinfo.

  • Turkey: A Look Into Its Culture and History

    Turkey: A Look Into Its Culture and History

    Written By: Humzah Nasir

    Turkey is a beacon of both democracy and stability in the tumultuous Middle East; its social and political model successfully combines Islam and Western influences. Turkey is a Muslim country, a democracy, and it has a booming economy. It’s a state that spans two continents, and it’s a place with thousands of years of fascinating culture and history. I sat down with my friend, Evangeline Outzen ‘14, to talk about this important but little-known country.

    Outzen spoke with me about her experiences, her political opinions and the historical facts about the beautiful and unique country that is Turkey. Outzen is half Turkish and lived in Ankara, the capital of Turkey, from the ages of nine to eleven. She has been back to the country seven times, and has studied Turkish politics and foreign relations as an intern in Washington, DC. During her time in Turkey, she had the fortune to visit many amazing cities including, but not limited to: Istanbul, Izmir, Eskisehir, Antalya, Erzurum, Cappadocia and Kayseri. “Turkey is a large country – slightly bigger in geographic area than Texas – but I’ve been lucky to have traveled around a lot,” Outzen said.

    On a more personal note, Outzen told me about some of her most memorable moments in Turkey. “When I was ten, my family took a trip to Cappadocia. That trip is especially impressed on my memory for a few reasons, including that it was probably the first time I began to seriously think about different religions, and how they interact with each other. One night, my family and I went to dinner and watched a performance of whirling dervishes – it was a profoundly peaceful and beautiful sight. The next day, we visited the Kaymakli underground city, which is an intricate series of tunnels and rooms built during the early years of the Roman Empire, when Christianity was an entirely new religion. Early Christians in Cappadocia built the city as a place to hide because Christianity wasn’t accepted at the time. I ran and climbed excitedly through the tunnels, trying to imagine what it was like for people not only to actually live there, but to live in fear and have to hide because of their religious beliefs. Also, the city of Cappadocia itself is made up of unusual geographic formations called “fairy chimneys’, which look like something out of a surrealist painting, so the entire place has a strangely serene atmosphere. It is a must-see for anyone who wants to travel to Turkey.”

    In Turkey, a dish called ‘Dolma,’ which comes from the Turkish word ‘Dolmak,’ meaning to stuff, is very popular. “It consists of stuffed vegetables. You can use rice and meat to stuff tomatoes, bell peppers, zucchini and other vegetables. Stuffed grape leaves, called ‘yaprak dolmasi,’ are the most common iteration and can be found all across the Middle East,” said Evangeline. In Turkey, two drinks reign supreme: Turkish çay and Turkish coffee. “Turkish çay is drunk a few times a day and is often accompanied by biscuits or nuts. It’s more popular than the coffee because Turkish coffee is very strong,” she said. And of course, the ubiquitous Baklava is the most popular dessert in Turkey and the Middle East.

    Outzen also enlightened me about the history of Turkey and how much Turkey has changed, including the effects to maintain a delicate balance between Islamic and Western ideals. “The Ottoman Empire – called the ‘Sick Man of Europe’ during the later years – began to seriously lag behind Europe technologically and struggled to maintain authority over the vast territory and numerous ethnic groups that were part of the empire. The Ottoman Empire had lasted for 600 years, but during World War I these various factors came to a head as the Ottomans fought on the losing side of the War with Germany. A man named Mustafa Kemal — later called Ataturk, father of the Turks — emerged as the leader of the Turkish nationalists. He would help establish the Turkish Republic in 1923. Seeking to Westernize and modernize Turkey, he undertook various social, political, economic, and other reforms from 1924 to 1934. He radically transformed the country to be oriented to Europe from the top down. For example, Ataturk replaced Arabic script with the Latin alphabet and removed a lot of Arabic and Farsi words from the Turkish language. Ataturk wanted Turks to think of Turkey as a European country, and for a long time they did. Today, the situation is a bit different. Although Turkey remains technically secular, the ruling Justice and Development Party, which has been in power for over a decade, is taking the country in a more Islamist direction. Seeing as Turkey’s population is 99.8 percent Muslim – most of them Sunni, although there are Shiites and Alevis too – it will be fascinating to observe how the way Turkey identifies itself changes,” Outzen said.

    Our discussion shifted to politics as Outzen explained the European Union’s relationship with Turkey. Turkey first applied for EU membership over 50 years ago, and in 1963 the parties signed an association agreement stating that Turkey would “one day” become a member. In the 1970s, Turkey was offered membership but declined; Ankara was under a far left regime that did not want any part in the “capitalist club.” In 2005, the EU accession process became more complicated when the EU divided the requirements for membership into 35 chapters, which allowed for each chapter to be opened and closed with the consent of each of the 27 members. A few countries including Cyprus and France, strongly oppose Turkey’s membership. The process has effectively halted. “Personally, I think the EU has made a mistake by making it so difficult for Turkey to join. It used to be that Turkey needed the EU more than the EU needed Turkey, but now things have changed and Turkey is booming where Europe is stagnant. The failure of EU membership talks has helped contribute to a re-orientation of Turkey’s foreign policy eastward.”

