Category: Culture/Art

  • The Harm of Harmful Publications

    The Harm of Harmful Publications

    International PEN and PEN Turkey held this year’s “Freedom to the Word” Literature Festival in Istanbul last weekend. Publishers, writers and interpreters discussed the “Harm of Harmful Publications” and the function of the Board for Protection from Harmful Publications.

    Nilay VARDAR
    nilay@bianet.org

    “The Harm of Harmful Publications” was the theme of this year’s “Freedom to the Word” Literature Festival held by International PEN and PEN Turkey in Istanbul.

    “Negation of obscenity is hypocrisy”

    In the first session on Saturday (18 June), PEN Writers Union Secretary General Eugene Schoulgin indicated that “obscenity” was a topic discussed all over Europe but that the situation in Turkey was unique.

    “In Norway, not a single book was subject to a trial throughout the past 50 years. In Europe, it is out of the question to open a trial about a book that was written 50-100 years ago”, Schoulgin stated.

    She described obscenity as a part of life and claimed that the negation of obscenity was hypocrisy.

    “Children should not be protected from the internet or written publications only but also from sexual abuse that is widespread all over the world. This abuse is more dangerous than the fantasies described in books”, Schoulgin remarked.

    “We are acquitted but burned-out”

    On 26 April, an investigation was launched into the translation of the book “The Soft Machine” written by US American writer William S. Burroughs and first published in 1961. The novel published by Sel Publishing was written in the cut-up and fold-in techniques and was one of the significant works of the “Beat Generation”.

    Bilge Sancı, owner of Sel Publishing, said that numerous trials were filed against many of their books since the year 2000. They were acquitted in most of the cases but the trial procedures were back-breaking in terms of money and spirits, Sancı recalled.

    “Trials are opened because we translate books that were written 50 to 100 years ago. All these books have to be seen in their historic context and Turkish people have the right to read them”, Sancı claimed.

    “Keeping up the struggle”

    “We as publishers will continue translating and publishing the books we want. If we said ‘this is a risky book they might sue us for’ we will play in the hands of the government. Therefore we keep up the struggle”, Sancı declared.

    Interpreter İsmail Yerguz pointed out that an interpreter could not be held responsible for the content of the text as long as the content had not been changed. “The trials opened against translated books are a punishment for those people who cannot read the original because they do not know the language”.

    Protection from Harmful Publications

    In the second session, the participants of the panel discussed the Prime Ministerial Board for the Protection of Children from Harmful Publications which was established in its current shape during the regime of the military coup in 1980. They called for a change of the board and said that “harm” should be clearly defined.

    In the beginning of the literature festival, Nevin Berktaş was rewarded with the Duygu Asena PEN Award for her book “Difficult places that challenge the faith: Prison Cells”. Berktaş was released from prison just recently.

    Berktaş announced, “I am accepting this reward on behalf of the people who were killed in the 12 September prisons, in the course of death-fasts and who were murdered in the middle of the street”.

    “Board members are informant and expert at the same time”

    Lawyer Haluk İnancı mentioned that although the Protection Board for Harmful Publications was established in 1927, it was made more functional by the coup regime in 1986.

    “The board consists of ten representatives from ministries, journalist associations and the department for religious affairs. They have two missions. One is the ex officio investigation and announcement of allegedly harmful and obscene new publications. The other one is to serve as an expert in the trials opened against these publications. So they are both informants and experts”.

    İnancı underlined that the law was problematic but that there were even more problems in its application.

    “No prohibition but restriction”

    The lawyer referred to decisions regarding the protection of children given by the European Court of Human Rights (ECHR) and said that the international court decreed for certain restrictions rather than prohibitions.

    “The ECHR accepts the fact that the government has to take certain precautions to protect children from pornographic contents. Yet, these constraints are bound to strict rules”.

    “Definition of harm”

    İnancı claimed that the Board for the Protection from Harmful Publications in Turkey should be abolished and replaced by a different regulation.

