Category: Main Issues

  • Gunaysu: Snapshots from the Fragmented Landscape of Turkey

    Gunaysu: Snapshots from the Fragmented Landscape of Turkey

    Gunaysu: Snapshots from the Fragmented Landscape of Turkey

    By: Ayse Gunaysu

    This time my column will have no structural integrity. It will be fragmented just like life itself and just like my thoughts wandering around, coming and going at unexpected times, intertwined to form strange, disconnected images in my mind, culminating in absurd dreams at night.

    Sevag Sahin Balikci

    Yesterday, on the 13th of May, a very young, very intelligent, bright-eyed, energetic, and warm-hearted journalist from Yerevan interviewed me. While talking, I suddenly found myself wishing I had a daughter like her. She asked me questions about the prospects of normalization between Turkey and Armenia. I told her what I think very briefly: How can anyone believe Turkey really wants friendly relations with Armenia while it, at the same time, displays such an unreservedly aggressive denial of the genocide (I mean, not just saying “We didn’t do it,” but saying “They deserved it”)? Official statements about taking steps for good relations with Armenia were all part of a marketing campaign to sell the “Turkey” brand to the world, as a country evolving into a more democratic system, eliminating its taboos, and seeking good relations with its neighbors. Among thousands, I gave only one very recent example.

    That same day, journalist Ozgur Gundem reported how in Diyarbakir’s Dicle University, the history exam included the question: “The Ottoman state did not commit Armenian genocide. Deportations took place on the suggestion of Germany because of the treachery of Armenians who stabbed the Ottoman army in the back. During deportations some of them died of hunger, diseases, and cold weather. True or False?” Gundem called the professor who had prepared the exam question, and the latter confirmed he had prepared it knowingly, to ensure that his students learned the truth and were not mislead by unfounded allegations.[1] This is the country that is supposedly taking steps towards good relations with Armenia.

    While we sat and talked in Uskudar by the sea, convoys of political parties were campaigning for the upcoming general elections with their unbearably high-volume songs and slogans filling the air, making it difficult for us to hear each other. At the same time, mass arrests were happening in the cities against Kurdish students, activists, and their supporters; military operations were intensifying in the Kurdistan mountains, with an unprecedented number of Kurds joining the funerals of guerillas; and nationalist mobs were attacking the Kurds’ Peace and Democracy Party offices in the west before the eyes of security forces.

    That same day, on the 13th of May, before I met the young journalist, an e-mail had reminded me that it was also the day when Armenak Bakirciyan, the legendary guerilla leader of one of the oldest Marxist-Leninist armed movements in Turkey, was shot dead in an ambush by the military in Elazig (the old Armenian city of Harpert) in 1980.

    Armenak, the son of an Armenian family from Diyarbakir, was named after Armenak Ghazarian, popularly known as Hrayr Tjhokhk, one of the heroes of the second Sasun resistance in 1904. More than a century later and carrying his name, Armenak Bakirciyan was Hrant Dink’s close friend at the Surp Hac Tibrevank Armenian School in Uskudar. He and Hrant Dink, together with other schoolmates, worked selflessly to find Armenian children in the remote villages of Anatolia, the grandchildren of genocide survivors who were unable to learn their mother tongue, and bring them to Istanbul to attend Armenian schools, where they could study in their own language. Some of these volunteer teachers of the Armenian language and culture joined the armed revolutionary organization TKP/ML-TIKKO in Turkey, waging an armed struggle, mainly in the southeast of Turkey, especially Dersim. Armenak was one of them, like Hayrabet Hancer, Nubar Yalimyan, and Manuel Demir, hiding in the mountains and punishing merciless army officers who made life hell to the villagers with arbitrary arrests and beatings in the village squares and market places, terrorizing them in every way. Armenak became a hero in the eyes of the local Kurds. He was caught wounded in a raid to the house he was hiding in and taken to prison in Izmir. Two years after his arrest, he managed to escape with the help of his comrades, fleeing to the mountains once again. On May 13, 1980, he was shot dead in an ambush in Elazig, Karakocan. The military, refusing to return his body to his family, buried him in the cemetery of the nameless. His comrades managed to secretly take his dead body out and bury him in the village of Farach, in the Mezgert (Mazgirt) District of Dersim to fulfill his last wish. During the small ceremony, the imam—in fact a secret Armenian—read lines from a poem written for Armenak: “Sing songs to me Armenak! / Let the darkness fall apart with your melody / Let your voice wake up mountains from sleep / And let life keep going with you.”

