Category: Culture/Art

  • The Pera Museum lecture, Istancool for Istanbul

    The Pera Museum lecture, Istancool for Istanbul

    The Pera Museum lecture, Istancool for Istanbul

    The morning ended with questions from Courtney Love who had flowers in her hair and looked suitably rock and roll.
    The morning ended with questions from Courtney Love who had flowers in her hair and looked suitably rock and roll.

    Turkey is a mysterious hammam where you see no walls. It is difficult to fathom the other side. I am in the British Airways room at the airport and am thinking about what I learned. It may take a few days to sink in. I like to learn something new everyday. I did have some things confirmed yesterday by Michael Stipe whose music I like. He tries new things out. I loved his idea of getting people he admired to make films of his words and music. As Michael said so clearly, film is the most powerful medium in the 21st century so he used it to make 12 films by directors he admired. Gorilla style he has nearly finished the project. The whole idea was that it should fit on You Tube. It’s certainly inspiring. He believes that most artists have more than one talent, so I am a happy girl, that others believe they can do more than one thing.

    Sam Taylor Wood, looked radiant and more at ease than ever as she showed her lively portrayal of his music. She said it was morning dancing that gave her the idea, and her boyfriend is particularly good at it. He has that appeal of the urban boy jumping over bikes, break dancing, wiping his nose on his hand, spitting, a tea shirt on his back and jeans, still managing to look very very attractive.

    Sam was so much fun as she talked, for the third time I saw what she is all about. The piece we were told was called Berlin, I may be wrong, in any case it was filmed in the East End of London, and she just shot it with no permissions, as she felt, using people going about their normal business and her man larking about.

    Sophie Calle’s was completely different, heaven knows what it was called? Anyway she put together all her video footage from her iphone and it consisted of a horse peeing, a bee and a ballet dancer in an underground car park. She had not used the medium before, and she was not interested in doing so. She also did not know Michael, but it had a lively feel to it. Everybody asked about the horse of course. I am more interested in the ballet dancer, actually I am interested in the Bee, who walked backwards so well, flossing his wings, looking busy.

    Another two films followed, one which was top secret, yet not, of Brando footage, kissing, putting on his hat, just looking, my goodness he was a looker. The other was made from his sisters architectural computer programme which was very boring and Michael and his sister jazzed it up.

    via The Pera Museum lecture, Istancool for Istanbul | RATS’ TALES BY AMANDA ELIASCH.

    Courtney Love singing Bad Romance @ Givenchy party, Paris from icanteachyouhowtodoit on Vimeo.

  • Turkish miniaturist depicting aura of Istanbul’s conquest

    Turkish miniaturist depicting aura of Istanbul’s conquest

    ISTANBUL – Anatolia News Agency

    One Turkish artist is celebrating the May 29, 1453, conquest of Constantinople with a miniature depicting the event. Özcan Özcan’s painting depicts Mehmed the Conqueror’ first entry into the Hagia Sophia after he took the Byzantine capital. Özcan believes that miniatures are one of the highest forms of art as they seize the depths of the imagination

    The miniaturist depicts the sultan’s first prostration in prayer at the Hagia Sophia in his work.
    The miniaturist depicts the sultan’s first prostration in prayer at the Hagia Sophia in his work.

    Using his artistic skills to reach people, a Turkish miniaturist has been working on a new painting of Mehmed the Conqueror’s conquest of Istanbul.

    “I aimed to reflect the spirit of the conquest,” miniaturist Özcan Özcan said of the work he started to compose two months ago. “I did it to make our people experience that moment and to offer more knowledge. I tried to fulfill the mission of art. You can only convey people’s spirit through art.”

    Sunday marked the 558th anniversary of the fall of Constantinople to the Turkish army led by 21-year-old Mehmed the Conqueror. After a two-month siege, the Turks took the Byzantine capital on May 29, 1453.

    The conquest of Istanbul was a huge historic event initiating the transformation of the Ottoman state into an empire, the fall of the Byzantium Empire and marked the end of the Middle Ages and the beginning of the New Age, Özcan said. “But there is not much about this in art history. This is sad for me.”

    “In my piece, I composed Mehmed the Conqueror’s first entry in to the Hagia Sophia, what kind of a reaction there would be and the culture of the location. I tried to portray that Fatih had a very strong soul. What was important for me was being able to depict the spirit of the conquest and create something that people could hang on their walls,” Özcan said.