    Outzen on a more pensive note: “I think that Turkey has been neglected in public discourse and as a subject of study in American schools. It is unfortunate because Turkey is a rapidly growing economy with increasing geopolitical significance, but also because it is a beautiful country and culture. Turkey has been the crossroads of Eastern and Western civilization for thousands of years. It would behoove American policymakers to pay closer attention to Turkey, and on an individual level, it would also benefit Americans to study how and why [the] East and West have met successfully in Turkey.”

  • Ben Affleck Stars in, Directs Historical Thriller, ‘Argo’

    Ben Affleck Stars in, Directs Historical Thriller, ‘Argo’

    Recreating an international crisis of historical proportions is not as easy as you think.

    For Ben Affleck, the director and star of “Argo,” opening Friday, it may have been the biggest challenge of his career: fomenting the chaos necessary to simulate the 1979 storming of the U.S. Embassy in Tehran that launched the hostage crisis.

    “We had several thousand extras on some days,” the 40-year-old actor-director told The News of filming in Istanbul, which doubled for Tehran. “It was not quite ‘Lawrence of Arabia,’ but it felt pretty big to me.

    “I wanted to hire real people, but that meant we had to dress them and we had to teach them Persian chants,” he adds. “We had to bus them in from all over the place; some of these people had to leave their homes at one in the morning. All of a sudden, it turned freezing and raining on the days we were going to shoot. So there were a ton of logistical challenges. Chief among them, they could just go home. They could just decide it wasn’t worth it.”

    The result, though, has been well worth it for Affleck.

    Based on a real incident only declassified during the Clinton administration, “Argo” tells the story of a clandestine CIA operation that freed six American diplomats. They narrowly escaped capture after their embassy was breached and 52 of their peers were taken hostage.

    Secretly holed up for weeks in the home of the Canadian ambassador (played by Victor Garber), they realize it’s just a matter of time before they’re discovered. So Langley assigns a top “exfiltration” expert, Tony Mendez (Affleck), to sneak into the midst of the chaos of the Revolution and whisk the diplomats home…

    via Ben Affleck Stars in, Directs Historical Thriller, ‘Argo’.

  • Istanbul-Armenian Artist: “There is no cultural diversity in Turkey”

    Istanbul-Armenian Artist: “There is no cultural diversity in Turkey”

    Aret Geçer , an Armenian artist based in Istanbul, doesn’t let just anybody enter his studio.

    The reason for the secrecy is his series of works regarding Archbishop Mesrob II Mutafyan, the Armenian Patriarch of Constantinople, now incapacitated due to degenerative dementia.

    Only several of the numerous works are ready to be exhibited. Aret says he won’t comment as to the reasons why he’s focused on the illness plaguing Archbishop Mesrob II until the exhibition.

    “Even though the works have a political significance, I wanted to free them of political and church related conceptions. I am displaying the paintings of the archbishop solely from an artistic perspective. I want people to see the art in them as the primary idea,” Aret says.

    19118

    From Yerevan to Istanbul

    Aret is the only Istanbul-Armenian I have met who carries himself like a Yerevan native. After studying for a year at the Lyon Art Institute, Aret went to Armenia and enrolled at the Yerevan Art Academy.

    Now, he walks past the luxurious stores in Taksim Square and when he reaches a small intersection he changes direction towards his art studio which is located in a building that stands out due to its Armenian architectural design.

    What can you say about the level of education at the Yerevan Art Academy?

    Those with no connection to art are accepted at this school tuition free through their connections. The really worthy students are turned away. The instructional methods are also outdated. You feel that you are obtaining certain fundamental things, but they aren’t relevant to the present era.

    Do you mean that there’s a lack of good teachers?

    Teachers exist but they have become disgusted with the job. Except for a few exceptions, they’re only there to make extra money. You would think that non-conformist young people would be enrolled at an art school, but in Yerevan you’ll find the opposite; the most conservative. Free thinkers are in the minority.

    What’s the difference if we compare Lyon, Istanbul and Yerevan in terms of art?

    We can’t compare them to Lyon because that city is in a totally different time frame. Istanbul tries to have the contemporary and exhibit it. They spend tons of money on contemporary art.

    Your paintings are hidden away in this room where you work. Why don’t you at least show them in your studio?

    I believe there are different ways to exhibit art. It should be done at a formal exhibition. Furthermore, half of the exhibition process involves hiding the works.

    Cultural diversity in Yerevan is scarce, but in Istanbul you can meet people of different cultures and religions. Does this diversity influence your art, and if so, how?

    I don’t feel such diversity. It’s probably because I’ve lived here for so many years. Such great diversity doesn’t exists here. There aren’t even sub-cultures anymore. It’s all been erased. There is only one culture – the Turkish culture.

    In addition to painting you’re also a cartoonist for the Agos newspaper. Can you make a living doing this?

    I live an average lifestyle. Here too, artists don’t live well.

    Photos: Saro Baghdasaryan

    via Istanbul-Armenian Artist: “There is no cultural diversity in Turkey” | Hetq online.