    Armenak, despite his admirers and followers for more than 30 years now, was just as lonely as the others that Armenian Weekly contributors Talin Suciyan and Ayda Erbal referred to in their recent article “One Hundred Years of Abandonment.[2] The armed illegal organization he joined as an Armenian communist was the most radical movement of its time, refusing to abide by the laws of the Republic of Turkey and waging an armed struggle against its security forces. However, the movement was also part of Turkish Marxism-Leninism, according to which Turkey’s historical backwardness was due to imperialism (that evil responsible for everything awful in Turkey) and not the Armenian Genocide which, alongside the ethnic cleansing of the Greeks, fatally destroyed the newly developing commercial bourgeoisie and the flourishing economic infrastructure, with its entire system of production and trade relations, thus putting the country 100 years back economically as well. Directing one’s anger to another, to a common enemy, to the wicked imperialism, rather than directing it to one’s self, has always been much more convenient and relieving.

    Thirty years after Armenak’s death, on April 24, 2011, a young Armenian man, Sevag Sahin Balikci, not fighting against the Turkish Army—on the contrary, doing his military service for Turkey—was shot dead on the 96th anniversary of the Armenian Genocide. The military authorities issued an official statement saying that he was shot while joking around with his “close friend” in the same unit.[3] The “close friend” however, proved to be a Turkish ultra-nationalist, evident from his likes and dislikes on his Facebook page, which were soon removed.

    The Human Rights Organization of Turkey has filed a complaint with the court demanding that legal action be taken against the Turkish General Staff for misleading the public and attempting to cover up the crime.

    Sevag’s funeral was turned into a military show and ceremony of Turkification, with such a high number of army officers and government officials that they filled up the Surp Vartanants Church and left others in the garden, unable to go in. The soldiers loudly warned people to “step back” for the army generals to pass, and the coffin was adorned by the Turkish flag that, hours later, was held out to Sevag’s father by an army officer to kiss.

    Now I take the liberty to quote in full what Talin Suciyan wrote in the May 6th issue of Agos, in response to the Turkish minister of EU affairs’ words about Sevag’s “representing the colors of Anatolia,” because nothing can express better what Armenians in Turkey were subjected to with the whole affair:

    “First you made me into a tessera in your mosaic of cultures just to be able to put up with me. But soon you found that too static and resorted to the image of ebru.[4] Whether an ebru or a tessera, you all agreed that I was ‘a color of Anatolia.’ Yet, I’m neither your ebru nor your tessera, nor am I a color of your Anatolia. I know that I can acquire a color only if I’m dead and gone, mute and traceless; more colorful I become as you further destroy my history.” ‘What are you then?’ you might ask. I’m the child of the remnants of sword; the daughter of women whose bodies have been ravaged; the daughter of a people that many times have been forced to exile and whose traces have been erased throughout the last century from the land it lived on for millennia. I’m the daughter of a people that has been captivated, alienated from itself, subjugated, and whose existence as well as extermination have been denied, and temples, schools, foundations, even the hearts and minds of its members have been turned inside out. They call me a Turkish Armenian.”

    “On April 24th, an Armenian died (shot dead) in barracks. The Armenians knew from their guts what that meant. But the minister for EU Affairs, Egemen Bagis, says that ‘our brother Sevag represents the colors of Anatolia.’ Bagis is right: A dead Armenian is always ‘our brother’! And yes, we do represent a color: A deep, bottomless black. An infinite black!”