    The miniaturist depicts the sultan’s first prostration in prayer at the Hagia Sophia in his work.

    “Whether such a thing has happened or not, I don’t know. But everybody has such a view in their minds,” Özcan said. “The conqueror, who was dreaming of conquering Istanbul at age 21, was prostrating over there as if reuniting with a lover. For example, in that prostration, you cannot see anybody’s face or the conqueror’s face. You can only tell he is the conqueror because of what is seen on his sword. This is what I am trying to achieve. I want to meld people with the aura over there. Not with the conqueror. We are in need of this.”

    In a previous work, Özcan depicted the Kaaba in Mecca with a miniature after a period of study lasting 2.5 years.

    Miniatures give artists freedom

    “Miniatures are the peak of the art of painting. The utmost point that an art leads to is the place it started at. I accept the first cave paintings of humanity as miniatures because they are products of imagination. Miniatures seize the depths of the imagination,” Özcan said.

    During the Ottoman era, miniatures were always based on selected topics whereas in the Republican era, this has been ignored, Özcan said.

    Özcan, who was born in 1970 in the western Black Sea province of Zonguldak, has participated in joint and solo art exhibitions and continues to organize courses and exclusive lessons to teach miniature art.

    Özcan said the rules surrounding the production of miniature art were largely free. “Miniature art does not cover the rules of paintings. You can see what you want and draw what you want.”

    Noting that it was also possible to give dimensions and depth in miniature art works, Özcan added that the type of painting was the starting point of all other painting trends and artistic movements.

     

  • Turkey’s Great Leap Forward risks cultural and environmental bankruptcy

    Turkey’s Great Leap Forward risks cultural and environmental bankruptcy

    Turkish government’s rush to build dams, hydro and nuclear power plants angers villagers and environmental campaigners

      • Fiachra Gibbons and Lucas Moore in Ankara
      • guardian.co.uk, Sunday 29 May 2011 18.56 BST
      • Article history
      • Tigris River and ancient city of Hasankeyf, Batman Turkey. Image shot 2007. Exact date unknown.

        Work was halted on a massive dam project in Hasankeyf three years ago after the ancient city was flooded. Campaigners fear the government will go ahead with the dam regardless. Photograph: Alamy

        Every springtime Pervin Çoban Savran takes her camels and sheep up into the Taurus mountains of southern Turkey, following the same routes along the Goksu river that Yoruk people like her have taken for more than 1,000 years. To many Turks these last nomadic tribes are symbols of the soul of their nation.

        Their way of life – and that of millions of small farmers – is being threatened by Turkey’s Great Leap Forward, one of the most dramatic and potentially devastating rushes for economic development and prosperity Europe has seen in decades.

        Thousands of dam and hydropower schemes are being built on almost all of the main rivers in a pharaonic push to make Turkey a world economic power by the centenary of the republic in 2023.

        The ruling AK party, expected to win a record third term in next month’s elections, is forcing through a series of gigantic public works projects that include three nuclear power plants – despite Turkey being one of the most seismically active nations on earth.

        The first plant, a prototype Russian reactor on the Mediterranean coast near the port of Mersin, is close to a highly active faultline. A second, Japanese-built, plant will soon follow on the Black Sea near the city of Sinop.

        Prime minister Recep Tayyip Erdogan raised eyebrows across the world last month by promising to cut a 40-mile canal between the Black Sea and Marmara to relieve the dangerously overcrowded Bosphorus strait, an idea even he calls his “crazy plan”.

        He has since topped that by revealing a blueprint for two new cities to relieve earthquake-prone Istanbul. Critics say they will only further extend Europe’s largest megalopolis, home already to nearly 17 million people.

        It is Erdogan’s declaration that Turkey’s rivers must no longer “run in vain” and 100% of its hydroelectric potential be harnessed over the next 12 years that has environmentalists most worried. They claim that the rush for hydropower is likely to be even more damaging to Turkey’s delicate ecological balance, where desertification and depopulation are already problems.

        Hundreds of private companies have been given extraordinary latitude to evict villagers, expropriate private land, clear state forests and steamroller normal planning restrictions to meet the target of 4,000 hydroelectric schemes by 2023. Protestors claim licences have been granted on highly favourable terms, guaranteeing investors four decades of clear profit.

