Category: Culture/Art

  • Pacifica Institute Presents Lecture Series at Anatolian Festival

    Pacifica Institute Presents Lecture Series at Anatolian Festival

    LOS ANGELES, Oct. 3, 2011 /PRNewswire via COMTEX/ — The Pacifica Institute announced that Turkish-Israeli relations and other important issues facing Turkey today will be among a series of lectures at the Third Anatolian Cultures and Food Festival on October 6-9, 2011 at the Orange County Fairgrounds in Costa Mesa.

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    Other topics are the legacy of the Armenians in the Ottoman Empire, Islam in Turkey, Turkey and the Arab Spring, Jewish-Muslim history, and the significance of the Turkish religious leader, Fethullah Gulen. They will be presented by journalists and academics from Turkey and the U.S.

    For a full schedule visit www.anatolianfestival.org/lectureseries .

    The lectures are as follows:

    “Islam in Turkey: An Exceptional Story” and”Islam Without Extremes: A Muslim Case for Liberty”byMustafa Akyol, columnist for the Turkish newspapers, Hurriyet Daily News and Star. Akyol’s articles have also appeared in Foreign Affairs, Newsweek, Washington Post and Wall Street Journal and his book, “Islam without Extremes: A Muslim Case for Liberty, an argument for “Muslim liberalism,” was published by W.W. Norton in July 2011.

    “Turkey and the Arab Spring: Turkey’s role in the Muslim-Arab World’s Democratization Efforts”and”Turkish-Israeli Relations: From Strategic Alliance to Downgrading of Relations”byKerim Balci, Editor-in-Chief of the Turkish Review, a bimonthly journal published by Turkey’s Zaman Media Group. Balci is also a columnist in Today’s Zaman and a TV correspondent on the Middle East. He was the Jerusalem correspondent for Zaman for eight years.

    “Cultural Legacy of Armenians in Anatolia and in the Ottoman Empire”byEdvin Minassian, an attorney and Chairman of the Organization of Istanbul Armenians; Chairman of the Board of Governors of the Armenian Bar Association and the Government Relations and Protocol Committee of the Western Diocese of the Armenian Apostolic Church.

    “Turkish Pastas”byCharles Perry, a food writer and historian of Middle Eastern food, who served as staff writer for the Los Angeles Times Food Section from 1990-2008 and translated a 13th-Century Baghdad food book.

    “Wrestling with Free Speech, Religious Freedom and Democracy in Turkey: The Political Trials and Times of Fethullah Gulen”by James C. Harrington, a human rights attorney, and founder and director of the Texas Civil Rights Project, who has taught at the University of Texas School of Law for twenty-five years.

    “The Scriptural Foundations of Muslim-Jewish Dialogue and Coexistence in Muslim and Jewish Sacred Textsby Rabbi Reuven Firestone, professor of medieval Judaism and Islam at Hebrew Union College and founder and co-director of the Center for Muslim-Jewish Engagement ( www.usc.edu/cmje ).

    “Yes, I Would Love Another Glass of Tea”by Katharine Branning, Vice-President of the French Institute Alliance Francaise in New York City and has a website, www.turkishhan.org , dedicated to Seljuk hans. She wrote a collection of essays on Turkey, published by Blue Dome Presse: “Yes, I Would love Another Glass of Tea”.

    For schedules and information email info@anatolianfestival.org or call (310) 208 7290. Interviews are available before and during the festival.

    SOURCE Anatolian Festival

    Copyright (C) 2011 PR Newswire. All rights reserved

    via Pacifica Institute Presents Lecture Series at Anatolian Festival – MarketWatch.

  • Stefan Bladh Revisits the Kaplan Family in Istanbul

    Stefan Bladh Revisits the Kaplan Family in Istanbul

    While studying abroad in Istanbul in 2002, Swedish photographer Stefan Bladh had a friend show him neighborhoods on the outskirts of the city to get a fuller view of Turkish society. One morning, they passed a motorway bridge and saw a group sitting around a campfire. When he went over to talk to them, the family of 11 welcomed Bladh and his guide with tea. “They were very open and told us about their situation and life,” he says. “I got very touched. They were so humble and had an open mentality, so I decided to go back.”

