Category: Culture/Art

  • BBC looks for Turkish family to be in series on parenting

    BBC looks for Turkish family to be in series on parenting

    Do you believe in instilling strong moral and/or religious values, discipline and boundaries in your children? Are you proud of your parenting skills? Can you give two British teenagers the chance to have some much-needed structure in their lives?

    In Florida, parents who hosted two British teenagers pose next to their own children and guests who were treated as family.
    In Florida, parents who hosted two British teenagers pose next to their own children and guests who were treated as family.

    In Florida, parents who hosted two British teenagers pose next to their own children and guests who were treated as family.

    These are the questions posed by the British Broadcasting Corporation (BBC), which is looking for a Turkish family to take part in a long-running series on parenting.

    “We have made programs examining this interesting issue in countries all over the world but have never been to Turkey. We are very excited about the prospect of coming to Turkey to film and are looking for inspirational parents who are proud of their family and of the way they are raising their own teenagers,” said Rebecca Symons, an assistant producer for Twenty Twenty television in the UK producing the program for the BBC called “World’s Strictest Parents.”

    “The program looks into this sensitive matter and asks what unruly British teenagers can learn from being part of a family in a different country,” she added.

    Two British teenagers are sent to live for a week with a family abroad – all over the world, from Jamaica to India, the United States of America to South Africa — in order to experience life in their country.

    The British teens are expected to participate in a typical week with their Turkish family, helping with household chores, attending family events and contributing both within the household and the local community – whatever is normal for the host family. They should not be treated as guests in the house but new members of the family.

    “Ideally our host family will have teenagers of their own so we can see how well they have been raised, and they can act as an example to our teenagers,” Symons said.

    She also said that the family needs to have enough room to accommodate two extra children and be available to guide the visiting teens in their daily life.

    They usually send a boy and a girl who are 16-18 years old and unrelated. The visiting teenagers are chosen because they have difficulties at home.

    “These may vary from smoking to laziness, to drinking, to a lack of respect. For many of the children it is a life changing experience, they are not treated as guests but as one of the family, and therefore they are expected to follow the same rules and principles that the family does,” she said.

    They look for strong parents who run happy and disciplined families.

    “The families that we work with are usually educated and conservative, but most importantly they are loving,” she added. Nalini Nanjundayya, who was a host mother in their series in Bangalore, India, said that she found this to be an amazing experience in two ways.

    “Firstly working with Twenty Twenty television, who were so efficient, thorough and understanding, but mainly to see how well the visiting teenagers responded and actually improved by the end of the week. It is such a worthwhile program. I am still in touch with the children, and I am proud and happy that I could help these individuals turn their lives around.”

    Lucy Dodds, a British teenager from a previous series, said that she wishes that every teenager has an experience like this.

    “I went thinking there was nothing wrong with me – but soon realized I had a lot to learn. The family I stayed with inspired me to get my life back on track, and I am now studying graphic design at college and do work experience at the BBC. I also learned to appreciate my parents more and to be grateful for what I have. You only have one mum and dad. I help a lot more at home,” she said.

    Interested families can contact Rebecca Symons at RebeccaSymons@twentytwenty.tv or call her: 00 44 207 424 7719.

    via zaman

  • Anti-Hamam Confessions, Gulsun Karamustafa, at Rodeo, Istanbul

    Anti-Hamam Confessions, Gulsun Karamustafa, at Rodeo, Istanbul

    Anti-Hamam Confessions, Gulsun Karamustafa, at Rodeo, Istanbul

    By TRoueche | Published: May 27, 2011

    hamam

    Rodeo continues to be one of the most exciting art spaces in Istanbul; displaying a quality of art, and an international, avant-garde awareness that is all too often missing from spaces in the city. This year has already seen fantastic shows of the work of James Richards and Gabriel Lester, and curator Sylvia Kouvali’s latest offering is no less impressive. Anti-Hamam Confessions is a thoughtful work by veteran artist Gülsün Karamustafa, which draws upon her personal relationship with hamams.