        The Turkish Water Assembly, an umbrella group researching the impact of the push for more power, argued that 2 million people could be displaced by the hydropower schemes alone. They accuse the government of riding roughshod over human rights, and Turkey’s commitments to preserving its extraordinary biodiversity and cultural heritage, in the name of energy security.

        Campaigners fear Ankara is also determined to press ahead with the massive Ilisu dam project on the Tigris river, which was halted three years ago after an international outcry over the flooding of the ancient city of Hasankeyf.

        The Ilisu dam is dwarfed by the $4bn Beyhan project on the Euphrates, also in the Kurdish south-east, where fears of the forced evacuation of the local population evokes bitter memories of the mass clearances of Kurdish villagers by the Turkish army during the war with the Kurdish separatist PKK in the 1980s.

        Demonstrators intent on converging on Ankara from five corners of the country are still being prevented from reaching the capital after a week-long standoff with riot police outside Ankara. Many, like the Yoruks, had been walking for two months as a part of the Great March of Anatolia, a movement sparked by anger at the hydro plans but which has come to embody growing anxiety that the country is being despoiled in the rush for growth.

        While the neo-liberal reforms of the moderately Islamist AK party have been credited with firing the country’s runaway growth, the gulf between the rich and poor has widened dramatically, and corruption has increased.

        The Turkish government insists it must act radically to safeguard the decade-long boom, with growth this year predicted to top 7% despite the worldwide downturn.

        Energy, however, is the achilles heel of the so-called Anatolian tiger, with industry heavily dependent on imported gas from Russia and Iran. Despite making itself the hub of a network of pipelines serving Europe from Russia, Central Asia and Iran, Turkey is even more at the mercy of Moscow and Tehran – a fact dramaticallydemonstrated four years ago when Iran turned off the tap and sent fuel prices in Istanbul soaring overnight.

        Erdogan has so far been withering of critics of his Great Leap Forward, accusing them of holding Turkey back. He argued that the hydro projects will bring thousands of jobs to the underdeveloped east, irrigate barren land and reverse the wave of migration to the more prosperous west.

        “All investments can have negative outcomes,” he said. “But you can’t give up just because there can be some negative outcomes. We cannot say that there will be no earthquake, but we will take all the precautions.”

        After the Fukushima disaster in Japan, his energy minister Taner Yildiz caused consternation by claiming that nuclear power was no more dangerous than staying single, citing studies showing married people tend to live four years longer. Alcohol and smoking posed more danger than nuclear power, he claimed, prompting comparisons with former president Kenan Evren’s claim after Chernobyl that “radiation is good for the bones”.

        Tourism minister Ertugrul Gunay appeared to break ranks, warning that “if the hydroelectric energy projects are carried out in a reckless manner, cutting out each brook, levelling each mountain and destroying forests just to be able to produce a few watts of energy, tourism would be an impossible dream”, particularly in the Black Sea region.

        His comments came as laws were being drafted to allow nature reserves to be handed over for hydroelectric projects. Still more worrying to campaigners has been the official reaction to the legal morass the plans have created, with almost 100 lawsuits filed in the last two years. Of the 41 cases so far heard, judges have halted 39. Work has often continued in defiance of the courts with the protection of police and gendarmerie.

        Each hydro scheme is allowed to take 90% of the water out of a section of river, leaving the remaining 10 % as “lifeline support”. After the water travels through the turbines, it is returned to the river, but farmers say much of the water is either lost, polluted or has had the “life taken out of it”.

        For Yoruks such as Pervin Çoban Savran it is their very survival that is in question. “Nobody in parliament has shown any interest in our cause,” she said. “They don’t love life, only money. These dams are bringing about our end. Our culture is being destroyed.”

        Hydroelectric projects on the tributaries of the Goksu river have already severelydamaged traditional pastures, she said. “It has affected us very quickly. But in the end, everyone else will suffer too.”

        ‘They want to turn us into slaves’

        “They killed me when they took my land,” said Sinan Akçal, a tea grower from the spectacular Senoz valley on the Black Sea. He has watched his local court order the cancellation of the hydropower project his land was expropriated for no less than three times. But each time the Turkish environment ministry, which originally rubber-stamped the project without an environmental impact assessment, overrides the court ruling – and work on the dam continues.

        In the meantime, large swaths of forest above the valley have been felled, triggering landslides and soil erosion.