    “With the legislation of the National Education Department, everything can be forbidden by the law. This has to be abolished. The board should be abrogated and the evaluation should be done by the judiciary. There is no clear definition of ‘harm’. First of all, the people should know what is criminal. The ones who do not abide by the law should not receive prison sentences but monetary fines” İnancı suggested.

    “Protection from issue of social class”

    Ragıp Zarakolu, the owner of the Belge Publishing Company, said that in the 1980, children were “protected” not only from contents related to sexuality but also to issues of social class under the label of ‘harm’.

    “The Gözlem Publishing Company published children literature and books on alternative, liberal education. The company was closed because of allegedly class-related contents. After that, no other publishing company published this sort of children books”, Zarakolu emphasized. (NV/ŞA/VK)

    via English :: The Harm of Harmful Publications – Bianet.

  • Listen to Selcuk Artut’s trip from Turkey to Hong Kong

    Listen to Selcuk Artut’s trip from Turkey to Hong Kong

    Listen to Selcuk Artut’s trip from Turkey to Hong Kong

    The Turkish mathematician-turned-sound-artist tell us why and how he lives life through his ears

    By Payal Uttam

    Selcuk Artut shares his sound diary of his journey from Istanbul to Hong Kong.

    Plane passengers, street markets, train stations, the hustle and bustle of Hong Kong — all form part of Turkish contemporary artist Selcuk Artut’s rather unusual spontaneous sound installation based on his journey from Istanbul to Hong Kong.

    He started recording sounds while in Istanbul before he flew out to Hong Kong. Then he recorded his plane journey. Once he arrived, he recorded various sounds of Wan Chai, Mong Kok, Hong Kong Park, the MTR stations, his hotel room and within the Hong Kong Convention and Exhibition Centre — where he attended and exhibited at the Hong Kong International Art Fair (ART HK).

    For his installation, he set up a table and served the sounds of Hong Kong like a restaurant would serve meals, with plates on a table and a menu.

    After training as a mathematician, Artut studied sound art in London and now teaches “Sound and Interaction” courses at Sabancı University in Istanbul.

    You can listen to his sounds via the links in the interview below.

    Also read The Sounds of Hong Kong.

     

    Selcuk Artut’s table of sounds.

    CNNGo: How did the idea for the sound installation at ART HK come about?

    I was thinking of creating an environment where I could interact with people. Most of my artwork is not only about aesthetic value but there is also a story and philosophy behind each piece.

    CNNGo: Tell us about the process.

    I brought a sound recording device to Hong Kong which allowed me to record sounds in detail. We are not aware of many of the sounds that surround us.

    For example, I might be focusing on this conversation with you but I am not focusing on the sounds of people passing by. The sound recorder doesn’t behave like this. The microphone records everything.

    I’ve been recording sounds wherever I go, so I thought, ‘Why don’t I record the journey from Istanbul to Hong Kong?’

    I said to myself, ‘Let me record all these spaces because you can feel yourself in that moment.’ I had no prejudices, no ideas about what was going to happen here.

    I started recording on the day when I as about to leave for Hong Kong on May 21 until May 29. I said to myself, I will present these sounds as a food market because I like markets where you hear people calling out — there is a variety of colors.

    CNNGo: What did you record on the plane journey to Hong Kong?

    There were a lot of people speaking Cantonese, which I don’t understand. I thought maybe I could ask people what they are saying.

    Of course, that would be crossing boundaries of privacy but I believe it’s more like sound texture — their words don’t mean anything to me semantically, they are more like colors for me.

    CNNGo: What did you record when you arrived?

    I like walking. I like being in the central places of a city. So Wan Chai seemed like a good location for Hong Kong. I was walking on the street and saw the market.

    For the other locations, people advised me. They said go to Mong Kok and the metro station. I went to several food markets in Hong Kong and did recordings.

    I’ve meet with a lot of people in these past few days so I’ve also been recording daily routine talk like, “How are you? Fine. Ciao.”