    “Sevag’s pitch-black eyes are staring at us; Sevag is draped in the blackest of all colors. Will you be able to look into those eyes without that gibberish about food, folk songs, and brotherhood? Don’t try to feel the suffering that has lasted a century. But you can understand the oppression we were subjected to at Sevag’s funeral ceremony; how the church has been taken away from its congregation and the funeral from its rightful owners. And just by looking at the archbishop’s post-service speech, you can understand how the Armenians remaining in Turkey have been sentenced to pay a perennial price for their survival. Don’t expect us to talk any longer, for words stand in front of us and laugh mockingly as we try harder to tell. Share in this loneliness.[5]

    The young journalist from Yerevan was looking at me sadly. She had just finished the frustrating story of her days in Turkey, contacting various people from all walks of life. “I will not come to Turkey again, I don’t want to,” she said, lowering her eyes. “Maybe I would as a journalist for professional reasons, but not as a visitor.”

    “Then I will come to Yerevan,” I said. “We will meet there.”

     


    [1] See www.ozgur-gundem.com/haberID=11382&haberBaslik=Bebekten%20katil%20yaratan%20soru&action=haber_detay&module=nuce

    [2] See https://armenianweekly.com/2011/04/29/erbal-and-suciyan-one-hundred-years-of-abandonment/

    [3] See http://www.armenianweekly.com/2011/05/01/istanbul-armenian-soldier-shot-dead-on-the-96th-anniversary-of-armenian-genocide/

    [4] Both ebru (traditional Muslim art of paper marbling) and mosaic Suciyan refers to here are the metaphors widely used in Turkey in eulogizing the so-called pluralistic cultural making of Anatolia.

    [5] For the online version of the article, see https://azadalik.wordpress.com/2011/05/06/im-neither-an-ebru-nor-a-tessera%e2%88%97-nor-am-i-a-color-of-anatolia/#more-78.

  • Knesset to discuss Armenian Genocide amid deteriorating Turkey ties – Genocide

    Knesset to discuss Armenian Genocide amid deteriorating Turkey ties – Genocide

    Israel Knesset

    A motion by the Meretz party to direct the Israeli Knesset’s education committee to discuss a resolution recognizing the Armenian Genocide was unanimously approved on Wednesday, reported Asbarez.com, citing the Armenian National Committee of Jerusalem.

    The motion presented by Meretz delegate Zahava Gal-On also received the support of government representatives who voted for the proposal.

    In the past the Knesset said that a resolution recognizing the Armenian Genocide should be debated by the parliament’s defense and foreign relations committee. That committee holds its meetings behind closed doors and concerns have been voiced that under such circumstances, the committee could propose to not consider the motion.

    During the more than 30 minute debate on the Knesset floor, various party members expressed their views on the resolution.

    Meanwhile, Israel’s leading Haaretz daily wrote that many in Israel see the move in the Knesset as a further sign of Tel-Aviv’s deteriorating ties with long-time ally Turkey.

    “Israel has long evaded a public discussion of the 1915-era killings of Armenians by Turkish forces, also avoiding calling the attack ‘genocide’, out of fears of disrupting its long-standing diplomatic and military alliance with Turkey… However, in what seems to be another sign of worsening Jerusalem-Ankara ties, the Knesset moved to hold the first public discussion on the Armenian Genocide,” stressed the Israeli paper.

    via Knesset to discuss Armenian Genocide amid deteriorating Turkey ties – Genocide | ArmeniaNow.com.

  • Fragile beauty

    Fragile beauty

    A Greek Cypriot glass artist is smashing the boundaries of his chosen field. NAOMI LEACH talks to him about his upcoming joint exhibition, Transparency, to be held in Istanbul

    Yorgos whose glass works are on show in Istanbul
    Yorgos whose glass works are on show in Istanbul

    You’d be forgiven for thinking being born on October 28 to a Famagusta family later rendered refugees and then putting together an exhibition with a Turkish artist in Istanbul might make you politically alert but Cypriot glass artist Yorgos Papadopoulos insists that neither he nor his work is politically charged.

    Yorgos is forward thinker and an artist firstly, he does not wish his upcoming Turkish exhibition to be about difference, instead he revels in the idea of fraternity and the universal appeal of art.

    “I don’t want to get political about this whole idea. I care what happened to Famagusta but I feel I’ve moved on and want to be united with the Turkish people. They are just like the Cypriots and I feel so at home with them. I want to forget about the politics of who did what. I know that I am playing it naively but I respect people’s choice,” he says.

