Category: Culture/Art

  • Art Walk Turns Into Street Fight in Istanbul

    Art Walk Turns Into Street Fight in Istanbul

    ISTANBUL — When what had been a gentrifying neighborhood’s most successful art walk devolved into a bloody street fight, it raised embarrassing questions for a city celebrating its status as a 2010 European Capital of Culture.

    Here in the Tophane neighborhood of the central Beyoglu district of Istanbul, new galleries have squeezed into retail spaces next to butchers, bakers and grocers. What once was primarily home to migrants from eastern Anatolia has become a mixed zone of traditional men-only tea houses and trendy designer boutiques. As in other cultural capitals like Paris or New York, gallery owners have coordinated art openings to draw in critics and collectors and to get a buzz going as visitors enjoy glasses of wine while strolling from exhibit to exhibit.

    But on the evening of Sept. 21, the crowds outside three Tophane galleries were attacked by angry mobs, with reports of men armed with knives, iron bars, broken bottles, frozen oranges and pepper spray beating people who sipped sangria and smoked cigarettes on sidewalks. As many as 15 people were reported wounded, including visitors from Poland, the Netherlands, Germany and Britain, including a British-Turkish artist who required stitches to close a head wound. Seven suspects were detained and released.

    Why this happened is a puzzle. “After all, a gallery ought to be a safe place to visit, no?” the gallery owner Derya Demir said during a recent interview.

    Theories abound, including a plot by organized criminals to block gentrification that impedes illegal activities; anger from stricter Muslim landlords backed by a government that opposes alcohol; rage by ultranationalists who object to Ataturk-twisting sculptures; even a plot by the Deep State to discredit residents in order to more easily evict them from valuable real estate.

    “At first people thought it was a reaction to this show,” said Ms. Demir, inside her Galeri NON on Bogazkesen Caddesi, or “Throatcutters Avenue,” where an exhibit by the artist Extrastruggle showed the founder of the modern Turkish republic sporting angel wings and turned on his head.

    “That night we had a total of about 500 visitors, but on and off,” she said. “There were never more than 100 people outside on the street. I heard someone say there’s a fight; there’s an attack.”

    “People were trying to close the gallery doors,” she said, “and I got my assistant to close the metal shutters over the glass windows because the attackers were trying to get inside. I was told there were around 30 attackers, maybe more.

    “I was inside, and we all started coughing because of the pepper gas. I shut off all the lights. Everyone was on their mobile phones calling the police.”

    In calls to and from other gallery owners, Ms. Demir learned that three galleries were being attacked.

    “The police were half an hour late,” she said, “and then they sent only two officers. By then the attackers were gone and also most of the guests. We thought we were safe.” But a second wave of attackers soon appeared.

    “There were four, then they became 20, beating people with sticks and frozen oranges,” she said. “One guest’s nose was broken — in front of the police. One gallery’s entrance window was broken.We called more police. This time they sent a van, but as far as I could tell they didn’t arrest anyone.”

    The Beyoglu Police Station responded to the disturbance. An officer at the station said recently that “there is an investigation, but for now, no one has been arrested.”

    The officer said the fight broke out at another gallery, Outlet, after the owner had been warned by the landlord not to sell alcohol on his property. “The landlord’s relatives went to her that night to say don’t sell alcohol, or at least just keep it indoors,” the officer said. “But you can’t smoke inside the gallery, so people stepped outside with their drinks to smoke. Going outside with their drinks — that’s how the problem started.”

    Three young men came, the officer said. “These friends attacked with pepper gas, and a fight broke out.”

    via Art Walk Turns Into Street Fight in Istanbul – NYTimes.com.

  • Sale of Modern and Contemporary Turkish Art at Antik A.S. in Istanbul Totals $ 10.2 Million

    Sale of Modern and Contemporary Turkish Art at Antik A.S. in Istanbul Totals $ 10.2 Million

    Sale of Modern and Contemporary Turkish Art at Antik A.S. in Istanbul Totals $ 10.2 Million

    antik

    ISTANBUL.- At Antik A.S. in Istanbul, the sale of Modern and Contemporary Turkish Art totals of $10,230,000 within the presale estimate of $7.2 million. Competition was fierce for many of the top lots, with multiple bidders participating. This resulted in more than 94% of the lots achieving prices at or above their starting prices. Mubin Orhon’s monumental masterpiece dated 1962 was the top-selling lot in the sale, brought a remarkable 965,000 USD. It exceeded pre-sale estimation of 500,000 – 700,000 USD. Further highlights of 263rd sale included Fahr El Nisa Zeid’s oil on canvas, dated 1946-53 which was sold for 761,000 USD. Most expensive living Turkish artist Burhan Dogancay’s “Dancing Ribbons” brought 626,000 USD.