    I’ve been recording at the hotel too, of the sounds in the room from the TV. Sound can behave like an object. So recording sounds is like collecting objects to make art.

    Listen to the sounds of Wan Chai market by Selcuk Artut.

    CNNGo: What kind of sounds did you record at the art fair?

    I came up with some different ideas.

    There are times where the announcements at this venue are so forced, like when people are asked to leave. It’s so kind to say the venue is closing but it’s a loud as hell message. The announcement says “The fair is now closed, please leave.” I decided to play the announcement on the headphones to people.

    At the same time, I set up a live microphone so the person listening to the headphones also hears people around them talking. This creates a state of confusion because they think the announcement is real. But if they take the headphones off, they realize there is no announcement.

    One person took it seriously and actually left. I play games as well. I enjoy that idea.

    Listen to the sounds of Art HK 11 by Selcuk Artut.

    CNNGo: What do people think of the Hong Kong sounds?

    One man said, “I know this place, it’s Wan Chai market and I know this lady. Her store is on the corner, right?”

    So he was able to recognize where that space was. He continued to say, “there was a fish market near by.” I had also walked by that market and recorded it so he was suddenly transported to that venue too.

    In a way, a lot of Hong Kong people arriving here find themselves in familiar places that they have been to like the metro station.

    CNNGo: What was your favorite sound in Hong Kong?

    Sounds I recorded at Wan Chai market and the MTR. I like the sound’s textural quality while I am listening to it. When I hear foreign languages, I treat them as if they are soundscapes.

    The metro is a system that is almost universal around the world. There are tiny sounds giving definitions to its character such as beeps, announcements and door openings and so on.

    Also the way people talk and socialize in there is a definitive implication for understanding more about the culture.

    Listen to the sound of the Hong Kong MTR by Selcuk Artut.

    CNNGo: How did people respond to the sound art?

    Most of the non-local people are perhaps coming here only to visit the fair and they don’t have time to see the city. So I like asking “Hey did you see the Wan Chai market? I’m going to take you there.” Then they take the headphones and spend the time listening.

    So our table is like a moment of isolation from the fair where you can travel to anywhere even Istanbul. The first sounds were from Istanbul. A lot people have said “Hey I’ve been to Istanbul, I miss it, can I listen?”

    Listen to the sound of Istanbul by Selcuk Artut.

    People like to interact, they aren’t afraid to touch and I like it. There are moments when I stand in the center of the table and ask people what they would like from the sound menu.

    I wanted to put plates with this tape material which is a reference to Nam June Paik because I like him a lot. It’s like serving people. When you are serving something they will come.

    There are times when people realize they can touch and they play with the tape. I’m not bothered by that. If I had the power to do it, I would prepare a menu every day and let them take the sounds.

    The people take the headphones and from a distance I watch how they react. I like their smiles and confusion. So I think my intention has been absorbed by these people.

    A freelance writer, Payal Uttam found her way back to Hong Kong after a prolonged stint in Chicago.

    Read more about Payal Uttam

    Read more: Listen to Selcuk Artut’s trip from Turkey to Hong Kong | CNNGo.com

  • Winehouse out to join tragic 27 Club, Bonaduce fears

    Winehouse out to join tragic 27 Club, Bonaduce fears

    Some famous musicians died at age 27, and the recent antics of English singer-songwriter-rehabber Amy Winehouse have observers worried if she could be the next.

    Radio yakker Danny Bonaduce raised the grim fear on his CBS3 commentary this morning, following news about problems on her concert tour.

    On Saturday she was booed in Serbia for staggering, mumbling, looking lost, forgetting lyrics and disappearing from the stage, then on Sunday, without further explanation, she canceled dates this week in Istanbul and Athens.

    The Grammy-winning Winehouse, who turned 27 in September, has been plagued by drug and alcohol troubles for years, and recently spent a week in rehab.

