Category: Culture/Art

  • Suleiman still rules in Turkey

    Suleiman still rules in Turkey

    ‘Magnificent’ ratings for Ottoman empire tale

    By Nick Holdsworth
    ‘Magnificent Century’

    ‘Magnificent Century’ starts its sales campaign at Mip TV in April.

    LONDON — Suleiman the Magnificent, the Ottoman Turkish Sultan, is back in the headlines 500 years after his death.

    suleimanTurkey’s first TV costume drama of the period, “Magnificent Century” (Muhtesem yuzyil) has caused uproar among Islamic conservatives — and attracted the country’s highest-ever ratings, with more than a 50 share in the primetime series most weeks since its January bow.

    Even before the show hit the airwaves, broadcast regulator RTUK had received 70,000 complaints saying that the series was disrespectful to Muslims. RTUK told commercial channel Show TV, which airs the TIMS Prods.’ series, to apologize for exposing “the privacy of a historical person.”

    Producer Timur Savci says: “The fact that Ottoman emperors were also caliphs — leaders of the Islamic world — in that era, has touched a sensitive spot with people. But after the first four episodes aired, these reactions were replaced by a loyal crowd of spectators.”

    TIMS will begin sales of the show at Mip TV in Cannes next month.

    Contact the variety newsroom at news@variety.com

    via Suleiman still rules in Turkey – Entertainment News, TV News, Media – Variety.

  • Films made within Armenia-Turkey film project to be screened in Istanbul

    Films made within Armenia-Turkey film project to be screened in Istanbul

    iksvFilms shot within the framework of Armenia-Turkey film project will be first screened during the 30th Istanbul International Film Festival on April 12.

    On the whole five films: “Galata” by Diana Kardumyan, “Puppet Theatre by Canay Ozden, “Don’t Get Lost Children!” by Gulengul Altinas, “The Master of Doves” by Artur Sukiasyan and “Neighbours” by Gor Baghdasaryan will be presented, press service of Golden Apricot film festival informed Armenian News-NEWS.am.

    ATCP provided production grants for eight short films by joint teams of filmmakers from Armenia and Turkey. This is made possible by the support of the U.S. Embassy in Armenia.

    via Films made within Armenia-Turkey film project to be screened in Istanbul | Armenia News – NEWS.am.

  • The emergence of Turkey’s hidden Jews

    The emergence of Turkey’s hidden Jews

    The False MesiahsBy MICHAEL FREUND

    Fundamentally Freund: the Donmeh community, numbering several thousand people, descends from followers of the false messiah Shabtai Zvi.

    Recently, at a small synagogue in New Jersey, a Jewish tragedy more than three centuries old came to an abrupt and long-awaited end.

    Standing before a rabbinical court, a “hidden Jew” from Turkey closed an historical circle by emerging from the shadows of the past and formally returning to the Jewish people.

    The young man in question, who now goes by his Hebrew name of Ari, is a member of the Donmeh, a community numbering several thousand people who are descendants of the followers of the false messiah Shabtai Zvi.

    It might sound fanciful, or even far-fetched, but after all these years, there are still people who believe that he will yet return to redeem Israel.

    In the 17th century, Zvi stormed onto the Jewish scene, raising hopes of redemption and electrifying Jews the world over. Armed with immense charisma, he traveled to various Jewish communities and promised that the long-awaited deliverance from exile was at hand.

    But his messianic career came to a crushing end when the Ottoman sultan presented him with a dire choice: convert to Islam or die by the sword. The would-be claimant to King David’s throne tossed heroism aside and became a Muslim, along with 300 families who were among his most loyal adherents.

    While they ostensibly practiced Islam, the Donmeh (also known as the Ma’aminim, Hebrew for “believers”) nonetheless continued to observe a mystical form of Judaism in secret.

    Scholars such as Gershom Scholem wrote extensively about the Donmeh, and the University of California’s Marc David Baer recently published an important new study about them.

    Until today, some of these Sabbateans preserve various Jewish customs, such as celebration of the festivals, study of the Zohar, and even the recital of portions of the book of Psalms each day. And they still follow the “18 Commandments” handed down to them by Shabtai Zvi, which includes an absolute prohibition on intermarriage.