    He is aware that his liberal attitudes might not sit well with some Cypriots but he is sensitive to history, admitting his family’s own tale echoes the harrowing stories of other displaced families.

    “I took mum over the border here in Cyprus when they first opened. For her everything had changed, seeing things through her eyes was quite dramatic.” After splitting his time between the UK and Cyprus, Yorgos is comfortable with his dual identity and suggests his art goes beyond these definitions.

    “It’s not political, it’s not about the past. I am pushing forward to discover new ways to shape glass, to make it more 3D. I am keen to challenge the status quo, particularly of religious institutions afraid of updating their iconography,” he explains.

    The religious institution he is referring to is the Church, having created a glasswork collection entitled Virgins which reimagined the usual stained glass imagery seen in churches. The controversial series exhibited in London, New York and Cyprus.

    “I used a neon pink florescent colour, trying to break the rules. You can do this and it can still be beautiful. All these priests were there supporting the arts, drinking wine happily and I said I’m willing to donate a piece or two to the church but they wouldn’t accept them,” he says.

    Yorgos is not only interested in ruffling the establishment he has also been literally smashing through traditional creative methods of glass art. He has developed a unique technique breaking and relaminating glass to give the impression of fragility to pieces that are actually highly durable.

    “I don’t see myself as being part of the glass world because I don’t fit. I take hammers to glass. People say what are you doing but I’m selling my work and make my living from this work. It’s decorative art as opposed to fine art, you can hang it on walls but it’s not paintings.”

    Yorgos has created distinctive commissions for British Airways, P&O Cruises and several high profile London restaurants, as well as enjoying a host of international exhibitions. He initially trained in interior design then ceramics at City Lit in London before later making the switch to glass and continuing his studies at the Royal College of Art.

    “I fell in love with glass, especially broken glass. I accidentally broke a piece that was laminated and saw its natural beauty. I have developed it ever since. I have a modern approach to stained glass. It’s difficult to pigeon hole. It could be installation, it could be sculptural, it blurs between different boundaries,” he adds.

    Like most artists, Yorgos gets attached to his work and admits to finding separation difficult. “They are like my babies, it’s quite an emotional thing to hand a project over for good. When it goes to a lovely home and I get to know the people and can visit, then I’m happy.”

    Yorgos has lived in London on and off for 27 years, in the ex council house his family were given by the UK government after leaving Famagusta in 1974. Although he returned to Cyprus during his childhood he was schooled in both countries.

    “Cyprus influences my work in some way unconsciously. I spent my childhood there, the light the smells. As soon as I get off the plane I get that dry heat smell and think ‘I remember this’. It comes through my work somehow,” he muses.

    Although Cyprus colours some of Yorgos’ work he says he is most inspired at his studio in Spain. Following in the rich tradition of artists with Spanish abodes such as Picasso, Dali and Gaudi, Yorgos has a hilltop studio near Malaga.

    “My nearest neighbour is a shepherd. I’m out with the elements. I have a 360 degree view of the mountains and sea. Inspiration comes from natural and organic forms. My hobby is beachcombing, picking up driftwood etc. I love to use my place in Spain for creative, conceptual work. For getting ideas together as a lot of work originates there.”

    For bigger projects he uses a glassware studio in Frankfurt, Germany where he busies himself with all the gluing, painting and sanding. He explains that he pre-orders his sandblasted designs and arrives with hammers at the ready to start breaking the glass. He then paints the work before it is sent off to be laminated and polished. Each piece can sell from €11,000 to €17,000.

    Yorgos will be exhibiting pieces from both The Virgins collection and his new vibrant Evil Eye project at the Transparency exhibition. Both artists are contributing work on the theme of protection with his co-exhibitor Yasemin Aslan Bakiri’s work depicting shields. The pair met in London, three years ago, at one of Yorgos’ open studio weekends and he promised to bring his work to Yasmin’s Istanbul gallery. Their joint collaboration can be viewed at Balat Mah in Istanbul May 12-July 31.

    www.yorgosglass.com

  • Turkish president: guess who’s not coming to dinner?

