Category: Culture/Art

  • London Book Fair: Elif Shafak on Turkey’s progress

    London Book Fair: Elif Shafak on Turkey’s progress

    London Book Fair: Elif Shafak on Turkey’s progress

    • Elif Shafak
    • The Guardian
    • Photograph: Murdo MacLeod for the Guardian

    As a Turkish woman writer in England there are two questions about my country that I hear

    With Turkey the focus of this year’s London Book Fair, Elif Shafak says her country is starting to find its voice

    often: are women equal to men and are words free? Two different subjects that receive the same answer: “Yes and no, concurrently.”

     Elif Shafak says Turkey has an amazing ability to reinvent itself in a short period of time.

    Elif Shafak says Turkey has an amazing ability to reinvent itself in a short period of time.

    Turkey is a country of mesmerising contrasts, colours and conflicts. It’s a running joke for us to liken our progress and modernity to the Mehter – the Ottoman military band that once inspired western classical composers, such as Mozart. The band’s march consisted of two steps forwards, one step backwards. Thus we proceed in Turkey when it comes to basic freedoms and human rights.

    The country is going through a historical transformation. The conflict with the Kurdish separatists, which killed more than 40,000 people and traumatised many more, is being resolved. Until recently, this would have been a dream. Prime Minister Recep Tayyib Erdogan and the AK Party have taken considerable political risks to authorise negotiations with the jailed Kurdish leader Abduallah Öcalan. They have been aided by the fact that, increasingly, more people on both sides are tired of violence and antagonism.

    For way too long, Turkish ultra-nationalism and Kurdish ultra-nationalism have fed off each other, keeping the country in a vicious circle and spreading fear, bigotry and xenophobia. Turkish official ideology has systematically denied the existence of Kurds and the Kurdish language. That is no longer the case. Books, magazines, publications on “The Kurdish Question” fill the shelves. Whereas in the past it was unthinkable to question the army as an institution, that, too, has changed. The army has been confined to military and strategic matters, as it should be in any true democracy.

    Nonetheless, other things are slow to change. Meeting with PEN international delegation president, Abdullah Gül, he expressed concerns about the obstacles to freedom of speech – the trials, and in some cases the incarceration, of writers, journalists and publishers. “These developments sadden me,” he said. Article 301 of the Turkish penal code, which punishes anyone who “insults Turkishness” with up to three years in prison, has been noticeably restricted in practice, though not abolished. It is not as easy as it used to be to press charges against a writer or journalist for their words since it now requires the approval of the minister of justice. However, the law hovers above our heads like the sword of Damocles. Some citizens feel “insulted” at the slightest critical remark about the state, government or our ancestors. Prosecutors take their applications seriously, and the vagueness of the law only deepens the problem.

    A similar broadness can be observed in the anti‑terror laws. The distinction between those who resort to terrorism and those whose only “sin” is to speak their minds is not fully recognised. Ragip Zarakolu, the founder of a publishing house famed for supporting minority issues and a Nobel peace prize nominee, spent six months in prison last year. Social media is also fraught with danger. The composer and pianist Fazil Say appeared in court on charges of blasphemy and insulting religious values because of a tweet he sent.

    Obscenity trials are another hurdle for writers and artists. The Turkish publication of Chuck Palahniuk’s novel Snuff – rendered Death Porn in Turkish – saw both its translator and publisher in court. The publication of a translation of The Soft Machine by William Burroughs was accused of obscenity, but the trial was postponed.

    Just recently a complaint has been filed against two intellectuals – Robert Koptas, the editor of the Armenian newspaper Agos, whose previous editor Hrant Dink was assassinated, and Ümit Kivanç, leftist-liberal journalist – because one citizen complained that the words they uttered on TV were “insulting”, adding “clearly they must be Armenians”.

    There is a growing concern that the press is not as diverse as it used to be and that alternative voices are heard less and less. Self-censorship is a subject we rarely discuss, although clearly we have to: last month Hasan Cemal, a veteran journalist and critical thinker, left his newspaper, Milliyet.

    Even if the majority of the cases do end in acquittal, the judicial process is too lengthy. Writers, journalists, translators and publishers are no strangers to prosecutors’ offices. And then they have to suffer attacks from extremist newspapers. One major hurdle is the old laws, many of which date back to the 1980 military coup d’etat. We urgently need a new, egalitarian, pluralistic, and more democratic constitution. Only this can help Turkey to move up in the World Press Freedom Index where it is ranked 154th out of 179 countries.

    Yet at the same time countless books and magazines are published on subjects that until recently were taboo. Minority rights, the army, domestic violence, homophobia – publications and discussions follow one another. Turkey has an amazing ability to reinvent itself in a surprisingly short time. Of one thing we can be certain: young and dynamic, perched delicately on the threshold of east and west, Turkey’s civil society is anything but silent.