    Karamustafa’s work is essentially about her dislike of turkish baths. A video-piece, it explores a hamam in Tahtahkale built by Mimar Sinan, which has been turned into a shopping centre, whilst a voiceover describes her hatred of ‘these places’. For Karamustafa, growing up in modern apartments with bathrooms, there was never any need for the hamam; indeed she has never been to one. Instead she began to hate these historical monuments, and the way in which they are interpreted by tourists. At the heart of her work is an annoyance with the orientalising gaze of the West and the way in which it is applied to the citizens of Istanbul. By presenting a Sinan hamam which is now a shopping centre, Karamustafa questions these perceptions. Meanwhile the slow dripping of the water becomes unbearable – a form of water torture rather than the sound of a hamam – jarring with the building’s new function.

    Karamustafa is a veteran of the Turkish art scene but continues to provoke and surprise. Elsewhere her work, most recently Etiquette at the IFA galleries in Stuttgart and Berlin and The Monument and the Child at the Academy of Fine Arts in Vienna, have drawn on similar ideas of memory, history, and identity as well as exploring the problematic of orientalism, to great acclaim.

    May 27 – June 25, Rodeo, Tutun Deposu, Lüleci Hendek Caddesi No 12, Tophane, 34425 Istanbul

    via Anti-Hamam Confessions, Gulsun Karamustafa, at Rodeo, Istanbul.

  • Turkey Cancels Excavations of Foreign Countries

    Turkey Cancels Excavations of Foreign Countries

    banner tarihimiz1The New York Times reports on Turkey’s renewed demands that artifacts in museums around the world be given to them.

    After years of pleading in vain for the return of Anatolia’s cultural treasures from Western museums, Turkey has started playing hardball. And it is starting to see some results.

    This month, Germany reluctantly agreed to return a Hittite statue taken to Berlin by German archaeologists a century ago. “It was agreed that the statue will be handed over to Turkey as a voluntary gesture of friendship,” the German government said after weeks of negotiations between the countries’ foreign ministries.

    Days later, Ankara announced it was stepping up a campaign to obtain a breakthrough in a similarly longstanding dispute with the Louvre in Paris over an Ottoman tile panel that went to France in 1895.

    […]

    Although the Turkish cases for restitution of the sphinx and the tiles have always been more compelling than those for other treasures, like the Pergamon Altar, that were exported with permission of the Ottoman authorities, Ankara’s requests for their restitution went unanswered for years.

    Then, Turkey changed tack. Culture Minister Ertugrul Gunay announced earlier this year that he would kick German archaeologists out of the excavations at Hattusa, where they have been working for over a century, if the matter was not resolved. “I am determined not to renew the excavation license for Hattusa if the sphinx is not returned,” Mr. Gunay said in February.

    […]

    In a first that rocked the archaeological world in Asia Minor, the digging licenses of two longstanding excavations conducted by German and French teams were revoked earlier this year.

    […]

    The leader of the canceled German dig at Aizanoi, Ralf von den Hoff, said in an e-mail that his excavation had fallen victim to the ministry’s “extortionate demands” over the Hattusa sphinx.

    […]

    But Germany says the return of the sphinx is a one-of-a-kind deal. “Both sides agreed that the sphinx is a singular case that is not comparable to other cases,” the German government said.

    Turkey disagrees. “This is a revolution,” Mr. Gunay said last week about the agreement with the Germans. “This is a great development for the restitution of all our antique artifacts from abroad,” adding, “We will fight in the same way for the restitution of the other artifacts.”

    […]

    Mr. Gunay said he foresaw a long struggle ahead, of a century or more, but added that he believed that “in the end Europe will return all of the cultural treasures that it has collected from all over the world.”

    All governments take note. Turkey’s goal is nothing less than that “all of the cultural treasures” be “returned.”

    The article has much more. Is there any irony in the fact that in order to get some old artifacts returned Turkey would cancel excavations which would fill their museums with new discoveries?

    HT: Jack Sasson

    via BiblePlaces Blog: Turkey Cancels Excavations of Foreign Countries.

  • Topkapı Palace welcomes works from Istanbul Greek painters

    Topkapı Palace welcomes works from Istanbul Greek painters

    ISTANBUL – Daily News with wires

    'Cabaret Singer Peruz Hanım' from the Zeynep Sabancı Collection is one of the pieces from the exhibition
    'Cabaret Singer Peruz Hanım' from the Zeynep Sabancı Collection is one of the pieces from the exhibition

    The Greek Painters of Istanbul at the Topkapı Palace, a new exhibition at the famous Istanbul landmark, is bringing to light close to 100 works by Greek painters from the city. Although the native-born artists contributed greatly to culture in the late Ottoman era, there is little information on them in either the Ottoman or present-day sources

    Istanbul’s Topkapı Palace is hosting a new exhibition featuring 100 pieces of art by Istanbul Greek painters who were influential in the late Ottoman artistic world.