        “They’ve taken my land and they’ve offered me 15,000 lira [£5,800]. I didn’t take it, and I won’t take it,” said Akçal, 54. “They just want us to go to the cities and turn us into slaves. But what does 15,000 lira get you in a city? In a year the money will run out.

        “Where I come from, people don’t have a lot of arable land, but we grow corn, potatoes, tea and vegetables and we have everything we need. I don’t need huge amounts more of electricity, it is not going to benefit us. My mother is 84, and she can’t live anywhere else.”

        He added: “The talking is going nowhere. Again and again we went to court – again and again the courts sided with us. But they didn’t stop, they just kept on working, cutting trees, dirtying the water. In total we have counted 25,000 dead fish in our stream.”

  • Financial Times: İstanbul is The Most Liveable City

    Financial Times: İstanbul is The Most Liveable City

    Istanbul ft

    Well, that touched a nerve. The idea of liveable cities, it seems, is one that provokes the pen and the keyboard. My critique of the blandness of the cities that always seem to top the “world’s most liveable” lists, which was published in the FT’s House & Home section on May 8, engendered a vigorous response and a sustained debate. The results of an FT.com poll were surprising and, I think, intriguing. The city that came out top in a readers’ survey was Istanbul. I was truly glad when I saw it – here’s a city that is the antithesis of the bourgeois monoculture I had railed against and that seems to confirm everything I had argued for. Istanbul is cosmopolitan, busy, young in its population but historic in its fabric, socially mixed with a huge disparity of income, accessible and a city that has always built on its status as a bridge between not just continents but civilisations, ideas, religions and peoples.

    Cities two and three were more predictable: London and New York. I came in for a little stick over my bias to the old familiars – and I admit it is a slightly FT choice – yet both cities have consistently managed to reinvent themselves and, I think, deserve their slots. It is also worth noting, though, that both London and New York have recently had issues with immigration, both city administrations being at odds with their larger national governments in their liberal outlook. Increasing barriers to immigration will lead to the staunching of skilled (and, just as importantly, unskilled but entrepreneurial) workers, which can only be a good thing for the competition elsewhere. It is something that cities need to look at seriously if they want to stay at the top. Where are London and New York without immigrants?

    Please respect FT.com’s ts&cs and copyright policy which allow you to: share links; copy content for personal use; & redistribute limited extracts. Email ftsales.support@ft.com to buy additional rights or use this link to reference the article – http://www.ft.com/cms/s/2/2b65b494-8721-11e0-b983-00144feabdc0.html#ixzz1NpJiCDo3

    I should have seen number four coming. I left San Francisco out of my list – I felt one US city was probably enough – but I can’t argue with the choice. Its ethnic and social mix, culture, climate, landscape and tolerance make it one of the few cities that deserves its place. I also hadn’t included Paris, which came in at number five. I opted for Rome instead, for no real reason other than its particular chaotic charm which is the opposite of the French capital’s bourgeois chic. But with its rigid city wall of the périphérique, its immigrant communities living beyond a ring of concrete and traffic, I found Paris difficult to include on grounds of social mobility.

    Rio came next, followed by another of my omissions, Sydney – both cities embody a kind of sunny, laid-back, cosmopolitan lifestyle. Hong Kong at number nine sounds fair, though perhaps reveals another of those FT readership biases. Delhi at 10 was nothing to do with me.

    Just as controversial was the blacklist, the most unliveable cities. It always sounds a little superficial to compile a list like this – there are plenty of contenders – but I tried to use each city to demonstrate a particular problem. Plenty of readers wrote to attack my choice of Jerusalem but my point about the importance of tolerance stands; divided cities provoke international tensions. No one came to the defence of Dubai but Moscow and Birmingham had their advocates. Moscow, one reader wrote, was significantly safer to wander around at night than New York. Unless, of course, you’re a journalist. As for poor Birmingham, I almost felt bad about including it but I used it to illustrate a particularly English problem. As the country’s second city it should be a bustling, vibrant cultural centre (think of Hamburg, Guadalajara, St Petersburg, Cape Town, Los Angeles and … you get the idea). There should be a sense of competition, of vying for position. Instead England seems stuck in a London-centric fug in which the capital’s dominance is completely unchallenged – to the huge detriment of the rest of the country. There is no evidence of any serious government policy being formulated to address the issue of a post-industrial north.