    Olgac Artam directed the 263rd sale of Antik A.Ş. The sale room was crowded with collectors. New auction records were set for many Turkish artists, including Mehmet Güleryüz’s “The Fall” which doubled the pre sale estimate and brought a remarkable 537,000 USD, In addition to Mehmet Guleryuz’s world auction record, Alaettin Aksoy, Neşe Erdok and many other Turkish artists achieved auction records in the sale.

    Commenting on the strong Contemporary Art Sale results, Olgac Artam, auctioneer of the sale, said: “We are absolutely delighted with the results achieved for today’s sale of Contemporary Turkish Art. Participation of new collectors and young buyers sends a very positive message to the art market.” Many other artists’ works sold for record prices including Bedri Rahmi Eyuboglu, Sabri Berkel, Nese Erdok, Orhan Peker, Turan Erol, Adnan Coker, Omer Uluc, Asim Isler, Azade Koker, Gulay Semercioglu, Canan Tolon, Devrim Erbil and Haluk Akakce. “The collection that was offered at Antik A.S. sale was put together with great care and foresight,” said Artam. “These works were bought from artists often at the early and the most wanted stages of their careers, which attracted a great deal of attention, buyer’s knew that the lots were extraordinary”

    Turkey’s small but rapidly developing art market has seen paintings fetch record prices even during the worst times of the crisis due to overwhelming demand. Main buyers are collectors, private museums, investment funds and some individual buyers. According to experts, the Turkish art market was not greatly hurt by the crisis, instead fetching record prices due to a small market with high demand. The Turkish art market has won amazing returns for investors over the past few years, reaching its peak with the recent Antik A.S.’s sales of Erol Akyavas’s “The Siege” for 1.274.000 EURO and Burhan Dogancay’s “Symphony in Blue” for 1.260.000 EURO. The market has an estimated annual volume of $200 million right now, with the expected global interest, art experts are sure that this is just a beginning.

    Most famous Turkish Abstract artist Mubin Orhon’s monumental masterpiece, dated 1962, fetched 965,000 USD

    Top Lots in Antik A.S. sale

    • Lot 104 Mubün Orhon “Abstract composition” 965,000 USD (World Auction Record for the artist)

    • Lot 124- Fahr El Nisa Zeid “Abstract composition” sold for 761,000 USD

    • Lot 76- Burhan Doğançay “Dancing Ribbons” sold for 626.800 USD

    • Lot 79- Mehmet Güleryüz “The Fall” sold for 537,000 USD (World auction record for the artist)

    • Lot 91- Neşet Günal “Scarecrow IV” sold for 358,000 USD

    • Lot 77- Burhan Doğançay “Blossom” sold for 277,500 USD

    • Lot 58- Selim Turan “Abstract composition” sold for 246.059 USD

    • Lot 81- Alaettin Aksoy “Happiness” sold for 179.092 USD

    (World auction record for the artist)

    • Lot 111- Adnan Çoker “Plans” sold for 143.598 USD

    • Lot 115- Ömer Uluç “Blue Bird” sold for 134.000 USD

    Sale results include buyer’s premium+vat.

    Antik A.S | Turkish Modern Art Sale | Olgac Artam |

  • Istanbul’s Sanat Limanı hosts five exhibits, festival

    Istanbul’s Sanat Limanı hosts five exhibits, festival

    ISTANBUL – Hürriyet Daily News

    Launched in June 2010 as one of the first public exhibition venues of the Istanbul 2010 European Capital of Culture, Sanat Limanı hosts national and international artists in five exhibitions and the ‘amber’10 Art and Technology Festival’

    sanat limani

    Five new exhibitions and the amber’10 Art and Technology Festival meet art lovers under the roof of Sanat Limanı.