    Turkish president: guess who’s not coming to dinner?

    THE FOREIGN Ministry will be lodging a complaint to the multilateral organisation, the United Nations, over the Istanbul dinner affair where Cyprus’ foreign minister Marcos Kyprianou was specifically not invited as a guest to the banquet hosted by Turkish President Abdullah Gul.

    Foreign Minister Marcos Kyprianou

    The dinner was hosted in Istanbul for the pleasure of delegates of the 4th UN Meeting for the Least Developed Countries. Failure to invite the Cypriot minister was part of Turkey’s long-held policy not to recognise the Cyprus Republic, explained Kyprianou.

    Speaking from Istanbul, the minister yesterday clarified that, “Cyprus was present at the meeting, as a UN member state, and the Cypriot flag was present in the room”.

    However, given that the dinner was not organised by the UN, the decision as to who gets a meal courtesy of the Turkish president was one left to the host country.

    “It was not a UN invitation, but one by the Turkish state,” said Kyprianou, adding “this was the least one could expect from a country that occupies territory of a UN member state”.

    There was some respite however as Kyprianou did get an invite to the working dinner hosted by Turkish Foreign Minister Ahmet Davutoglu on the sidelines of the Meeting of the Committee of Ministers of the Council of Europe.

    On the sidelines of the Istanbul meetings, Kyprianou took the opportunity to have bilateral meetings sidelines with his counterparts from Serbia, Croatia, Bosnia-Herzegovina, Moldova, Montenegro and Estonia.

    via Turkish president: guess who’s not coming to dinner? – Cyprus Mail.

  • Cyprus Parliament Head Calls Turkey International Terrorist

    Cyprus Parliament Head Calls Turkey International Terrorist

    NICOSIA (Tseka)—President of the House of Representatives Marios Garoyian on Tuesday stressed the responsibilities of the international community in regard to Turkey’s crime of the Armenian Genocide saying that if Turkey had been punished for that crime, the Turkish invasion against Cyprus may not had taken place.

    Garoyian
    Garoyian

    Describing Turkey as an international terrorist, he called upon Ankara to admit its crime and apologize to humanity for it.

    If Turkey had been punished for its enormous crime of the Armenian Genocide of 1915, the Turkish invasion against Cyprus may not have taken place, he stressed, addressing Tuesday a school event entitled Armenian Genocide from the past to the present.

    Garoyian stressed the responsibilities of the international community, saying that the Armenian Genocide must be condemned and recognized by all and called upon Turkey to admit its crime and apologize to the Armenian people and all humanity.

    He went on to add that the international community’s failure to punish Turkey increases Ankara’s intransigence and described Turkey as an international terrorist, who, through military power, attempts to impose its rule on neighbors and non-neighbors alike.

    As long as Turkey remains unpunished, the international community has no right to be proud of today’s world order, he stressed, adding that the international community should feel as an accomplice as long as the Armenian Genocide and other ethnic cleansing crimes of Turkey remain unpunished.

    He recalled that Cyprus was the first country to raise the issue in the 1960s before the UN General Assembly, asking for an international condemnation of the Genocide and said that the Cypriot House of Representatives as well as the Greek Parliament were among the first parliaments to have condemned it.

    via Cyprus Parliament Head Calls Turkey International Terrorist | Asbarez Armenian News.

  • Gunaysu: Neither Yes, Nor No

    Gunaysu: Neither Yes, Nor No

    I really cannot remember how many times I wrote that Turkey is a country full of paradoxes, where there is an unusually high number of questions you can neither say yes, nor no to. Furthermore, it generates paradoxes constantly.

    For example, the government’s initiative to resolve the “Kurdish issue,” in its present form, is both acceptable and unacceptable. It is right and acceptable in aiming at peace, but unacceptable in its vagueness and the government’s contradictory practices.

    The Ergenekon case, against the suspects charged of plotting against the government, is both approvable and disapprovable; it is deserves support for challenging the militaristic state tradition in Turkey, but it’s objectionable because of its doubtful final objective and lack of determination to really put an end to illegal formations within the state apparatus.