    • Turkey is the market focus of this year’s London Book Fair, 15-17 April, Earls Court, London SW5.

    via London Book Fair: Elif Shafak on Turkey’s progress | Books | The Guardian.

  • Istanbul Showcased at First-ever INN London 12-15 April – PR Newswire – The Sacramento Bee

    Istanbul Showcased at First-ever INN London 12-15 April – PR Newswire – The Sacramento Bee

    Istanbul Showcased at First-ever INN London 12-15 April

    inn-istanbul

    By INN London

    Published: Tuesday, Apr. 9, 2013 – 5:13 am

    LONDON, April 9, 2013 — /PRNewswire/ —

    Art, Architecture, Books, Design, Food, Fashion and New Media

    Victoria House, Bloomsbury, WC1B 4DA

    Tickets in advance (£5) from http://www.innlondon.org/event   or on the door (£10)

    The first-ever INN London, held on 12-15 April at Bloomsbury’s Victoria House over 22,000 square feet, will focus exclusively on Turkey’s cultural and business capital Istanbul. A showcase of Istanbul’s best contemporary art, design, food & fashion; INN will be the place to meet, have conversations, do business, shop, eat and be inspired.

    (Photo: https://prnewswire2-a.akamaihd.net/p/1893751/sp/189375100/thumbnail/entry_id/0_e6fphbld/def_height/400/def_width/400/version/100012/type/1 )

    Discover beautiful world-class products never seen before in London.   Be the first to explore cutting edge fashion by Zeynep Tosun & NIAN; enjoy Kahve Dunyasi’s fine coffee, delightful coffee Dragees and double roasted Pistachio Turkish Delight; immerse yourself in literature with Andrew Finkel’s interview with Elif Shafak, this year long-listed for The Women’s Prize for Fiction, on Sunday and in architecture with Emre Arolat on Saturday; explore Superpool’s city-scapes; eat luxury street food with chef Silvena Rowe; new painting, sculpture and video by Istanbul’s leading fine artists; experience the future of digital art and new media at Kurye Video and GRID, invest in Merve Kahraman’s amazing bunny chairs and Viking lamps, jewellery by Zekie and Dilara, and Dora Teymur’s hand made shoes: finally linger over evening Raki and Meze – true Istanbul style.

    What’s it about? INN London are curators of cities.  They will reveal what makes Istanbul unique in this exciting lifestyle & cultural experience which brings Istanbul’s leading architects, artists, designers, fashion designers, galleries & shops, as well as celebrity guest chef Silvena Rowe, to London and will include a programme of cultural talks and events, information on travelling in Turkey as well as the chance to purchase exclusive artist prints, Turkish books, magazines and products.

    How do I get a ticket? Purchase a ticket in advance (£5) from or at the door for £10.

    Any special talks to attend? There will be a curated programme of cultural talks and events held at the INN Conversation Bar Area, tickets for these special events will also be available at .

    Highlights include:

    Award-winning architect Emre Arolat INN conversation with Andrew Finkel – Saturday 13 April at 2.30pm:  (tickets £7 including entry to the exhibition)

    Author Elif Shafak, long-listed for The Women’s Prize for Fiction,INN conversation with Andrew Finkel – Sunday 14th April at 2.30pm: (tickets £7 including entry to the exhibition)

    UK/Turkey SME Business Breakfast – Monday  15th April at 9-11am: (tickets £10)

    http://www.innlondon.org

    Follow us @innlondon

    Join events and like us at

    Press Events

    11th April

    9.30 – 10.30: Press Breakfast with Kit Malthouse, Deputy Mayor of London for Business and Enterprise and Jessica Hand, ex-HM Consul General Istanbul and Moscow, Director UKTI Turkey, acclaimed Chef Silvena Rowe and Curator Isabella Icoz

    10:30 – 15:30: Press and Trade: Preview & Open Day

    EDITORS’ NOTES:

    LISTINGS INFORMATION:

    Exhibition Dates 12-15 April

    Exhibition Opening Hours 12, 13, 15 April 2013: 11-7pm / Sunday 14 April 2013: 11-6pm

    Food & Drink Opening Hours 12-15 April: 12-9pm

    Address Victoria House, Bloomsbury, WC1B 4DA

    Website http://www.innlondon.org

    Admission Advance £5 from ; at the door £10

    NOTES TO EDITORS:

    Exhibitors:

    Galleries: Pi Artworks ( http://www.istanbul74.com) , Dirimart ), Gallery X-ist ), Merkur ) , Elipsis (http://www.elipsisgallery.com) ,  Sanatorium ) , artSumer (http://www.artsumer.com)  Cda Projects ) , Leila Heller Gallery (http://www.leilahellergallery.com) Suat Akdemir, ) Barbara and Zafer Baran (http://www.zb-baran.co.uk)