    One of the first public exhibition venues for the Istanbul 2010 European Capital of Culture, Sanat Limanı (Art Port) is welcoming five new exhibitions and a festival.

    Gathering artists from the Gulf area, the exhibitions “Edge of Arabia Istanbul Transition;” “amber’10 Art and Technology Festival;” International art initiative “xurban_collective” project; “Sea of Marble: A Navigational Convergence;” “Fractal Flowers” by the French artist Miguel Chevalier; City and the Art Project results Exhibition and Bennu Gerede’s “Love Ceremonies/Customs” were introduced to audience during a cocktail party held at Sanat Limanı last week.

    Hosted by the executive chairman of the board of the 2010 agency, Şekib Avdagiç, the opening gathered prominent names of the media and culture-art circles.

    Stating that the public exhibition venue model at Sanat Limanı was one of the most important permanent works of the agency, Avdagiç said the following about the exhibitions and the festival:

    “These artworks in different disciplines and taking our city with different perspectives are not only bringing together the prominent names of their domains, but are also inspired by the multicultural structure of our city. I have no doubt that this exhibition would turn the eyes of art-lovers toward Istanbul once again.”

    Six projects, six concepts

    Formed in 2003 by British artist Stephen Stapleton and Saudi artists at the Al Meftaha Arts Village in Abha, “Edge of Arabia” has always been at its core a grassroots initiative.

    From the mountains of Aseer to the back streets of Jeddah, Stapleton and “Edge of Arabia” co-founders Ahmed Mater and Abdulnasser Gharem spent the five years traveling the length and breadth of the country in search of outstanding artists voices to showcase in London.

    “Edge of Arabia” officially launched with a major exhibition in London in October 2008. The project has since grown and with the vision of a new creative director, Abdullah Al-Turki, and a growing network of support, presented the first-ever showing of contemporary art from Saudi Arabia at the 53rd Venice Biennial. In January 2010, “Edge of Arabia” launched a world tour that has so far traveled to the Global Competitiveness Forum in Riyadh, Art Dubai and the 6th Berlin Biennial. The exhibition will run through Dec. 26.

    Within the scope of the “amber’10 Art and Technology Festival,” several exhibitions are held under the titles “Datacity,” “Global Gateway ” and “Amusing Interface Cultures” to present colorful works of technology.

    For the first time in history, the world’s urban population has exceeded the rural population and cities have become the main habitat of mankind. Amber’10 takes up the relation between the city and technology as a main theme. The festival can be visited until Nov. 14.

    Exhibition and symposium

    “Xurban_collective,” an initiative formed by Güven İncirlioğlu, Hakan Topal, Mahir M. Yavuz and Atıf Akı, presents the “Sea of Marble: A Navigational Convergence (2009-2010),” which is comprised of an exhibition and a symposium about research on global maritime traffic and human smuggling carried along by international trade and the world economy. The exhibition will be open until Dec. 26.

    The symposium will take place at Sanat Limani on Dec. 4 with the participation of Ursula Biemann from Zurich, Shuruq A. M. Harb from Ramallah, T.J. Demos and John Palmesino from London, Vyjayanthi Rao and Alex Villar from New York and Relli De Vries from Tel Aviv.

    The “Fractal Flowers in Vitro” installation by French artist Miguel Chevalier is included in the project “Portable Art,” one of the main projects by the 2010 agency. The exhibition features giant fractal flowers in infinite numbers and in various colors and dimensions as created on unique software. It will be open at the Sanat Limanı through Nov. 15 and will move to Boğaziçi University’s northern campus between Nov. 25 and Dec. 5.

    Chevalier is known internationally as a pioneer of virtual and digital art. His images are a rich source of insights into the human relationship with the world. He has developed and refined his highly individual approach over the course of numerous solo and group exhibitions throughout the world.

    In her exhibition “Love Ceremonies/Customs,” Bennu Gerede presents an edited selection of photographs to describe honor killings, love and passion crimes in Turkey. The exhibition will run until Nov. 12.