    “People from different faith groups have created very important works on Anatolian land. It is our mission to exhibit these works to the current generations,” Turkish Culture Minister Ertuğrul Günay, who is helping to organize the Greek Painters of Istanbul at Topkapı Palace show, said Monday during the show’s opening ceremony.

    Günay also said his ministry had established very close relations with the leaders of various faith groups and that the exhibition was one of the results of those relations.

    The works of the Greek painters are a part of Turkish culture, said Fener Greek Patriarch Bartholomew, who attended the show’s opening ceremony Monday. “We, as the Greek community and the Greek Patriarchate, are a part of this country, too.”

    The exhibition, which is based on the book “Istanbullu Rum Ressamlar” (Greek Painters of Istanbul” by Mayda Sari, who is also the curator of the exhibition, features Greek painters who were born or raised in Istanbul. It brings together selected works from Greek Orthodox churches and private collections, as well as the collections of the Topkapı Palace, the Greek Orthodox Patriarchate and the Halki Theological School.

    The minister also expressed his objection to the translation of the term “Rum,” which is used in Turkish to refer to the Greek Orthodox Christians living in Anatolia but often rendered simply as “Greek” in English, providing no differentiation between the group and the Greeks from Greece proper.

    “‘Rum’ is the name of the [Greek Orthodox Christian] Anatolian population who lived on Ottoman lands. It is a part of Turkish culture, not a separate population,” Günay said.

    The exhibition brings to light the works of painters who contributed greatly to Ottoman culture but on whom little can be found in Ottoman and present-day sources. Visitors will have the chance to see works by 19th- and early-20th-century painters and iconographers, such as Armenopoulos, Andreades, Andoniades, Flora-Karavia, İgum (Igoumenides), Economides, Xanthopoulos, Michelidakes, Petridou, Platonides, Savvides, Scarlatos, Sofroniades, Stavrakes, Vakalopoulos, as well as Konstantinos Kyzikinos (Kapıdağlı Konstantin).

    Divided along thematic and chronological lines, the exhibition is comprised of approximately 100 works and includes portraits of sultans and high-ranking Ottoman officials, portraits of high-ranking clergy from the collection of the Halki Theological School, icons selected from churches, as well as views of Istanbul.

    The event is being organized by the Directorate of the Topkapı Palace Museum and the Consulate General of Greece in Istanbul under the auspices of Günay’s ministry.

    The exhibition will continue at the Topkapı Palace Museum Imperial Stables until June 30.

    via Topkapı Palace welcomes works from Istanbul Greek painters – Hurriyet Daily News and Economic Review.

  • Istancool bringing world culture to Turkey’s biggest city again

    Istancool bringing world culture to Turkey’s biggest city again

    ISTANBUL – Hürriyet Daily News

    In its second year, the international festival of culture, Istancool, will once again host cultural figures from Turkey and around the world between May 27 and 29. The festival aims to connect the finest international cultural minds in the fields of art, design, fashion, film, music, literature and architecture with their counterparts in Turkey

    Kirsten Dunst. AFP photo
    Kirsten Dunst. AFP photo

    With giants from the both the Turkish and international creative worlds, the second edition of the prestigious art, design, fashion, film, music, literature and architecture festival Istancool will run this weekend in Istanbul’s cultural heart.

    The festival running from Friday to Sunday is a type of three-day cultural meeting program in the city, Demet Müftüoğlu Eşeli, Istancool’s creative director, told a press conference in Istanbul on Tuesday. Eşeli is collaborating with festival founder and artistic director Pablo Ganguli for the event while the festivities’ main sponsor is Vakko.

    Istancool is a fascinating and unique cultural experience bringing together some of the world’s most talented writers, designers, editors, actors, poets, filmmakers, dancers and musicians in the city. Festival organizers said they were committed to creating a dynamic arts diplomacy program in the world and forging greater cultural relations between Turkey and the international artistic community.

    The event, which is being organized in association with AnOther Magazine, has been made possible by British international cultural diplomacy festival organization Liberatum and Turkish creative agency Istanbul’74, which has previously brought other global events to Istanbul from the world of culture, art, film and fashion.