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    Stefan Bladh

    The family, Istanbul, June 2007

    Bladh has kept in touch with the Kaplans for the last nine years, learning early on that even a language barrier need not hinder their ability to communicate—pen, paper and hand motions helped a lot. Often times, their desperate living situation spoke for itself. “I found them in various places throughout the country, living in cramped conditions without heat, electricity, clean water or proper sewer systems, in abandoned house skeletons and under motorway bridges,” he says. “Difficulties with money, health care and welfare rights take turns playing havoc on their lives, and every day is a struggle to keep the whole of the large family alive.” Their hardships made such a profound and lasting impact on the photographer that Bladh created a book about the Kaplans called The Family, which was published in 2010 by Nouvel.

    At the end of this August, Bladh returned to Turkey to show his book to the Kaplans. For the photographer, it was important to depict the family’s struggles, since the plight of those in similar situations is often underreported. Bladh had more or less shown the Kaplans all the photos separately over the last nine years, during which time the family sometimes asked, “Is our life really this dark?”

    The photographer says, “I believe it is hard for one to actually see his or her struggle in pictures… [I told them] this is not about telling truths – just about my experience and our time together.”

    He plans to stay in touch with the family, returning to Turkey when possible. But as the kids get older and start families of their own, Bladh says that, for now, he’ll stop photographing them. Other mediums, though, aren’t out of the question. “Why not make a documentary?” He muses. “We will see.”

    Stefan Bladh’s project can be seen at length in The Family, published in 2010 by Nouvel Publishing. See a video of Stefan’s visit from August 2011 with the Kaplans here.

    via Stefan Bladh Revisits the Kaplan Family in Istanbul – LightBox.

  • Turkey holidays in october

    Turkey holidays in october

    It is a particularly good time to go because the end of holiday season will guarantee you an incredibly low price

    by T N

    Holidays in Turkey are fantastic at any time of year because the weather is always great and October is a particularly good time to take a holiday to Turkey, because while the weather and the beaches will still be stunning, the end of holiday season will guarantee you an incredibly low price.

    During October, Turkey hosts a variety of cultural events, festivals and other entertainments so that there will still be plenty to see, do and enjoy during an unforgettable holiday in Turkey.

    October is home to the Ataturk Dam Watersports Festival, a wildly popular annual event held in Sanliurfa. A huge variety of exciting water based event will take place, including rowing, sailing and canoeing with teams from all over the world, travelling to Turkey in order to compete. Competitors are sure to make a real splash, allowing you to take in all of the thrilling watersports action during your Turkey holiday.

    If you holiday in Turkey because you love the culture of this beautiful and exotic country, then you won’t want to miss the spellbinding Alanya International Culture and Arts Festival. This colourful and engaging even offers Turkey holidaymakers a powerful and affecting glimpse in to the culture and traditions of the nation. Turkish music and poetry are celebrated in Alanya, which also happens to be a gorgeous holiday resort, full of mesmerising beaches, luxurious hotels and exquisite restaurants; making it not only a source of great cultural interest but the perfect destination for a Turkey holiday in October.

    But that’s not. There are plenty of other fantastic diversions and experiences available to you if you choose to holiday in Turkey after the close of the busy summer period. Why not book a brilliant Turkey holiday package for October, and enjoy all of its landmark holiday resort qualities and plenty more besides?

    via Turkey holidays in october.

  • An Ottoman cosmography

    An Ottoman cosmography

    The brown leather binding looks unremarkable enough, but within the Library’s rare books collection there is a volume, which once opened up, demonstrates a key turning point in the development of printing in the Islamic world. The volume is the ‘Cihannüma’ of Katip Celebi from the printing house of Ibrahim Müteferrika. It was printed in Istanbul in 1732, an example of a printed book from the very first Islamic printing house.