  • Istanbul concert to commemorate Gomidas Vartabed on 140th birthday

    Istanbul concert to commemorate Gomidas Vartabed on 140th birthday

    VERCİHAN ZİFLİOĞLU

    ISTANBUL – Hürriyet Daily News

    Kütahya-born Armenian musician Gomidas Vartabed will be commemorated on his 140th birthday throughout Armenia, the diaspora and Turkey. Made possible thanks to a grant from the Istanbul 2010 European Capital of Culture Agency, Thursday’s free concert will present the Kusan 2010 Choir’s rendition of the great composer’s ‘Badarak’ (Divine Liturgy)

    gomidas vartabed

    The Kusen 2010 Choir will perform a concert to commemorate a milestone in Armenian music, the birth of Gomidas Vartabed.

    Groups in both Turkey and Armenia are preparing to hold a series of free concerts to mark the 140th birthday of Kütahya-born Gomidas Vartabed, who is widely recognized as the father of modern Armenian classical music.

    “We want to commemorate Gomidas in the land where he was born,” said Istanbul University Radio and Television Department student Sayat Dağlıyan, 23, who helped form the Gomidas Platform.

    The commemoratory “Gomidas Liturgical Music” concerts, which were made possible by a grant from the Istanbul 2010 European Capital of Culture Agency, will be held Thursday at 9 p.m. at the Surp Yerortutyum Armenian Church (Üç Horan Armenian Church) in Beyoğlu’s Balıkpazarı and on Nov. 26 at Istanbul Kültür University’s Akıngüç Oditorium free of charge.

    The music will be performed by the Kusan 2010 Choir, the descendent of the original Kusan Choir that Vartabed formed himself over a century ago, and will be conducted by two Armenian maestros, including the conductor of Istanbul’s Lusavoriç Armenian Choir, Hagop Mamgonyan, and the conductor of the Karasunmangazs Armenian Choir, Edvin Galipoğlu.

    Mamigonyan said the Kusan 2010 Choir would perform a capella and be composed only of men, as it was in the past.

    Galipoğlu, meanwhile, said the choir members were made up of 30 amateurs from different age groups that were all educated in Istanbul’s Armenian choirs.

    The choir will perform Vartabed’s polyphonic “Badarak” (Divine Liturgy), which the maestro composed for the Armenian Apostolic Church but was not completed until its notation by his student in 1933 in Paris.

    The concert will be broadcast live online at www.gomidasplatform.org/live.

    Turkish and Armenian youth together

    One of the founding members of the Gomidas Platform, Sona Menteşe, said realizing the project was akin to making a dream come true.

    “We learned that the 2010 Istanbul Agency invited an orchestra from Armenia for Gomidas’ birthday but the orchestra was unable to come. Later, we presented the project and it was accepted. We thank the agency on behalf of Istanbul’s Armenians,” Menteşe said.

    At the end of last year Dağlıyan made a short film on Vartabed, titled “İncu/Neden.” With the other members of the platform, he has been organizing the “Blind Photographers Project” since the beginning of the year for the performance of Vartabed’s works.

    There are also young Turkish people among the team members. “We experience the pleasure of doing something together,” Dağlıyan said. “In this way, we share the universal language of music and love like Gomidas showed us.”

    Mamigonyan and Galipoğlu said they had accelerated their rehearsals since August.

    Noting that there had been disagreements among Armenian choirs, Mamigonyan said: “Some did not believe us that we would be able to make it properly. But we, a handful people, wanted to give life to Vartabed again.”

    Galipoğlu agreed with Mamigonyan and said the Armenian Patriarchate had provided great support to them.

    Istanbul’s Armenians, who have closed themselves in the past because of their small numbers and a variety of other problems, have increasingly started to engage with the wider society. “It is true that we have opened to society in the cultural field. Some of our members are interested in politics, too,” said platform member Misak Hergel. “But the assassination of [Armenian-Turkish journalist] Hrant Dink discouraged us.”

    Gomidas Vartabed

    Ethnomusicologist, composer and maestro Gomidas Vartabed was born in the Aegean province of Kütahya, which is famous for its tiles, in the middle of the 1800s. Born Soğomon Soğomonyan, Vartabed (which means priest) was an orphan and was sent to the Armenian Apostolic Central Church in Armenia to receive a religious education.

    Later, he studied music at Berlin University and organized important conferences there. He is especially known for researching Armenian, Anatolian and Transcaucasian music, as well as Turkish, Kurdish, Azeri and Iranian musical forms.