    For many years, they concentrated in the Greek city of Salonika, until they were expelled to Turkey in 1923-24 as part of the population exchanges between the two countries. This painful chapter in their history turned out to be a blessing in disguise, because it saved them from the fate that befell Greek Jewry, most of whom were murdered by the Nazis.

    But despite the Donmeh’s conversion to Islam and the passage of more than 300 years, they are still viewed with suspicion by Turkish Muslims, and are frequent targets of the country’s press, which accuses them of being part of an international Zionist conspiracy.

    So it is no surprise that the Donmeh turned inward and essentially went underground, in effect leading double lives to survive. Though many of them have assimilated into Turkish society, several thousand still reside in cities such as Istanbul and Izmir.

    TWO YEARS ago, on a visit to Istanbul, I met with some members of the younger generation of Donmeh, including Ari. Given the current state of Turkish- Israeli relations, I cannot divulge identifying details about them, other than to say they all expressed a deep yearning to return to Judaism.

    When I met them in the lobby of a small hotel, Ari in particular seemed especially nervous. He was constantly peering around the room, initially afraid of being seen with a kippa-wearing Jew from Israel.

    He told me of the mistreatment the Donmeh endure in the Turkish media, and said, “I am tired of hiding and I am tired of pretending. I want to be a Jew – I want to return to my people.”

    When I probed him about his Jewish knowledge, I was astonished to see how conversant he was with various kabbalistic concepts. And I’m not referring to the pseudo-Kabbala practiced by Madonna and others in Hollywood, but to the real thing.

    Ari later showed me around the city, pointing out the Donmeh cemetery and other sites central to the community’s hidden life. With an obvious sense of frustration, he explained how Turkey’s Jewish community will not go near the Donmeh issue, fearful of the reaction this might evoke.

    “I am caught between two worlds,” he said. “The Turks see me as a Jew, but the Jews will not accept me.”

    But all that changed a few weeks ago, when Ari took the brave step of traveling to America to undergo a return to Judaism. After the rabbis examined his case, taking into account the fact that his ancestors had only married among themselves, they welcomed Ari back into the fold.

    Speaking to me shortly afterward, Ari could not contain his emotions: “It is a miracle – I am now an ‘official’ Jew, after all these years!” The following Sabbath, he was honored at a New York-area synagogue with carrying the Torah before the congregation. He held the scroll tightly and lovingly in his hands, cradling it like a newborn infant as tears of joy and relief trickled down his cheeks.

    Ari is not alone. There are many other young Donmeh also looking to find their way back, and it behooves the Jewish people to help them. Whatever mistakes their ancestors may have committed, the Donmeh of today have clung to their Jewish heritage and kept it alive. Those who wish to reclaim their roots should be enabled to do so.

    Welcome back to our people, Ari, and may your return pave the way for other Donmeh.

    The writer serves as chairman of Shavei Israel (www.shavei.org), a Jerusalem-based group that assists “lost Jews” seeking to return to the Jewish people.

    www.jpost.com, 23.03.2011

  • A Nomad’s Journey – a book by our member Bektore

    A Nomad’s Journey – a book by our member Bektore

    Product Description

    nomads journeyA gripping true tale of life in Russia, Turkey, and the United States, A Nomad’s Journey shares the incredible story of Atilla Bektore and his father, Shevki Bektore.

    Born in Dobruja, Rumania, in 1888, Shevki Bektore dreams of being a teacher in his ancestral land of the Crimea. When the horrifying events of World War I alter his plans, he joins countless millions of others whose hopes and dreams are shattered in the maelstrom of war and revolution. Arrested in 1932 on trumped-up charges of treason, Shevki spends over twenty-two years of his life as an inmate in Stalin’s Gulags in Central Asia and Siberia.

    Told within the context of contemporary world events, A Nomad’s Journey focuses on major milestones of world history that include World War I and the fall of world empires, the birth of Bolshevik Russia, World War II, the demise of the Soviet Union, and the rise of the United States as the sole world superpower.