    Zodiac signs  Cihannuma; illustration showing the Zodiac signs
    Zodiac signs Cihannuma; illustration showing the Zodiac signs

    The introduction of printing in moveable type was slow to develop in the Middle East. The very earliest examples of printing in Arabic script date from early 16th century Europe, where religious texts were printed, especially by Italian printers. Some early Arabic religious texts were also printed from presses in Christian communities in the Middle East, but it was not until the early 18th century that printing in Arabic script by Islamic printing houses in the Islamic world was officially authorized.

    The initiative came from a certain Said Efendi, son of the Ottoman Ambassador to Paris who accompanied his father on a diplomatic visit there in 1721. There he had learned about printing and on his return to Istanbul he requested the support of the Grand Vizier in the setting up of a printing press. His chief collaborator was Ibrahim Müteferrika, a man with many interests including astronomy, history, philosophy and theology. He was born in Hungary in 1674, probably a Christian who converted to Islam. The name ‘Müteferrika’ is derived from his employment as a bureaucrat and diplomat under Sultan Ahmed III.

    Together with Said Efendi he was granted permission to print books in Ottoman Turkish in Arabic script. The presses and type fonts were obtained from local Jewish and Christian printers and later imported from Europe. Ibrahim Müteferrika became director of the first Turkish printing press. The first book, a dictionary, was printed in 1729. Religious texts were officially excluded as they continued to be copied in manuscript form only. There was a vested interest among the local scribes and calligraphers to prevent the growth of printing. The cursive design of Arabic script lent itself particularly well to manuscript production and the manuscript workshops presented a constant opposition to Müteferrika’s enterprise.

    Important among his printed works was the world atlas, the ‘Cihannüma’ of Katip Celebi printed in 1732. This is a world atlas, or cosmography, loosely translated as ‘The mirror of the world’. Celebi (1609–1657) was an Ottoman historian, bibliographer and geographer and the most conspicuous and productive scholar, particularly in the non-religious sciences in the 17th-century Ottoman Empire. He was a life-long friend of Müteferrika.

    The Library is fortunate to possess a single printed work from Müteferrika‘s press and it is a copy of this work (S828.a.73.2). The copy demonstrates a number of interesting features.

    The design and layout of the first leaf of the text with red and black type looks exactly like the opening of a manuscript; the traditional ‘title page’ usual in the printed books had not yet been developed. Müteferrika has himself added a significant introduction to his printing of Celebi’s work in which he discusses the Copernican view of astronomy. He is considered to be one of the first people to introduce the Copernican view of the solar system to Ottoman readers.

    The diagrams and maps within the volume, of which there are over forty, cover the countries of the Middle East, the Mediterranean and areas farther afield. Although the map outlines are printed, many have been coloured at a later date in a rather crude way with a brush in primary colours, giving the pages a primitive look. The book has also lost its original Islamic binding and was re-bound in a European style probably on its arrival in the Library. The binding is too tight and makes the text and illustrations in the central gutter difficult to read.

    Back in Istanbul, however, the printing activities did not last and came to an end in 1743, due to strong opposition of the local scribes to Müteferrika’s enterprise. He died in 1745, after printing works on grammar, geography, maths and above all, history; books from his press are often known as the ‘Turkish incunabula’. But this change was not long-lasting and printing houses eventually grew up in other Middle Eastern cities. Eventually even the ban of printing religious texts was lifted and the first printed Qur’an texts appeared in the 1860s. So perhaps Ibrahim Müteferrika, the court official and printer from Istanbul, had started a quiet revolution.

    via Special Collections » An Ottoman cosmography.

  • James Bond 23 Eyes Istanbul, May Have Found Next Bond Girl

    James Bond 23 Eyes Istanbul, May Have Found Next Bond Girl

    James Bond sequels regulary end up being international affairs. The secret agent’s license to kill usually works as a passport to global hotspots. I’d be hard pressed to come up with any major international location that didn’t serve as the backdrop for at least one 007 adventure.