    Architects: Emre Arolat Architects ) , Superpool (http://www.superpool.org)

    Fashion: Dora Teymur ) , Dilara Findikoglu, Zeynep Tosun ) NIAN (nihanburuk,com) , Janucha ) Gul Agis, DBBBerdan, Tuvana )

    Product Design: Merve Kahraman (http://www.mervekahraman.com); Batya Kebudi ), Zeckie )

    Food: Kahve Dunyasi ) Silvena Rowe

    Sponsors:

    Event Partner: Turkish Culture and Tourism Office UK )

    Travel Partners: Pegasus Airlines ) and London Stansted Airport )

    Business Partners: London & Partners ) Beko )

    SOURCE INN London

    via Istanbul Showcased at First-ever INN London 12-15 April – PR Newswire – The Sacramento Bee.

  • Filmmakers, Police Clash in Istanbul

    Filmmakers, Police Clash in Istanbul

    By Fercan Yalinkilic and Ayla Albayrak

    ISTANBUL–Hollywood film directors got a not-so-warm welcome from Turkish police on the weekend when they joined a protest while visiting Istanbul as guests of the city’s annual international film festival.

    On Sunday, a group of acclaimed international filmmakers, including Mike Newell, Constantinos “Costa” Gavras and Marco Bechis, were met by police tear gas and water cannons when they joined some 2,000 people marching to protest against plans to replace a 90-year old Istanbul cinema with a shopping mall. Four people were arrested and later charged, including a Turkish member of the International Federation of Film Critics, Berke Gol. Turkish TV channels showed footage of one policeman grabbing the throat of Mr. Gol, who has been charged with “illegal meeting and protest” as well as resisting police and destroying public property.

    Turkish newspapers on Monday carried banner headlines about the altercation, which diverted attention from Istanbul’s film festival, which is taking place throughout April to showcase some of the best Turkish and international cinema. One leading daily called the protest “a battle,” while Turkey’s best-known film critic, Atilla Dorsay, said Monday that he would abandon his daily column in solidarity with protesters, citing his frustration with his “inability to change anything.”

    Mr. Gavras and the film federation, known as FIPRESCI, released statements accusing the police of responding harshly to a peaceful protest.

    “The violence occurred after a peaceful demonstration, and was triggered by an unapparent cause,” said Mr. Gavras, who acknowledged participating in the protest. “The peaceful protesters were unjustly attacked by the police with tear gas and water cannon, simply for insisting to enter the historical building,” FIPRESCI said.

    Interior Minister Muammer Güler said the actions of the police were being investigated, but added that there were “provocateurs” among the protesters who weren’t artists and who had illegally entered the cinema building previously.

    Demonstrators were protesting to save Istanbul’s Emek movie theater, an art-nouveau building opened in 1924. The cinema has become a symbol of Istanbul’s cultural heritage, which many say is being sacrificed to give way for shopping malls and sprawling apartment complexes in the fast-growing metropolis. Turkish filmmakers, who have protested for nearly three years to save the theater, say it holds a special place in Turkey’s storied film history, and accuse the government of suppressing their freedom of speech.

    Sunday’s demonstration isn’t the first time representatives of Turkey’s performing-arts sector have held protests. Last year, Turkish artists and theater fans demonstrated against government’s plans to privatize state theaters, another move seen as an attempt by the Islamic-rooted government to retain control over theater art, traditionally dominated by Turkey’s secular, Westernized upper class.

    The government said the move was intended to make theater more competitive and less reliant on state subsidies.

  • Film about Armenian Istanbul Premieres in Turkey

    Film about Armenian Istanbul Premieres in Turkey

    “I Left My Shoes in Istanbul,” a documentary film by Beirut-based writer and director Nigol Bezjian, was screened at the Istanbul Independent Film Festival in February. The film chronicles the journey of a Lebanese-born Armenian poet through his first visit to the city, and the discovery of his cultural roots. It first premiered at the Golden Apricot Film Festival in Yerevan last summer, and finally made its way to the titular city of Istanbul.

    A scene from the film

    In an interview with the Armenian Weekly, Bezjian talks about the premiere in Istanbul and other projects to come.

    Lilly Torosyan—When and where did the film premiere?

    Nigol Bezjian—I first showed the film at the Golden Apricot Yerevan International Film Festival in July 2012. It was my first time seeing the film on a big screen with an audience. I had to make some changes, adjustments, and corrections. The newly completed version premiered in Istanbul last February during the festival. The screening had a full house with an audience of nearly 650 people in the Cinemaximum 4, the largest movie theatre in Istanbul. There was a gathering of Armenians, Turks, Kurds, Alevis, Islamists, and who knows who else!

    LT—How did the audience react to the film?