    Shevki’s compelling story of survival, combined with his son’s endurance in the face of World War II, Stalin’s iron rule, and the turmoil of the 1960s and 1970s, creates a stunning memoir of these two extraordinary men.

    About the Author

    Atilla Bektore was born in the Crimea, in the former Soviet Union. He has an MS degree in civil engineering and a professional engineering license from the state of New York. Now retired, he lives in Daytona Beach, Florida.


    Product Details

    • Paperback: 604 pages
    • Publisher: iUniverse, Inc. (March 9, 2007)
    • Language: English
    • ISBN-10: 0595385249
    • ISBN-13: 978-0595385249
    • Product Dimensions: 8.8 x 6 x 1.4 inches
    • Shipping Weight: 2 pounds
    • Average Customer Review:
      2 Reviews
      5 star: (2)
      4 star: (0)
      3 star: (0)
      2 star: (0)
      1 star: (0)
  • Cirque du Soleil cashes in on magic

    Cirque du Soleil cashes in on magic

    MICHEL VIATTEAU

    MONTREAL – Agence France-Presse

    The Montreal-based circus company Cirque du Soleil performed the show 'Saltimbanco' in Istanbul last month.
    The Montreal-based circus company Cirque du Soleil performed the show 'Saltimbanco' in Istanbul last month.

    Founded by Guy Laliberte, the Canadian Cirque du Soleil company has grown from a ragtag troupe of street performers in 1984 to a 5,000-employee entertainment giant presenting some 20 circus shows simultaneously around the world. Now after a major international expansion, it expects to bring in more than $1 billion in ticket and merchandise sales in 2011

    The Montreal-based circus company Cirque du Soleil performed the show ‘Saltimbanco’ in Istanbul last month.

    The Montreal-based circus company Cirque du Soleil performed the show ‘Saltimbanco’ in Istanbul last month.

    It pays to be a clown. For the first time ever, the Cirque du Soleil is forecasting that this year its special brand of circus melding death-defying feats with plot-driven theater and haunting music will bring in over $1 billion in revenue.

    Founded by Guy Laliberte, the company has grown from a ragtag troupe of street performers in 1984 to a 5,000-employee entertainment giant presenting some 20 circus shows simultaneously around the world.

    Laliberte, a former fire-eater and stilt-walker who in 2009 enjoyed a two-week trip to the International Space Station, has sold a 20 percent stake to two Dubai firms, but retains control of the Montreal-based company.

    Now after a major international expansion, Cirque expects to bring in more than $1 billion (720 million euros) in ticket and merchandise sales in 2011 after posting revenues of $850 million last year, president Daniel Lamarre said.

    Known for blending traditional circus acts with dance, music, mime and vivid theatricality, it is currently producing 17 shows around the world, including seven permanent shows in Macau, Tokyo, Las Vegas and Orlando, Florida.

    Its 2011 forecast relies on the success of three new spectacles, including one featuring the music of Michael Jackson to debut soon in Montreal, and another “Iris” that will take Los Angeles audiences on a fanciful, kinetic foray into the history of cinema and its genres.

    But, Lamarre said, the risks are high: each show costs $50 million to $60 million to develop and to turn a profit it must tour for 10 years, selling up to 100,000 tickets per tour.

    So far, no Cirque show has ever recorded a loss, instead posting returns of 25 to 30 percent.

    “It’s a good business,” Lamarre said.

    “The Beatles Love,” for example, has continued since its launch in 2006 to pack in audiences at a 2,000-seat theater at the Mirage resort in Las Vegas for 10 shows weekly.

    Another created for the estate of Elvis Presley scored big, too.

    Of course, not everyone shares in the success equally. Performers are paid on contract and reportedly not large sums. But it is difficult to verify as great secrecy surrounds working conditions.

    “Admittedly, the circus is a booming cultural industry,” said Michel Beauchemin, head of the Professional Association of Performing Arts of Quebec.

    “But the working conditions are far from ideal, at least according to murmurs in the industry,” he said.

    Cirque spokeswoman Renee-Claude Menard countered: “That’s a bit misleading.”