    I support Islamic intellectuals in their struggle for democracy and their demand for true civilian rule, but I can’t possibly stand with them side by side as long as they continue with their anti-Semitism, using Israeli government policies and practices as a pretext.

    I didn’t sign the famous “apology” petition initiated by a group of Turkish intellectuals, but would by no means campaign against the petition, knowing that thousands of people signed it with  total sincerity in their protest against denialism and that the petition would, despite its drawbacks and deficiencies, ultimately serve as a step towards recognition of the genocide.

    I can mention many more instances where one, in the very chaotic environment of Turkey, can say both yes and no to an initiative, a practice, or an undertaking of a political nature.

    The detailed reasons for this inability to take an unconditional stand in major questions, the sociological, economic, cultural, historical factors playing part in this state of being always paradoxical, is a subject to be studied by academics. But looking at the big picture, it is easy to see that the change Turkey has been undergoing is generating a potential to move the foundation stones of the already- poorly built structure of the establishment, leading to shifts in certain balances and turning the traditional positioning of political wings upside down.

    The signals of a normalization of relations between Turkey and Armenia is one of such questions that I feel myself saying neither no, nor yes, to, or saying both yes and no at the same time.

    The matter has many dimensions and many levels to discuss. It has many facets, all of which bear different significance and meaning. It is certainly not the same if you are an activist who has devoted his/her life to the recognition of the Armenian Genocide; or if you are a citizen of Armenia who desperately needs the border to be opened to earn a living; or if you are an Armenian but a Turkish citizen who has given all of his/her life to maintain and promote Armenian language, culture and educational, social and religious institutions in Turkey, a country where ethnic, religious, and cultural uniformity is constantly upheld; and it is surely a different case if you are a person in Turkey who sees his/her meaning of life in contributing— no matter how tiny the contribution might be— to the democratization of the country and to the defeat of a denialist culture.

    On my part, I say yes to the normalization process because we in Turkey, who refuse Turkish nationalism, are desperately in need of anything that would weaken Turkey’s deeply rooted traditional way of seeing Armenia as a hostile country. I say yes because we cannot lead a decent life when our Armenian friends here are continuously harassed by such nationalism. I say yes because Turkish nationalism sees the protocols signed between the two countries as a threat to their existence. I say yes because erasing the name of Armenia from the maps at schools, including the Armenian schools, was among the first practices of the military dictatorship of 1980. I say yes because Delal Dink said if the border is opened, her father would rise from the sidewalk where he has been lying since the moment he was shot dead.

    But at the same time, I say no to the protocols because the organizations of the Armenian Diaspora, the children and grandchildren of the genocide victims, were excluded from the process as a whole. In this way, the protocols, regardless of whether or not it was done intentionally, play in the hands of the Turkish public’s widespread “good Armenian” (Armenians of Turkey and to some extent Armenia) and “bad Armenian” (Armenians of the diaspora) pattern of thinking. I can’t applaud the signing of the protocols as long as the textbooks with which children in Turkey are raised contain expressions instigating feelings of animosity and hatred towards Armenians. I can’t possibly be happy with the so-called “normalization process “ as long as the websites of not only government institutions, but also semi-official and non-official organizations still embody a historiography full of lies and anti-Armenian propaganda, and as long as well-known academics, retired ambassadors, and popular opinion makers audaciously express views dishonoring the memory of genocide victims and damaging the dignity and honor of their grandchildren living in Turkey and elsewhere. I can’t support the protocols because it does not include a commitment on the part of Turkey to put an end to all of these and other manifestations of denial, not only of the genocide but also of the all-round suffering inflicted in this country on Armenians in the past and at present as well.

    But I can’t possibly— even if I wanted—campaign against the protocols because I see this initiative as part of the process of change presently underway in Turkey. The official ideology has been for generations reinforcing the anti-Armenian feelings in Turkey. Even the declaration of a will to establish friendly relations with Armenia is in total contradiction with this ideology that has been internalized by the Turkish public. So it feels good to see the mainstream press publishing news items and articles in favor of the normalization process. But it still hurts and infuriates to know that the culture of denialism is as strong as ever.