    NB—I heard the audience reacting to the film during the screening, either by humming along with the music, laughing at funny scenes, or at times whispering to each other. And then there was the loud applause of a full house at the end credits. I knew the film had won over the audience.

    I had no idea what to expect. In fact, I had no feelings at all, but at the end of the film when I walked in front of the audience for the Q&A, I found myself in a very emotional state—almost speechless. I had never experienced this sort of impassioned moment at any of my previous film showings. They were seconds that seemed to be infinitely expanding along a myriad of thoughts that covered the tense of times. It was an insurmountable instant.

    LT—You have another project that revolves around Istanbul. Tell us a little bit about that.

    NB—I have completed one other film, “Milk, Carnation, and a Godly Song,” about the literal legacy of Daniel Varoujan. The film is three hours long and covers the development of the Armenian mind from pagan times to Daniel Varoujan, with the film ending in Istanbul on April 24, 2010. I am trying to start showing this film now, along with “I Left My Shoes in Istanbul.”

    LT—Any other projects in the works that you would like to share?

    NB—At the moment, I am excited to prepare myself for a new film that has to do with the 13th-century Persian poet and Sufi mystic Rumi. I had no idea that one day I would be in Istanbul making a film and showing it there, and now this invitation by the University of Iowa’s International Writing Program is giving me the opportunity to go to Konya and Cappadocia. Suddenly, I have a lot to do!

    via Film about Armenian Istanbul Premieres in Turkey | Armenian Weekly.

  • Unpublished Yunus Emre poems discovered

    Unpublished Yunus Emre poems discovered

    A collection of 17 never before published Yunus Emre poems were discovered in an Istanbul bookstore.

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    17 unpublished poems belonging to renowned Sufi mystic Yunus Emre have emerged.

    Prof. Dr. Mehmet Fatih Koksal, who discovered the collection, said, “those who know Yunus Emre’s style and language will understand that these poems belong to him.”

    In his statement about the newly discovered collection, Prof. Dr. Mehmet Fatih Koksal explained: “There are many copies of Yunus Emre’s diwan [collection of poems]. These diwans are found in many bookstores in Turkey and abroad. As a person who has read Yusus Emre’s diwan numerous times, when I compared the poems in the copy I found from the boostore to his other poems, I came across poems I am not familiar with. When we examine this diwan copy, it appears to me that it was written in the 17th century.”

    Indicating that Emre’s poems have been published through various channel, Prof. Dr. Koksal expressed that the poems he found have not yet been published.

    While the manuscript had been damaged by the corrosive effect of time, the written chapters had been protected original Ottoman was easily legible.

    Prof. Dr. Koksal stated, “I intend to have them published within the shortest time.”

    via Unpublished Yunus Emre poems discovered | Art & Culture | World Bulletin.

  • Turkey confirms Rabati castle agreement

    Turkey confirms Rabati castle agreement

    Turkey’s ambassador to Georgia confirms that experts from Turkey have visited Rabati castle and requested certain ‘changes and improvements’ for the complex.

    rabati-castle

    Two days ago, a spokesperson for President Mikheil Saakashvili presented a draft of an agreement the government has prepared with Turkey, which included making changes to the rehabilitated Rabati castle complex in southern Georgia.

    The president and his party are strongly opposed to the plans and argue that the changes would destroy the castle.

    Turkish ambassador Levent Murat Burhan on Thursday told journalists that there is no final decision yet, but experts expect there to be made corrections and changes at the complex.

    Rabati castle dates back to the 13th century and lies in the town of Akhaltsikhe. It contains a synagogue, a mosque, a church and a minaret, and was refurbished in 2011-2012 by Saakashvili’s government.

    Now, the Culture Ministry will organize a round table discussion about the reconstruction of Rabati, and has invited experts, employees of the complex, and representatives of civil society. The ministry also has invited Vano Merabsivhili, one of the National Movement leaders, who managed the last round of rehabilitation work at Rabati.

    Yesterday, he responded to this issue saying that ‘the government started fighting against Rabati complex.’

    “Everyone can come and present their own arguments and counter-arguments,” Culture Minister Guram Odisharia said after Thursday’s government session.

    The minister said that a group from the ministry has arrived in Akhaltsikhe in order to study the situation and inform society. Meanwhile, discussion may continue during the round table.

    The new government thinks there were made mistakes during the last reconstruction of Rabati, and Turkey has requested to improve them. The government therefore prepared the text of an agreement, which Manana Manjgaladze, Saakashvili’s spokesperson, presented yesterday.

    The text of the agreement foresees ‘restoring the Akhaltsikhe bath complex from the 18th century; to change the color of the dome, to bring back the older lattices, to check the drainage system around the buildings and if needed, to improve the facing material.’

    via Turkey confirms Rabati castle agreement | Democracy & Freedom Watch.