    There were also, inevitably, those who were affronted by the omissions. Again and again, readers highlighted Barcelona. The city has done what Birmingham has been unable to do and has an extraordinary record in reinventing itself as a post-industrial destination, creating beaches out of wharves and conjuring seductive civic space from seemingly nothing. It is a city that has put its faith in thoughtful contemporary architecture and urbanism, that has protected its retail traditions and its historic core and emerged as a place anyone would happily spend a weekend, as well as a city for business. Quite an achievement.

    Melbourne and Montreal came up multiple times too, both solid contenders but perhaps veering back into traditional liveable cities mode. Budapest was also mentioned, a beautiful city where I’ve lived and loved but which remains too far from the vibrant, cosmopolitan heart of central Europe it was a century ago. Brussels, Amsterdam, Edinburgh, Kyoto, Athens and many others made appearances and, judging from the mildly affronted views from Vancouver, perhaps I was a little harsh on the city in order to illustrate a point. Berlin, the city I struggled to omit, seemed sadly unrepresented and I thought Boston might have come up a little more.

    Ultimately, the criteria are different for everybody; lists can only ever be personal. We make and remake our cities in our minds. As Jonathan Raban wrote in Soft City: “Living in a city is an art … The city as we imagine it, the soft city of illusion, myth, aspiration, nightmare, is as real, maybe more real, than the hard city one can locate in maps and statistics.” Or lists.

    Financial Times

  • Istanbul: European Capital of Culture

    Istanbul: European Capital of Culture

    By Sara Irving 

    Freelance Writer – UK
    Wednesday, 01 September 2010 00:00

    istanbulce

    As one of 2010’s European Capitals of Culture, Istanbul launched a myriad of activities on offer in the city. It is the first ever city in a predominantly Muslim country to hold the title, and for some, this event is  recognition of Istanbul’s pivotal role in the history of both Europe and Asia.

    But for others, it raises again the question of Turkey’s relationship with Europe: how Europe should react to the accusations of human rights abuses, and how Istanbul’s minorities have fared in the run-up to the celebrations?

    Eyes on Istanbul

    Istanbul is always a spectacular destination. It boasts artistic and historical splendors such as the Topkapi Palace, great mosques and towers, huge city walls, the Grand Bazaar, and the palaces and castles along the Bosporus. It is also home to vibrant and diverse communities and the architectural relics of Genoese, Venetian, Greek, Armenian and Arab influences, as well as the sweeping historical legacy of the Ottoman Empire.

    Istanbul is also a major tourist attraction and business center. According to market researchers Euromonitor International, for business — including events such as trade fairs and conferences — Istanbul is a bigger hub than the capital, Ankara. It is the second most important tourist destination after the Mediterranean coast.

    Turkish tourism has bucked global trends and continued growing despite the recession, and Istanbul has outperformed even the national average. According to Forbes magazine, Istanbul ranks fourth in the world for its population of billionaires.

    But in 2010, the city’s European Capital of Culture Agency is aiming to add a wide range of events to Istanbul’s attractions. The activities were launched with a grand concert and firework display.

    Over the year, this will be followed with the historical Treasures of the Kremlin touring exhibition, a festival of Balkan music, displays of contemporary art and workshops in animation.

    The budget for the year’s events reportedly rings up at US$300 million for over 500 events celebrating Istanbul’s history as a bridge between the East and the West, and both its Islamic and Christian heritages.

    Sites such as the Ayasofya, a Byzantine cathedral turned into a mosque, and the Kariye Museum, which has also been a church and a mosque and which displays spectacular ancient mosaics, have been held up as emblematic of the city’s place at the crossroads of history.

    Egemen Bağış, Turkey’s Chief negotiator for the full membership negotiations with European Union officials, has told the European Parliament that Istanbul’s year as European Capital of Culture is a great opportunity for the EU and Turkey to learn to understand one another better.

    Getting Ready

    Surveys of former European Capitals of Culture, from Liverpool to Athens, Lisbon to Helsinki, show that a city’s being awarded the title can attract investment and act as a stimulus for renovating and developing its heritage and community.

    In Istanbul, resources have been ploughed into promoting events at existing galleries and museums, and also into repairing and renewing some of the city’s ancient monuments.

    Many historical structures and buildings have been renovated since Istanbul was awarded the title of European Capital of Culture for 2010, and investment in the services and information has been made available to visitors at historical sites.