    When he recorded Armenian religious music at the beginning of 1900s, he had problems with Etchmiadzin and the Turkish Armenian Patriarchate.

    He was also one of 230 Armenian intellectuals who were arrested in Istanbul and deported on April 24, 1915. After witnessing the murder of a number of friends during the deportation, Vartabed lost his mental health. He died in 1935 in Paris.

  • Turkish actor of Armenian descent dies under mysterious circumstances in Istanbul

    Turkish actor of Armenian descent dies under mysterious circumstances in Istanbul

    Turkish actor of Armenian origin Misak Toros died under mysterious circumstances at the entrance of Grand Lodge of Free and Accepted Masons in Beyoglu district of Istanbul.

    misak torosThe 70-year-old actor felt bad while entering the elevator of the building, Haberturk website reports. Security staff gave him a first aid, however the doctors failed to save his life.

    After the examination, the police officers said Misak Toros died under questionable circumstances. According to some information, he suffered a heart attack.

    The funeral of the well-known actor will be held in the Armenian cemetery of Sisli, on November 10.

    Misak Toros was one of the famous actors of Turkish theatre. He performed in a number of popular films and was also engaged in teaching.

    Source: Armenia News

  • Istanbul – Sharing the Wealth

    Istanbul – Sharing the Wealth

    By Jonathan Gorvett

    Residents of Istanbul have never been known for hiding their wealth. From the days when Ottoman sultans would speed along the Bosporus in gold-leafed barges, crewed by hundreds of slaves, to today’s Porsches and Ferraris jamming the sclerotic streets of upmarket districts, life’s luxuries are very much there to be seen, shared and — if possible — parked outside the latest hip restaurant.

    As a result, products that help display your good fortune by bearing an unmistakable trade-mark – Louis Vuitton, Dior, Yves Saint Laurent – are always popular. Even the president’s wife can often be seen sporting Christian Louboutin shoes, their distinctive red soles a visible testimony to power and success.

    Yet this is not just boastfulness. Much of this show has to do with Turkish culture itself, which puts a high value on sharing. So, while the rich may be keen to invite you to a hip restaurant like Lucca in the Bebek district or Dukkan Steakhouse in Armutlu, it will be nearly impossible for you to pay your share of the bill, as your hosts fight it out with their golden credit cards.

    Meanwhile, says Erin Zeynep Guler-Tuck, editor of Time Out Istanbul’s English-language edition, “since the culture demands that each person be aware of the other, it is important that a certain reputation be kept up, especially for members of high society.”

    This reputation meant that even during the darkest moments of the economic recession, people kept partying. (Turkey has now returned to rip-roaring growth.)

    “It was important for the upper classes to be out and about, so that people would not think their businesses were doing badly,” adds Guler-Tuck’s colleague, Cimen Uzsoy Gumusel, who edits Time Out Istanbul’s Turkish edition. “The only difference was that instead of ordering the finest foreign wines, they’d go for local spirits.”

    These days, the luxury lifestyle in Istanbul still involves a great deal of going out. The higherclass areas to head for include Bebek, Nisantasi, Tesvikiye, Etiler, Ulus, Levent and Akaretler, all European-side venues in this city of two continents. The Bosporus, which splits the city in two, is also a social marker — the closer you are to it and the better your view, the higher your status.

    After-parties in hotel penthouses at the new W in Akaretler or the Witt Istanbul Suites in Cihangir are a popular way to celebrate wealth, too, as are gatherings at villas on the Bosporus.

    Interior décor and design have also become more important to the well-heeled, with custom- made products by Lab Istanbul and Derin Design. What to wear among this splendor can be solved by the Harvey Nichols store at Kanyon Mall, or by fashions from a clutch of up-andcoming Turkish designers, like Ozgur Masur, Zeynep Tosun and Umit Unal.

    Luxury is also about buying time, which in Istanbul has to mean avoiding the horrendous traffic. One way to do this is to live where you work, go out and shop — the rationale behind some of the luxury all-in-one condo complexes on the edges of the city, such as Kemer Country. Yet, as the all-night traffic jams on the roads along the Bosporus testify, it is still also essential to put that Porsche down right outside the latest waterfront hotspot, sharing your success.

    Jonathan Gorvett is a freelance writer based in Istanbul.