    “She’s pretty far gone,” said Bonaduce, the Broomall-born ex-Partridge Family child star. “I’ve seen some of the tapes. . . . Nobody’s telling her no, and somebody needs to.” YouTube has several videos of the boofest in Belgrade.

    But Bonaduce is far from the first to voice this concern.

    Apparently, Winehouse herself started worrying about joining the likes of Janis Joplin, Jimi Hendrix, Jim Morrison, Kurt Cobain – who all died at age 27 – several years ago.

    In late 2008, Britain’s News of the World quoted Alex Haines, her former assistant and lover, as saying, “She reckoned she would join the 27 Club of rock stars who died at that age. She told me, ‘I have a feeling I’m gonna die young,’ ”

    Also on the list: Rolling Stones’ Brian Jones, who was found dead in a swimming pool in 1969.

     

    Contact staff writer Peter Mucha at 215-854-4342 or pmucha@phillynews.com.

    via Winehouse out to join tragic 27 Club, Bonaduce fears – Philly.com.

  • Metal legends rock thousands at Sonisphere Festival in İstanbul

    Metal legends rock thousands at Sonisphere Festival in İstanbul

    Iron Maiden rocked İstanbul’s Maçka Küçükçiftlik Park on Sunday night, treating 30,000 fans to a musical feast in the Turkey leg of the Sonisphere 2011, which is a touring music festival taking place across Europe between June and August every year.

    eddie tour

    The metal legends ended last weekend’s Sonisphere Festival on a high not with a two-hour set following live performances by some of the world’s biggest rock and metal acts, including Mastodon, In Flames, Alice Cooper and Slipknot. Despite the warm weather, as soon as the gates opened, metal lovers from across Turkey filed into the festival grounds in their thousands.

    Mastodon took the stage first, followed by In Flames, who treated Turkish fans to a live performance for a second time. The group played a few songs off their latest album “Sounds of a Playground Fading” as well as some of their older songs.

    Alice Cooper came on stage after In Flames and created one of the most favorable surprises of the night by waving a Turkish flag on the stage. Alice Cooper won the metal crowd’s hearts in the festival by this small act of diplomacy. Alice Cooper went straight on to a Pink Floyd song, “Another Brick in the Wall” before giving an end to their song ‘School’s Out’. This was a crowd pleaser, after listening to the same song from the Turkish pop singer Serdar Ortaç in the past month, which left negative impressions from the listeners.

    Meanwhile, Slipknot’s drummer Joey Jordison impressed thousands with his fast-paced drum solo. Following Slipknot, Iron Maiden took to the stage and played the well known songs — “Fear of the Dark,” “The Trooper” and “Number of the Beasts.” Iron Maiden frontman Bruce Dickinson then sent his best wishes for troubled people of Syria and launched ınto the song ‘Blood Brothers’ dedicated to the band’s fans of all races, nationalities and religions.

     

  • Critics charge Turkey’s government infringing on academic, artistic freedoms

    Critics charge Turkey’s government infringing on academic, artistic freedoms

    ANKARA — Turkey has launched a crackdown on university projects that do not meet Islamic standards.

    University professors have accused the government of Prime Minister Recep Erdogan of blocking academic freedom at the nation’s institutions of higher education. They said Erdogan, re-elected on June 12, has ordered the Interior Ministry and security forces to raid universities suspected of un-Islamic behavior.

    “Erdogan is turning out the light — not all at once, but very slowly,” Bedri Baykam, a leading Turkish artist, said. “He is dimming it until one day it will be completely dark.”

    In January, Turkish security forces raided Istanbul’s Bilgi University amid reports that a student had produced a pornographic film for his dissertation. At least three university lecturers were dismissed amid pressure by Turkish prosecutors.

    Critics said Erdogan has launched a crackdown on university freedom as well as the arts. In a recent visit to the Armenian border, the prime minister called for the destruction of a monument that depicted friendship between Ankara and Yerevan.

    So far, authorities have not released any evidence that the student film was pornographic. The 53-year-old Baykam said this marked the latest evidence of official harassment of non-Islamic university professors and students.