    Eşeli said Istancool, which will be free, aimed to become an influential event in the fields of art, design, fashion literature, film and music.

    A number of international participants are expected at this year’s edition, including Oscar-winning actress Tilda Swinton and director Terry Gilliam, the producer of films like “Brazil,” “12 Monkeys” and “Fear and Nothing in Las Vegas” who is famous for his animation work with the groundbreaking British comedy series Monty Python over 40 years ago.

    Also attending are Michael Stipe, the soloist of REM; Kirsten Dunst, who is known for her role in films like “Spider Man,” “Eternal Sunshine of the Spotless Mind” and Melancholia, for which she won the Best Actress Award at the 64th Cannes Film Festival last weekend; British director, photographer and conceptual artist Sam Taylor-Wood; French fashion brand Givenchy’s creative director Riccardo Tisci; designer Haider Ackermann and musician Courtney Love.

    From Turkey, actress Serra Yılmaz, director Reha Erdem and writer Murathan Mungan will deliver speeches at the event.

    The festival will open Friday at the Vakko Fashion Center while the festival venues will include the Pera Museum and the Tophane-i Amire Cultural and Artistic Center.

    The first edition of Istancool last year was significant and featured Zaha Hadid; Nobel Laureate Sir V.S. Naipaul; Hanif Kureishi; Gore Vidal; Franca Sozzani; Elif Şafak; Terence Koh; Jefferson Hack; Stephen Frears; Taner Ceylan; Daphne Guinness; Lily Cole; Philip Treacy; Bernard-Henri Levy; Leyla Umar and Michael Nyman.

    Last year’s festival, which was hosted in July, also celebrated Istanbul’s status as the 2010 European Capital of Culture.

    For further info, head to www.istancool.com.tr.

    via Istancool bringing world culture to Turkey’s biggest city again – Hurriyet Daily News and Economic Review.

  • Minister of State Pieper: Cultural Academy in Istanbul to open in 2011

    Minister of State Pieper: Cultural Academy in Istanbul to open in 2011

    On 23 May Minister of State Cornelia Pieper briefed the members of the German Bundestag’s Subcommmittee on Cultural and Education Policy Abroad on how work on the new Cultural Academy in Tarabya/Istanbul is progressing.

    pieperMinister of State Pieper is due to open the Cultural Academy on 30 October 2011, the 50th anniversary of the recruitment agreement between Germany and Turkey. The plan is for artists in various disciplines to live and work at the Academy for six months with full funding. Currently the historic buildings are being converted to provide five (after a later extension seven) studios. The next step is for the Academy’s Advisory Council to convene under Minister Pieper’s chairmanship to lay down the procedures for granting the planned fellowships.

    Legally speaking, the Cultural Academy will be part of the German Embassy in Ankara. This arrangement takes account of the Tarabya site’s diplomatic status, one of the stipulations when it was gifted to the German state long ago. The Goethe-Institut Istanbul will cooperate closely with the Cultural Academy and help look after the new fellows.

    Speaking in this connection today (24 May) in Berlin, Minister of State Pieper said:

    “I am delighted that, thanks to everyone involved, we now have a very good solution for the new Cultural Academy. For our cultural exchange with Turkish partners this project has great significance. I would like to thank particularly the Goethe-Institut for its willingness to help us look after the artists. The arrangements now in place fulfil the status and budgetary requirements while also doing justice to the whole concept of the Academy. With the go ahead for both the German-Turkish University in Istanbul and the social sciences degree course jointly offered by universities in Ankara and Berlin (Humboldt University) as well as the German-Turkish Translation Prize, it is clear that working together under the auspices of the Ernst Reuter Initiative has enabled us to realize a number of important and forward-looking projects.”

    For Goethe-Institut President Klaus-Dieter Lehmann the new arrangements “reflect a sense of realism. I am glad to see the Goethe-Institut take responsibility here. With our curatorial expertise we can play an active role in developing and promoting cultural exchange and facilitating access to Istanbul’s cultural scene. All the effort invested in making Tarabya possible has now paid off.”

    The site overlooking the Bosporus in Istanbul’s Tarabya district was gifted to the German Empire in 1880 by Ottoman Sultan Abdulhamid II and served for years as the German Ambassador’s summer residence.

    via Auswärtiges Amt – Startseite – Minister of State Pieper: Cultural Academy in Istanbul to open in 2011.