    “We have more than 1,500 performers and their contracts are renewable. But our staff turnover is very low, only 20 percent, and it is usually due to injuries or career changes,” she said.

    In fact, no labor complaint has been lodged against Cirque, which offers some fairly unique job opportunities for all those who ever dreamed about running away to join the circus.

    BOX

    Circus charmed Istanbul audience

    Under the main sponsorship of Akbank, the Cirque du Soleil was on stage at Istanbul’s Abdi İpekçi Arena between Feb. 19 and March 4 for 10 highly anticipated shows.

    For the Istanbul dates, the company performed “Saltimbanco,” one of its most famous and longest-running shows. A unique show narrating “the urban experience in all its forms,” Saltimbanco, which literary means “a jump on a bench” in Italian, combines acrobatics and theatrical performance in a visually glorious way.

    With a cast of 50 high-caliber artists hailing from 20 different countries, “Saltimbanco” features breathtaking acrobatics and unbelievable athleticism during solo spotlights and epic ensembles. Technical expertise and extravagant design are woven together by uplifting, spectacular costumes, amazing lighting, humor and enchanting music and magic.

    via Cirque du Soleil cashes in on magic – Hurriyet Daily News and Economic Review.

  • Marmaray excavations unearthed another museum for İstanbul

    Marmaray excavations unearthed another museum for İstanbul

    Excavations during the Marmaray project had uncovered several archeological sites that would open a new chapter in the history of İstanbul, the Byzantine Empire and the world

    marmaray

    The world’s largest sunken ship museum will be established in İstanbul thanks to finds from the Port of Theodosius dating back to the fourth century, which was discovered in Yenikapı during excavations in the Marmaray project, an undersea commuter tunnel linking Asia and Europe. Scientists studying the 36 sunken ships salvaged at the Yenikapı archeological site have been able to identify the trees used in building the vessels and their methods of construction.

    Professor Ünal Akkemik from the forest engineering department at the forestry faculty of İstanbul University has said that the ships, dating back to the fourth century, were mainly made of oak. Noting that they are confident of uncovering the dates and methods of construction, Akkemik said: “So far 36 ships have been retrieved during the excavations, and I have conducted wood-related assays on 27 of them. We have completed our studies on 20 vessels. These ships were built mainly using oak trees as well as plane, chestnut, pine, cypress, common ash and beech. Some vessels were largely made of oak but had chestnut for the outer portions and oak for inner components. Others were mainly constructed using pine trees.”

    Excavations during the Marmaray project had uncovered several archeological sites that would open a new chapter in the history of İstanbul, the Byzantine Empire and the world. These sites include secret passages, tombs, churches, works from the Bronze Age, ports, vessels and city walls that have been unknown to us until now. The archeological site at Yenikapı uncovered the ancient Port of Theodosius and with it, 36 sunken ships dating back from the fourth century were exposed to the light of day. Scientists at the laboratories of the forestry faculty at İstanbul University conducted several studies on samples from these ships to identify the trees used in their construction as well as their dates of construction. Akkemik said he has been analyzing the samples for two years. “The samples were sent to us after the sunken ships were salvaged. We conducted various tests and identified the materials used in building these ships. Four of these vessels were galleys. The rest were light commercial vessels,” he said.

    First study conducted on ship no. 12

    Akkemik notes that ship no. 12 from the Yenikapı archeological site was the first vessel he examined in the group. “The trees used to build this ship were oak, chestnut, common ash, beech and walnut. All of these except for walnut can be found in the Belgrade Forest [in İstanbul]. This ship was probably constructed in or near İstanbul. Hard and durable woods from oak trees were used for the skeleton. Although oak is common in Turkey, we don’t know whether the oak used in this ship was procured from Turkey or elsewhere. It may have been procured from Romania or Bulgaria. In addition to oak, other woods such as chestnut, plane, black pine, Turkish pine, stone pine, elm, cypress, horn beech, common ash, walnut, beech, alder, poplar and hophornbeam were also used. We have identified what types of wood were used in which parts of the vessels and for what purpose. Oak and broom trees from Sarıyer were common for wooden nails,” he said.

    CHA