    The city’s “largest open-air museum” has also been declared at Yenikapi transfer point as a large-scale archaeological excavation taking place at the site of the Marmaray rail tunnel project, which in 2004 uncovered the ancient Port of Theodosius.

    Controversies

    But the European Capital of Culture project has not passed off altogether smoothly. Rumors of cronyism and corruption among the organizing committee  plus high-profile resignations have led to questions about how public money has been spent.

    Many of Turkey’s minority peoples have questioned their roles in the events. Further afield, political controversies and Western Islamophobia have given rise to hostile reactions.

    Istanbul’s Gypsies have complained that despite being represented in a dance performance in the opening ceremony, actual communities have been forcibly removed from areas near the city walls where they have lived for centuries, but these areas have recently become valuable real estate slated for redevelopment.

    According to Ali Murat Yel, a sociologist at the city’s Fatih University, the Gypsies have been relocated to low-grade tower blocks “not suitable for the Gypsy way of life.”

    Some of Istanbul’s poorer communities, as well as opposition politicians, have also objected to the large sum of money being spent on the year of events, which they argue could have been better invested in housing, education, and infrastructure.

    Also represented in the opening ceremony were Jewish and Armenian musicians and choirs. However, Jewish and Armenian community leaders joined a coordinated walkout during the ceremony claiming that they had been sidelined, with Armenian monuments absent from the culturally diverse promotional video.

    The city’s Greek patriarch also left the proceedings over the alleged exclusion of this population from the festival, though some members of the community welcomed its absence suggesting that other cultures had been appropriated in order to give Istanbul a multicultural image.

    Amid this, criticisms of the Capital of Culture publicity have also come from Islamic perspectives. Istanbul’s committee have been accused of using the festival to alleviate Western fears about “radical” Islam in Turkey by highlighting the city’s Christian heritage and leaving views of mosques or other Muslim sights out of the promotional materials.

    Some exhibitions do acknowledge the Islamic art of Istanbul, but they have lower profiles than, for example, the Russian and Assyrian shows.

    Commentators in publications such as the English-language Today’s Zaman have questioned whether Eurocentric political and economic pressures have meant that the festival authorities had concentrated on the “modern Westernized parts of Istanbul” rather than asserting the city’s central role in Islamic history and culture.

    The Black Spot

    On a wider stage, major European powers such as France and Germany have maintained their resistance to Turkey’s joining the EU, citing concerns about human rights (particularly in Kurdish regions on the Iraqi border) and the ongoing disagreement with Greece over Cypriot sovereignty.

    In the spotlight, the European Parliament’s celebrations of the start of Istanbul’s year were largely attended by left-wing, liberal, and green members of European Parliament, with center-right and right-wing parliamentarians boycotting the event.

    As for the future of culture in Istanbul, questions have also been raised over what the legacy of Istanbul 2010: European Capital of Culture will be.

    As with many other cities that have held the title, critics have pointed out that holding a year-long cultural festival is one thing, but embedding this in the city’s fabric to enhance the access that the ordinary people of Istanbul have to culture and art is a much bigger challenge.

    It remains to be seen whether Turkey’s planners can do a better job than in other great cities.

     

  • Kirsten Dunst embarrassed by nazi remark

    Kirsten Dunst embarrassed by nazi remark

    Actress Kirsten Dunst has said she was embarrassed by Danish filmmaker Lars Von Trier’s Hitler and Nazi remarks at the recent Cannes Film Festival.

    kirstendunst

    ‘Yeah, it was a very emotional week. What happened with Lars, you know, now I know him in a very intimate way and It was very inappropriate what he said. You cannot joke about things like that and so I was very embarrassed for him but he is my friend and I care for him and we worked very intimately together and I could never have done the work I did without someone, a director, like him,’ she said.

    The ‘melancholia’ director was expelled from the festival, but his end-of-the-world film remained in competition. It eventually lost out to the coveted Palme d’Or award to Terrence Malick’s ‘Tree of Life’. Dunst won the best actress award at the annual film extravaganza in the French Riviera.

    She flew to Turkey’s largest city of Istanbul to attend the opening of Istancool festival.

    ‘It’s amazing to be honoured with awards and you know I have worked for 20 years and I am 29. So for me this was the biggest thing that has happened to me in terms of that,’ Dunst told a panel in Istanbul on Friday (May 27).

    via Sky News: Kirsten Dunst embarrassed by nazi remark.