    “Our government is trying, step by step, to turn our community inside out,” Baykam told the German weekly Der Spiegel. “Professors are being intimidated, and university rectors are being brought into line ideologically. Things that ostensibly do not fit with Islam are being eradicated.”

    The government this year also moved to restrict alcohol sales and consumption. Erdogan has maintained that the new regulations were meant to protect youngsters from alcohol.

    “I might have a certain attitude against alcohol in my personal life and within my family,” Erdogan told a business group on Jan. 20.

    “But as we are democratic, in addition to conservative, we are very sensitive about not imposing our personal judgments on society.”

    via Critics charge Turkey’s government infringing on academic, artistic freedoms,  worldtribune

  • Turkey, China Win Top Awards

    Turkey, China Win Top Awards

    BEIJING – Hayde Bre, by Turkish director by Orhan Oguz won the Golden Goblet for Best Feature Film at the Shanghai International Film Festival on Sunday, while Chinese director Han Jie won the Best Director prize for his film Mr. Tree, which took home the Jury Grand Prix.

    Jurists at the 14th edition of China’s largest cinema event, a group led by Hollywood director Barry Levinson, praised Oguz’s drama in a statement on the SIFF web site: “What attracted to us was its stark, honest, unflinching look at a mother dealing with a modern world and her separation from her rural background, a woman caught up in a changing world and the painful struggle she faces. The film was effective, sometimes disturbing, but always true to its intentions.”

    Of Han Jie’s direction of Mr. Tree, the Jury Grand Prix winner about a migrant worker turned accidental prophet, the jury, which also included Tran Anh Hung, Paz Vega, Zhang Jingchu, Wang Quan’an Yoichi Sai and Christopher Hamption, said: “Being clear and understandable with a complex theme while staying subtle to avoid being simplistic and having the ability to create abstract and mysterious emotion, that is an accomplished direction.”

    The SIFF Award for Best Screenplay went to Zhang Ming for The Young Man Sings Folk Songs in the Opposite Door, a film that also took home the Award for Best Actress, given to Lu Xingchen, and the Award for Best Music, which went to Wen Zi.

    The Award for Best Actor went to Sevket Emrulla in Hayde Bre and the Award for Best Cinematography went to Thai D.P. Tiwa Moeithaisong for his lensing of Friday Killer, a “good looking gangster epic paying tribute to Quentin Tarantino,” directed by Yuthlert Sippapak, who took home the SIFF Jury Prize.

    SIFF also awarded 10 winners in the event’s inaugural Cell Phone Short Films competition, launched to highlight a new media platform and provide young directors with international exposure.

    Acclaimed Hong director Tsui Hark chaired the jury, which also included Chinese actress Zhao Tao and Thai film director Nonzee Nimibutr.

    “We are impressed by the creativity, artistry and realistic and natural feel of many entries,” Tsui said in a statement on the SIFF web site. “It will be a flourishing new genre of filmmaking in the near future.”

    More than 10,000 cell phone short films from around the world were submitted for the competition and 50 films from over 27 countries were nominated.

    Chinese short Fading Flowers by Su Jiaming received both the Grand Short Award and Best Documentary Award. The touching film documents an ordinary couple’s long-term dedication to 38 abandoned children, most of whom are disabled.

    Beast by Hungarian director Attila Till won the Best Feature Film Award. The short was inspired by news stories on modern-day slavery.

    Chinese production Dauntless Man by Wang Zizhao won the Best Comedy Award for its amusing portrayal of China’s youth today.

    German director Fred Willitzkat was named Best Director for The Soup, a story about cultural differences and prejudice. German short Out on a Limb won Best Animation Award and French work The Line garnered Best Action Prize.

    The Mirror from Switzerland took the Best Creative Idea Award. The Audience Choice Award went to Centripetal from Venezuela and German short Leave without Running got the Special Jury Award.

    via Shanghai International Film Fest: Turkey, China Win Top Awards – The Hollywood Reporter.