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    As director Sam Mendes puts the finishing touches on pre-production for his as-yet-untitled Bond 23, we continue to hear about new locations that plan to host 007’s crew. India was on the list, until railway officials gave Mendes a hard time about an elaborate railway stunt that would “promote” train hopping by locals (a no-no in India). South Africa was selected as an alternate shooting location. Now MI6-HQ.com, a Web site dedicated to the latest James Bond news, says longtime producers Michael G. Wilson and Barbara Broccoli met with officials in Istanbul, Turkey, to finalize plans to shoot multiple scenes in the city in November. At the very least, the film’s opening sequence – usually involving an eye-popping stunt – will be shot in Istanbul, though officials say the production could bank footage around town for use in different spots in the film.

    As Turkey tourism officials point out, Bond fans often travel to filming locations to see where 007 left his mark. MI6 reports that Mendes will film in the historical neighborhood Sultanahmet Square, as well as along the shores of the Bosporus. Previously, Istanbul played host to two Bond sequels over the years: Sean Connery’s excellent From Russian With Love and Pierce Brosnan’s less-impressive The World Is Not Enough.

    “It really just feels like we are coming home,” Wilson told area reporters.

    In other Bond-related news, Twitch is reporting that French television actress Berenice Marlohe has been cast as the next Bond Girl, a coveted role occupied over the years by everyone from Ursula Andress to Halle Berry. But nothing has been confirmed, so take this with a grain of salt until we hear something official from producers.

    What do we know about Bond 23 for sure? Well, Neal Purvis, Robert Wade and John Logan penned the script, which stars Daniel Craig in his third go-round as 007. MGM will get it into theaters on Nov. 9, 2012.

    via James Bond 23 Eyes Istanbul, May Have Found Next Bond Girl – CinemaBlend.com.

  • JAMES BOND Returns to Turkey to Film Opening Sequence for 23rd Installment

    JAMES BOND Returns to Turkey to Film Opening Sequence for 23rd Installment

    By Pietro Filipponi

    daniel craig1

    Director Sam Mendes​’ 2012 installment of MGM’s long running spy franchise will film several scenes including the project’s opening in Turkey according to producers.

    Daniel Craig is slated to return for director the Sam Mendes helmed 23rd James Bond​ film, which will continue of the origin story of MI5’s Agent 007​ as he adjusts to life as one of England’s most specialized secret weapons. Speculations and differing reports have linked Ralph Fiennes​, Anthony Hopkins​, and Javier Bardem​ to possible nefarious roles in the anticipated sequel to Quantum of Solace​ and Casino Royale, which has been written by Neal Purvis, Robert Wade and John Logan. Dame Judy Dench, who is return to play the head of MI5, recently revealed that cameras were set to role for the film as early as this November. Actress Naomie Harris (Pirates of the Caribbean, 28 Days Later​) has been tapped to bring the character Miss Moneypenny​ back to the silver screen.

    The latest report from behind the scenes of the film states that producers Michael G. Wilson and Barbara Broccoli met with Ertugrul Günay, Turkish Culture and Tourism Minister, to discuss filming prospects:

    “The opening scenes are planned to be filmed in Istanbul [Turkey], but some other places will also be used outside Istanbul for the film.” – Ertugrul Günay

    “James Bond is no stranger to Istanbul, and as the series marks its 50th anniversary next year, it is fitting that 007 would return to one of the most loved locations in the history of the franchise. It really just feels like we are coming home.” – Michael G. Wilson

    The report concludes with the following information, which offers details about the film’s opening: ‘There are..a number of locations, including the waterside and shores of the Bosporus, in consideration for the 10-15 minutes of the movie that is to be filmed in Turkey.’ The yet to be titled project is scheduled for UK theatrical release on October 26th, 2012 and worldwide release on November 9th, 2012.

    Source:

    Coming Soon

    via JAMES BOND Returns to Turkey to Film Opening Sequence for 23rd Installment | The Daily BLAM!.